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Super 16 Camera Aperture | 149 Titles

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Calvaire (2004)

Motion Picture | 2D | Color | 2.35:1 | 88 Minutes

Calvaire | ShotOnWhat?

Directed by | Fabrice du Welz | Cinematography by | Benoît Debie | Editing by | Sabine Hubeaux

Starring | Laurent Lucas, Brigitte Lahaie, Gigi Coursigny, Jean-Luc Couchard

Cameras | Aaton A-Minima Camera

Lenses | Zeiss Ultra Prime Lenses

Dark Frontier (2009)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Dark Frontier | ShotOnWhat?

Directed by | Kriv Stenders | Cinematography by | Jules O'Loughlin | Editing by | Gabriella Muir

Starring | Aden Young, Toby Wallace, Hanna Mangan Lawrence, Pip Miller

Cameras | ARRIFLEX 16SR2 Camera, ARRIFLEX 16SR3 Camera

Lenses | Angenieux HR Zoom Lenses, Panavision Primo Anamorphic Lenses

The Guys (2002)

Motion Picture | 2D | Black and White, Color | 1.85:1 | 84 Minutes

The Guys | ShotOnWhat?

Directed by | Jim Simpson | Cinematography by | Maryse Alberti | Editing by | Sarah Flack

Starring | Sigourney Weaver, Anthony LaPaglia, Irene Walsh, Jim Simpson

Cameras | Aaton Cameras, Panavision Cameras

Third Star (2010)

Motion Picture | 2D | Color | 92 Minutes

Third Star | ShotOnWhat?

Directed by | Hattie Dalton | Cinematography by | Carlos Catalán | Editing by | Peter Christelis

Starring | Tom Burke, Benedict Cumberbatch, JJ Feild, Adam Robertson

Cameras | ARRI Cameras

Return (2011)

Motion Picture | 2D | Color, Color | 97 Minutes

Return | ShotOnWhat?

Directed by | Liza Johnson | Cinematography by | Anne Etheridge | Editing by | Paul Zucker

Starring | Linda Cardellini, Michael Shannon, John Slattery, Talia Balsam

Cameras | ARRIFLEX 416 Camera

Lenses | Cooke S4 Lenses

Adventures of Power (2008)

Motion Picture | 2D | Color | 1.85:1 | 89 Minutes

Directed by | Ari Gold | Cinematography by | Lisa Wiegand | Editing by | Geraud Brisson

Starring | Ari Gold, Michael McKean, Jane Lynch, Shoshannah Stern

Cameras | Aaton XTR Prod Camera, ARRIFLEX 16SR3 Advanced Camera

Lenses | Zeiss Super Speed Lenses

The Brown Bunny (2003)

Motion Picture | 2D | Color | 1.66:1 | 93 Minutes

The Brown Bunny | ShotOnWhat?

Directed by | Vincent Gallo | Cinematography by | Vincent Gallo | Editing by | Vincent Gallo

Starring | Vincent Gallo, Chloë Sevigny, Cheryl Tiegs, Elizabeth Blake

Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera

The Fast Life (2003)

Direct to Video | 2D | Color | 1.85:1 | 57 Minutes

Directed by | Douglas Elford-Argent | Cinematography by | William M. Miller | Editing by | Kishore Verma

Starring | Frantz G. Saint Louis Jr., Jamie Hector, Jimmy Gary Jr., Matthew Aaron

Cameras | ARRIFLEX 16SR3 Advanced Camera

Lenses | ARRI / Zeiss Lenses

A Trip to Swadades (2008)

Motion Picture | 2D | Black & White | 1.85:1 | 65 Minutes

Directed by | Daniel Kremer | Cinematography by | Aaron Hollander | Editing by | Daniel Kremer

Starring | Robert Swenson, Glenn Walsh, Stephen Hatzai, Kenneth McGregor

Cameras | Aaton XTR Prod Camera

The Loss of Sexual Innocence (1999)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 106 Minutes

The Loss of Sexual Innocence | ShotOnWhat?

