Jean Lapointe

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6 Underground | ShotOnWhat?

Lead Digital Artist: ILM

6 Underground (2019)

Directed by: Michael Bay

Cinematography by: Bojan Bazelli

Edited by: Roger Barton, William Goldenberg, Calvin Wimmer

Cameras: Apple iPhone Camera, ARRIFLEX 35 IIC Camera, GoPro HD Hero Camera, Red Epic Helium Camera, Red Monstro 8K Camera, Red Raven Camera, Sony CineAlta VENICE Camera

Lenses: Panavision T Series Anamorphic Lenses

Us | ShotOnWhat?

Senior Compositor: ILM

Us (2019)

Directed by: Jordan Peele

Cinematography by: Mike Gioulakis

Edited by: Nicholas Monsour

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Fujinon Alura Lenses, Zeiss Master Prime Lenses

Captain America: Civil War | ShotOnWhat?

Compositing Supervisor: ILM

Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

Star Wars: The Force Awakens | ShotOnWhat?

Compositing Supervisor: ILM

Star Wars: Episode VII - The Force Awakens (2015)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens

Editing System: Avid Editing System

Avengers: Age of Ultron | ShotOnWhat?

Compositing Supervisor: ILM

Avengers: Age of Ultron (2015)

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

Tomorrowland | ShotOnWhat?

Compositing Supervisor: ILM

Tomorrowland (2015)

Directed by: Brad Bird

Cinematography by: Claudio Miranda

Edited by: Walter Murch, Craig Wood

Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens

Captain America: The Winter Soldier | ShotOnWhat?

Cg Supervisor: Industrial Light & Magic

Captain America: The Winter Soldier (2014)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

Elysium | ShotOnWhat?

Compositing Supervisor: Image Engine

Elysium (2013)

Directed by: Neill Blomkamp

Cinematography by: Trent Opaloch

Edited by: Julian Clarke, Lee Smith

Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera

Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

J. Edgar | ShotOnWhat?

Visual Effects: Method Studios

J. Edgar (2011)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision C100 100 mm T2.8 Lens, Panavision C75 75 mm T2.5 Lens, Panavision E Series Anamorphic Lenses, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens

Transformers: Dark of the Moon | ShotOnWhat?

Digital Artist: Industrial Light & Magic

Transformers: Dark of the Moon (2011)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

TRON | ShotOnWhat?

Compositing Lead: Prime Focus

Tron (2010)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: James Haygood

Cameras: Phantom HD Camera, Sony CineAlta F35 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Last Airbender | ShotOnWhat?

Digital Compositor: ILM

The Last Airbender (2010)

Directed by: M. Night Shyamalan

Cinematography by: Andrew Lesnie

Edited by: Conrad Buff IV

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Percy Jackson & the Olympians: The Lightning Thief | ShotOnWhat?

Digital Compositor: MPC

Percy Jackson & the Olympians: The Lightning Thief (2010)

Directed by: Chris Columbus

Cinematography by: Stephen Goldblatt

Edited by: Peter Honess

Watchmen | ShotOnWhat?

Compositing Sequence Supervisor: MPC

Watchmen (2009)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: William Hoy

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Terminator Salvation | ShotOnWhat?

Digital Compositor: ILM

Terminator Salvation (2009)

Directed by: McG

Cinematography by: Shane Hurlbut

Edited by: Conrad Buff IV

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, Pan-Arri 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Twilight Saga: New Moon | ShotOnWhat?

Compositing Supervisor: Prime Focus VFX

The Twilight Saga: New Moon (2009)

Directed by: Chris Weitz

Cinematography by: Javier Aguirresarobe

Edited by: Peter Lambert

Vantage Point | ShotOnWhat?

Digital Compositor

Vantage Point (2008)

Directed by: Pete Travis

Cinematography by: Amir Mokri

Edited by: Stuart Baird

Tropic Thunder | ShotOnWhat?

Digital Effects Supervisor: Rainmaker

Tropic Thunder (2008)

Directed by: Ben Stiller

Cinematography by: John Toll

Edited by: Greg Hayden

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Snow Buddies | ShotOnWhat?

Compositing Supervisor: Rainmaker

Snow Buddies (2008)

Direct to Video

Directed by: Robert Vince

Cinematography by: Kamal Derkaoui

Edited by: Kelly Herron

28 Weeks Later | ShotOnWhat?

Digital Compositing Artist

28 Weeks Later (2007)

Directed by: Juan Carlos Fresnadillo

Cinematography by: Enrique Chediak

Edited by: Chris Gill

Cameras: Aaton A-Minima Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Sony HVR-Z1E Camera

Lenses: Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

Postal | ShotOnWhat?

Digital Effects Supervisor: Technicolor Creative Services Vancouver

Postal (2007)

Directed by: Uwe Boll

Cinematography by: Mathias Neumann

Edited by: Julian Clarke

Trick 'r Treat | ShotOnWhat?

Lead Digital Compositing Artist

Trick 'r Treat (2007)

Directed by: Michael Dougherty

Cinematography by: Glen MacPherson

Edited by: Robert Ivison

In the Name of the King: A Dungeon Siege Tale | ShotOnWhat?

Digital Visual Effects Supervisor: Technicolor Creative Services

In the Name of the King: A Dungeon Siege Tale (2007)

Directed by: Uwe Boll

Cinematography by: Mathias Neumann

Edited by: David M. Richardson

I, Robot | ShotOnWhat?

Compositing Lead: Rainmaker

I, Robot (2004)

Directed by: Alex Proyas

Cinematography by: Simon Duggan

Edited by: William Hoy, Richard Learoyd, Armen Minasian

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses

Spy Kids 3-D: Game Over | ShotOnWhat?

Digital Compositor: Hybride

Spy Kids 3-D: Game Over (2003)

Directed by: Robert Rodriguez

Cinematography by: Robert Rodriguez

Edited by: Robert Rodriguez

Once Upon a Time in Mexico | ShotOnWhat?

Digital Compositor: Hybride Technologies

Once Upon a Time in Mexico (2003)

Directed by: Robert Rodriguez

Cinematography by: Robert Rodriguez

Edited by: Robert Rodriguez

Cameras: Sony HDW-F900 Camera

Spy Kids 2: Island of Lost Dreams | ShotOnWhat?

Compositor: Hybride Technologies

Spy Kids 2: Island of Lost Dreams (2002)

Directed by: Robert Rodriguez

Cinematography by: Robert Rodriguez

Edited by: Robert Rodriguez

Cameras: Sony HDW-F900 Camera

Spy Kids | ShotOnWhat?

Digital Compositor: Hybride Technologies

Spy Kids (2001)

Directed by: Robert Rodriguez

Cinematography by: Guillermo Navarro

Edited by: Robert Rodriguez

Battlefield Earth | ShotOnWhat?

Digital Image Support: Hybride

Battlefield Earth (2000)

Directed by: Roger Christian

Cinematography by: Giles Nuttgens

Edited by: Robin Russell

The Faculty | ShotOnWhat?

Technical Support: Hybride

The Faculty (1998)

Directed by: Robert Rodriguez

Cinematography by: Enrique Chediak

Edited by: Robert Rodriguez

Cameras: Panavision Cameras

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