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Super 16 Camera Aperture | 150 Titles

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Lie with Me (2005)

Motion Picture | 2D | Color | 1.66:1 | 93 Minutes

Lie with Me | ShotOnWhat?

Directed by | Clement Virgo | Cinematography by | Barry Stone | Editing by | Susan Maggi

Starring | Lauren Lee Smith, Eric Balfour, Polly Shannon, Mayko Nguyen

Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera

Taking Woodstock (2009)

Motion Picture | 2D | Color | 1.85:1 | 120 Minutes

Directed by | Ang Lee | Cinematography by | Eric Gautier | Editing by | Tim Squyres

Starring | Demetri Martin, Henry Goodman, Edward Hibbert, Imelda Staunton

Cameras | Aaton 35-III Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Camera, Bolex Cameras, Eclair Cameras

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Junebug (2005)

Motion Picture | 2D | HD Project | Color | 1.85:1 | 106 Minutes

Directed by | Phil Morrison | Cinematography by | Peter Donahue | Editing by | Joe Klotz

Starring | Embeth Davidtz, Alessandro Nivola, David Kuhn, Alicia Van Couvering

Cameras | Aaton A-Minima Camera, ARRIFLEX 16SR3 Camera

Lenses | Zeiss Super Speed Lenses

Southern Justice (2006)

Motion Picture | 2D | Color | 96 Minutes

Directed by | M.D. Selig | Cinematography by | Jorge Diaz-Amador | Editing by | Robert Cipriano, Michael Ekalo, M.D. Selig

Starring | M.D. Selig, Michael Childers, Lisa Robert, Rico Cymone

Cameras | ARRIFLEX 16SR2 Camera

Lenses | Angenieux 11.5-138 mm T2.5 Lens, Kinoptik Tégéa 5.7mm f1.8 Lens, Optar Illumina S16 9.5 mm T1.3, Zeiss Super Speeds Mk II Lenses

Simon (2004)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 102 Minutes

Simon | ShotOnWhat?

Directed by | Eddy Terstall | Cinematography by | Willem Nagtglas | Editing by | Ben Isaacs

Starring | Cees Geel, Marcel Hensema, Rifka Lodeizen, Nadja Hüpscher

Cameras | Aaton Cameras

Apocalypto (2006)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 139 Minutes

Directed by | Mel Gibson | Cinematography by | Dean Semler | Editing by | John Wright

Starring | Gerardo Taracena, Raoul Max Trujillo, Dalia Hernández, Rudy Youngblood

Cameras | Aaton A-Minima Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Ikonoskop Cameras, Panavision Genesis Camera

Vera Drake (2004)

Motion Picture | 2D | Color | 1.85:1 | 125 Minutes

Directed by | Mike Leigh | Cinematography by | Dick Pope | Editing by | Jim Clark

Starring | Imelda Staunton, Jim Broadbent, Heather Craney, Richard Graham

Cameras | Aaton XTR Prod Camera

Lenses | Cooke S4 Lenses

The Last King of Scotland (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 123 Minutes

Directed by | Kevin Macdonald | Cinematography by | Anthony Dod Mantle | Editing by | Justine Wright

Starring | James McAvoy, Forest Whitaker, Gillian Anderson, Kerry Washington

Cameras | Aaton A-Minima Camera, ARRICAM Lite (LT) Camera, Panavision Cameras

Lenses | Panavision Lenses

Boy A (2007)

Motion Picture | Color | 1.85:1 | 102 Minutes

Boy A | ShotOnWhat?

Directed by | John Crowley | Cinematography by | Rob Hardy | Editing by | Lucia Zucchetti

Starring | Andrew Garfield, Peter Mullan, Shaun Evans, Siobhan Finneran

Cameras | ARRIFLEX 416 Camera

High Crimes (2002)

Motion Picture | 2D | Color | 2.39:1 | 115 Minutes

High Crimes | ShotOnWhat?

