Super 16 Camera Aperture | 150 Titles
Push (2009)
Directed by | Paul McGuigan | Cinematography by | Peter Sova | Editing by | Nicolas Trembasiewicz
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 16SR3 Camera, Bolex H16 RX5 Camera, Bolex H16 SB Camera
La Pasión de Michelangelo (2013)
Directed by | Esteban Larraín | Cinematography by | Tevo Díaz | Editing by | Felipe Guerrero, Soledad Salfate
Les immortels (2003)
Directed by | Paul Thinel | Cinematography by | Bruno Philip | Editing by | Heidi Haines
Cameras | Aaton XTR Prod Camera
Lenses | Cooke Lenses, Cooke S4 Lenses
Wall (1994)
Directed by | Jay Holben | Cinematography by | Jay Holben | Editing by | Eric Tozzi
Cameras | Cinema Products CP-16R Camera
Territories (2010)
Directed by | Olivier Abbou | Cinematography by | Karim Hussain | Editing by | Douglas Buck
Cameras | ARRIFLEX 416 Camera
Façade (2005)
City of God (2002)
Directed by | Fernando Meirelles, Kátia Lund | Cinematography by | César Charlone | Editing by | Daniel Rezende
Mesrine Part 1: Killer Instinct (2008)
Directed by | Jean-François Richet | Cinematography by | Robert Gantz | Editing by | Stéphane Garnier, Hervé Schneid
Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera
Destined (2008)
Directed by | Felix Ramos | Cinematography by | Thomas Peter Logtens | Editing by | Laura A. Garcia
Cameras | ARRI Cameras
Fritt vilt (2006)
Directed by | Roar Uthaug | Cinematography by | Daniel Voldheim | Editing by | Jon Endre Mørk
Cameras | Aaton XTR Prod Camera
Placebo Effect (1998)
Directed by | Alejandro Seri | Cinematography by | Henryk Cymerman | Editing by | Bill O'Neil
Cameras | Panavision Cameras
Lock, Stock and Two Smoking Barrels (1998)
Directed by | Guy Ritchie | Cinematography by | Tim Maurice-Jones | Editing by | Niven Howie
Cameras | ARRIFLEX 16SR2 Camera, Photo-Sonics Cameras
Loggerheads (2005)
Directed by | Tim Kirkman | Cinematography by | Oliver Bokelberg | Editing by | Caitlin Dixon
Cameras | ARRI Cameras
Manda Bala (Send a Bullet) (2007)
Directed by | Jason Kohn | Cinematography by | Heloísa Passos | Editing by | Doug Abel, Jenny Golden, Andy Grieve
Cameras | ARRIFLEX 16SR3 Camera
Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Zeiss Ultra Prime Lenses
Little Erin Merryweather (2003)
Directed by | David Morwick, Michael Civille | Cinematography by | Michael Marius Pessah | Editing by | David Morwick, Brendan Ring
Cameras | ARRI Cameras
Laughing Dead (1998)
Directed by | Patrick Gleason | Cinematography by | Neal Fredericks, Tom Jensen | Editing by | Robert McFalls
Cameras | Aaton XTR Prod Camera
Boggy Creek II: And the Legend Continues (1984)
Directed by | Charles B. Pierce | Cinematography by | Shirak Kojayan | Editing by | Shirak Kojayan
Cameras | ARRI Cameras
$lowdown (2011)
Directed by | Saman Yaghmai-Aledavoud | Cinematography by | Saman Yaghmai-Aledavoud | Editing by | Gene Ivery
Cameras | ARRIFLEX 16SR3 Advanced Camera
Lenses | Zeiss Super Speed Lenses
Wendy and Lucy (2008)
Directed by | Kelly Reichardt | Cinematography by | Sam Levy | Editing by | Kelly Reichardt
Cameras | ARRIFLEX 16SR3 Camera
Sherrybaby (2006)
Directed by | Laurie Collyer | Cinematography by | Russell Lee Fine | Editing by | Curtiss Clayton, Joe Landauer
Cameras | ARRI Cameras