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Super 16 Camera Aperture | 149 Titles

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American Horror Story (2011)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 60 Minutes

Jason Bourne (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 123 Minutes

Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse

Starring | Matt Damon, Tommy Lee Jones, Alicia Vikander, Vincent Cassel

Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Ulee’s Gold (1997)

Motion Picture | 2D | Color | 1.66:1 | 113 Minutes

Directed by | Victor Nunez | Cinematography by | Virgil Mirano | Editing by | Victor Nunez

Starring | Peter Fonda, Patricia Richardson, Christine Dunford, Tom Wood

Mrs Brown (1997)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 101 Minutes

Directed by | John Madden | Cinematography by | Richard Greatrex | Editing by | Robin Sales

Starring | Judi Dench, Billy Connolly, Geoffrey Palmer, Antony Sher

A Mighty Wind (2003)

Motion Picture | 2D | Color | 1.85:1 | 91 Minutes

Directed by | Christopher Guest | Cinematography by | Arlene Nelson | Editing by | Robert Leighton

Starring | Christopher Guest, Eugene Levy, Michael McKean, Harry Shearer

Everything in This Country Must (2004)

Short Film | 2D | Color | 1.85:1 | 20 Minutes

Directed by | Gary McKendry | Cinematography by | Jim Whitaker | Editing by | Paul Martinez

Starring | Sam Spruell, Gerry Doherty, Karly Greene, James Doran

Cameras | Aaton Cameras, ARRIFLEX Camera

Transamerica (2005)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Directed by | Duncan Tucker | Cinematography by | Stephen Kazmierski | Editing by | Pam Wise

Starring | Felicity Huffman, Kevin Zegers, Fionnula Flanagan, Andrea James

Venus (2006)

Motion Picture | 2D | Color | 1.85:1 | 95 Minutes

Directed by | Roger Michell | Cinematography by | Haris Zambarloukos | Editing by | Nicolas Gaster

Starring | Peter O'Toole, Jodie Whittaker, Leslie Phillips, Beatrice Savoretti

Cameras | ARRIFLEX 16SR3 Camera

The Time That Remains (2016)

Short Film | 2D | 2K Project | Black & White, Color | 1.85:1 | 15 Minutes

Directed by | B.T. Crue | Cinematography by | David J. Schweitzer | Editing by | Sean Pollaro

Starring | Morningstar Angeline, Trey Caperton, Erik Gonzales, Joy Liesveld

Cameras | Aaton XTR Prod Camera

Lenses | Canon EC Series Lenses

Steve Jobs (2015)

Motion Picture | 2D | Color | 2.39:1 | 122 Minutes

Directed by | Danny Boyle | Cinematography by | Alwin H. Küchler | Editing by | Elliot Graham

Starring | Michael Fassbender, Kate Winslet, Seth Rogen, Jeff Daniels

Cameras | ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Standard Speed Prime Lenses

Carol (2015)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 118 Minutes

Directed by | Todd Haynes | Cinematography by | Edward Lachman | Editing by | Affonso Gonçalves

Starring | Cate Blanchett, Rooney Mara, Sarah Paulson, Kyle Chandler

Cameras | ARRIFLEX 416 Camera

Lenses | Angenieux HR Zoom Lenses, Cooke S4/i Lenses, Cooke Speed Panchro Lenses, Cooke Varopanchro Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens

Batman v Superman: Dawn of Justice (2016)

Motion Picture | 2D, 3D | 4K Project | Color | 1.44:1, 1.78:1 (16x9), 2.39:1 | 151 Minutes

Directed by | Zack Snyder | Cinematography by | Larry Fong | Editing by | David Brenner

Starring | Ben Affleck, Henry Cavill, Amy Adams, Jesse Eisenberg

Cameras | ARRI ALEXA Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Hard Core Logo (1996)

Motion Picture | 2D | Color | 92 Minutes

Directed by | Bruce McDonald | Cinematography by | Danny Nowak | Editing by | Reginald Harkema

Starring | Hugh Dillon, Callum Keith Rennie, John Pyper-Ferguson, Bernie Coulson

Cameras | ARRIFLEX Camera

Lenses | Zeiss Lenses, Zeiss Zoom Lenses

Capturing the Friedmans (2003)

Documentary | 2D | Color | 1.85:1 | 107 Minutes

Directed by | Andrew Jarecki | Cinematography by | Adolfo Doring | Editing by | Richard Hankin

Starring | Arnold Friedman, Jesse Friedman, David Friedman, Elaine Friedman

La fille du 14 juillet (2013)

Motion Picture | 2D | Color | 1.85:1 | 88 Minutes

Directed by | Antonin Peretjatko | Cinematography by | Simon Roca | Editing by | Carole Le Page, Antonin Peretjatko

Starring | Vimala Pons, Grégoire Tachnakian, Vincent Macaigne, Marie-Lorna Vaconsin

Cameras | ARRIFLEX 16SR3 Camera

Lenses | Angenieux HR Zoom Lenses, Panavision Primo Primes Spherical Lenses

Ping Pong Summer (2014)

Motion Picture | 2D | Color | 92 Minutes

Directed by | Michael Tully | Cinematography by | Wyatt Garfield | Editing by | Marc Vives

Starring | Marcello Conte, Judah Friedlander, Amy Sedaris, Lea Thompson

Cameras | ARRIFLEX 416 Camera

Lenses | Zeiss Ultra 16 Lenses

Primer (2004)

Motion Picture | 2D | Color | 1.85:1 | 77 Minutes

Directed by | Shane Carruth | Cinematography by | Troy Dick | Editing by | Shane Carruth

Starring | Shane Carruth, David Sullivan, Casey Gooden, Anand Upadhyaya

Cameras | ARRIFLEX 16SR Camera

Le dernier des injustes (2013)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 220 Minutes

Directed by | Claude Lanzmann | Cinematography by | Caroline Champetier, William Lubtchansky | Editing by | Chantal Hymans

Starring | Benjamin Murmelstein, Claude Lanzmann

Cameras | Aaton Penelope Camera, Aaton Xterà Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens

Ashes to Ashes (2008)

Television Series | 2D | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Simon Archer, Tim Palmer, Adam Suschitzky, Julian Court, Nic Lawson, Fabian Wagner, Balazs Bolygo | Editing by | Jonathan Amos, Jamie Pearson, Ben Drury, Barney Pilling, Paul Endacott, Elen Pierce Lewis, Sam Williams, Jamie Trevill, Guy Bensley

Starring | Philip Glenister, Keeley Hawes, Dean Andrews, Marshall Lancaster

Cameras | ARRIFLEX D-21 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Mafiosa (2006)

Television Series | 2D | Color | 1.78:1 (16x9) | 416 Minutes

| Cinematography by | Aleksander Kaufmann, Pierre Novion, Patrick Blossier | Editing by | Pascale Fenouillet, Isabelle Laclau, Sylvie Pontoizeau, Peggy Koretzky, Eric Armbruster, Camille Toubkis, Jean-Paul Husson

Starring | Hélène Fillières, Phareelle Onoyan, Eric Fraticelli, Véronique Volta

Cameras | ARRI ALEXA Camera, ARRIFLEX 16SR2 Camera, ARRIFLEX 16SR3 Camera

Lenses | Angenieux HR Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke CXX 15-40mm T2.0 Lens, Cooke S4 Lenses, Zeiss Super Speed Lenses

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