Directed by | Carl Franklin | Cinematography by | Theo van de Sande | Editing by | Carole Kravetz Aykanian

Starring | Jim Caviezel, Morgan Freeman, Ashley Judd, Adam Scott

Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Dark Country (2009)

Motion Picture | 2D, 3D | Color | 88 Minutes

Directed by | Thomas Jane | Cinematography by | Geoff Boyle | Editing by | John Lafferty, Robert K. Lambert

Starring | Thomas Jane, Lauren German, Ron Perlman, Chris Browning

Cameras | Red One Camera, Silicon Imaging SI-2K Camera

Lenses | Angenieux Lenses, Schneider Lenses

The Paradigm Shift (2008)

Motion Picture | 2D | Color | 1.85:1 | 26 Minutes

The Paradigm Shift | ShotOnWhat?

Directed by | Jon Barr | Cinematography by | Billy Bob Thompson | Editing by | Pete Kruvczuk

Starring | H. Michael Walls, Nicholas Wilder, Mary Sharples, Jack Roe

Cameras | Aaton A-Minima Camera, Aaton XTR Camera

Desire Street (2011)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 82 Minutes

Directed by | Roberto F. Canuto, Xiaoxi Xu | Cinematography by | Roberto F. Canuto, Xiaoxi Xu | Editing by | Roberto F. Canuto, Xiaoxi Xu

Starring | Alejandra Walker, Ellen Clifford, Javier Lopez, Alexandra Smothers

Cameras | ARRIFLEX 16mm Cameras

March of the Penguins (2005)

Documentary | 2D | 2K Project | Color | 1.85:1 | 80 Minutes

Directed by | Luc Jacquet | Cinematography by | Laurent Chalet, Jérôme Maison | Editing by | Sabine Emiliani

Starring | Morgan Freeman, Charles Berling, Romane Bohringer, Jules Sitruk

Cameras | Aaton XTR Prod Camera

Unknown (2011)

Motion Picture | 2D | Color | 2.35:1 | 113 Minutes

Unknown | ShotOnWhat?

Directed by | Jaume Collet-Serra | Cinematography by | Flavio Martínez Labiano | Editing by | Timothy Alverson

Starring | Liam Neeson, Diane Kruger, January Jones, Aidan Quinn

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 765 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Constant Gardener (2005)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 129 Minutes

Directed by | Fernando Meirelles | Cinematography by | César Charlone | Editing by | Claire Simpson

Starring | Ralph Fiennes, Rachel Weisz, Danny Huston, Hubert Koundé

Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux HR Zoom Lenses

The Rum Diary (2011)

Motion Picture | 2D | 2K Project | Color | 119 Minutes

Directed by | Bruce Robinson | Cinematography by | Dariusz Wolski | Editing by | Carol Littleton

Starring | Johnny Depp, Giovanni Ribisi, Aaron Eckhart, Michael Rispoli

Cameras | ARRIFLEX 16SR3 Advanced Camera, ARRIFLEX 416 Camera

Lenses | Zeiss Ultra Prime Lenses

An Inconvenient Truth (2006)

Documentary | 2D | HD Project | Color | 1.85:1 | 96 Minutes

Directed by | Davis Guggenheim | Cinematography by | Davis Guggenheim, Robert Richman | Editing by | Jay Cassidy, Dan Swietlik

Starring | Al Gore, Billy West, George Bush, George W. Bush

Cameras | Sony HDC-F950 Camera

360 (2011)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Fernando Meirelles | Cinematography by | Adriano Goldman | Editing by | Daniel Rezende

Starring | Rachel Weisz, Jude Law, Anthony Hopkins, Ben Foster

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses, Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

Friday Night (2002)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Friday Night | ShotOnWhat?

Directed by | Claire Denis | Cinematography by | Agnès Godard | Editing by | Nelly Quettier

Starring | Valérie Lemercier, Vincent Lindon, Hélène de Saint-Père, Hélène Fillières

Cameras | Aaton 35-III Camera, Aaton A-Minima Camera

Lenses | Zeiss Standard Speed Prime Lenses, Zeiss Ultra Prime Lenses

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