Directed by | Mike Figgis | Cinematography by | Benoît Delhomme | Editing by | Matthew Wood

Starring | Julian Sands, Saffron Burrows, Stefano Dionisi, Kelly Macdonald

Cameras | Aaton XTR Prod Camera

Lenses | Canon Lenses, Zeiss Super Speed Lenses

Hustle & Flow (2005)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 116 Minutes

Directed by | Craig Brewer | Cinematography by | Amy Vincent | Editing by | Billy Fox

Starring | Terrence Howard, Ludacris, Anthony Anderson, Taryn Manning

Cameras | Aaton A-Minima Camera, ARRIFLEX 16SR3 Camera

Lenses | Zeiss Ultra Prime Lenses

Broken Embraces (2009)

Motion Picture | 2D | Color | 2.39:1 | 127 Minutes

Directed by | Pedro Almodóvar | Cinematography by | Rodrigo Prieto | Editing by | José Salcedo, Roberto Serrano

Starring | Penélope Cruz, Lluís Homar, Blanca Portillo, José Luis Gómez

Cameras | ARRIFLEX 416 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra 16 Lenses

Beasts of the Southern Wild (2012)

Motion Picture | 2D | Color | 1.85:1 | 93 Minutes

Directed by | Benh Zeitlin | Cinematography by | Ben Richardson | Editing by | Crockett Doob, Affonso Gonçalves

Starring | Quvenzhané Wallis, Dwight Henry, Levy Easterly, Lowell Landes

Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 416 Camera

Lenses | Zeiss Super Speed Lenses

Super 8 (2011)

Motion Picture | 2D | Color | 2.35:1 | 112 Minutes

Directed by | J.J. Abrams | Cinematography by | Larry Fong | Editing by | Maryann Brandon, Mary Jo Markey

Starring | Elle Fanning, AJ Michalka, Kyle Chandler, Joel Courtney

Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses

United 93 (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 111 Minutes

Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Clare Douglas, Richard Pearson, Christopher Rouse

Starring | David Alan Basche, Olivia Thirlby, Liza Colón-Zayas, J.J. Johnson

Cameras | Aaton A-Minima Camera, ARRICAM Lite (LT) Camera

Lenses | Cooke S4 Lenses, Zeiss Variable Prime Lenses

Revanche (2008)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Directed by | Götz Spielmann | Cinematography by | Martin Gschlacht | Editing by | Karina Ressler

Starring | Johannes Krisch, Irina Potapenko, Andreas Lust, Ursula Strauss

Cameras | ARRI ARRIFLEX Series Cameras

Aizea: City of the Wind (2001)

Short Film | 2D | Color | 1.66:1 | 29 Minutes

Directed by | Ione Hernández | Cinematography by | Daniel Aranyó | Editing by | Andrea Zondler

Starring | Laura Bayonas, Dantes Sivilla, Edwin Bourgqes, Andrew Aguayo

Cameras | ARRIFLEX 16SR2 Camera

Black Swan (2010)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 108 Minutes

Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Andrew Weisblum

Starring | Natalie Portman, Mila Kunis, Vincent Cassel, Winona Ryder

Cameras | ARRIFLEX 416 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses | Zeiss Ultra 16 Lenses

28 Weeks Later (2007)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Juan Carlos Fresnadillo | Cinematography by | Enrique Chediak | Editing by | Chris Gill

Starring | Jeremy Renner, Rose Byrne, Robert Carlyle, Harold Perrineau

Cameras | Aaton A-Minima Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Sony HVR-Z1E Camera

Lenses | Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

All My Friends Are Leaving Brisbane (2007)

Motion Picture | 2D | Color | 1.85:1 | 76 Minutes

Directed by | Louise Alston | Cinematography by | Judd Overton | Editing by | Nicola Scarrott

Starring | Charlotte Gregg, Matt Zeremes, Ryan Johnson, Cindy Nelson

Cameras | ARRIFLEX 16SR3 Advanced Camera

Lenses | Angenieux HR Zoom Lenses

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