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Spherical Camera Aperture | 1217 Titles

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The Truman Show (1998)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 103 Minutes

Directed by | Peter Weir | Cinematography by | Peter Biziou | Editing by | William M. Anderson, Lee Smith

Starring | Jim Carrey, Ed Harris, Laura Linney, Noah Emmerich

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Sommersturm (2004)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Sommersturm | ShotOnWhat?

Directed by | Marco Kreuzpaintner | Cinematography by | Daniel Gottschalk | Editing by | Hansjörg Weißbrich

Starring | Robert Stadlober, Kostja Ullmann, Miriam Morgenstern, Jürgen Tonkel

Cameras | ARRI Cameras

Pirate Radio (2009)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Richard Curtis | Cinematography by | Danny Cohen | Editing by | Emma E. Hickox

Starring | Philip Seymour Hoffman, Bill Nighy, Nick Frost, Michael Hadley

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Biutiful (2010)

Motion Picture | 2D | Color | 1.85:1, 2.39:1 | 148 Minutes

Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Stephen Mirrione

Starring | Javier Bardem, Maricel Álvarez, Hanaa Bouchaib, Guillermo Estrella

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

A Lot Like Love (2005)

Motion Picture | 2D | Color | 1.85:1 | 107 Minutes

Directed by | Nigel Cole | Cinematography by | John de Borman | Editing by | Susan Littenberg

Starring | Ashton Kutcher, Amanda Peet, Taryn Manning, Aimee Garcia

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Kids Are All Right (2010)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 106 Minutes

Directed by | Lisa Cholodenko | Cinematography by | Igor Jadue-Lillo | Editing by | Jeffrey M. Werner

Starring | Annette Bening, Julianne Moore, Mark Ruffalo, Mia Wasikowska

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL4s Camera

Lenses | Zeiss Ultra Prime Lenses

Cheong wong (2000)

Motion Picture | 2D | Color | 1.85:1 | 89 Minutes

Directed by | Chi-Leung Law | Cinematography by | Kwok-Man Keung | Editing by | Chi-Leung Kwong

Starring | Leslie Cheung, Alex Fong, Ruby Wong, Vincent Kok

Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera

Lenses | Angenieux Lenses, Zeiss Lenses

Micmacs à tire-larigot (2009)

Motion Picture | 2D | Color | 2.39:1 | 105 Minutes

Directed by | Jean-Pierre Jeunet | Cinematography by | Tetsuo Nagata | Editing by | Hervé Schneid

Starring | Dany Boon, André Dussollier, Nicolas Marié, Yolande Moreau

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Classic Spherical Lenses

The Smurfs (2011)

Motion Picture | 3D | Color | 1.85:1 | 103 Minutes

Directed by | Raja Gosnell | Cinematography by | Phil Meheux | Editing by | Ellier Dov, Sabrina Plisco

Starring | Hank Azaria, Katy Perry, Jonathan Winters, Neil Patrick Harris

Cameras | Panavision Genesis Camera

Lenses | Panavision Primo Classic Spherical Lenses

Corpse Bride (2005)

Motion Picture | 2D | Color | 1.85:1 | 77 Minutes

Directed by | Tim Burton, Mike Johnson | Cinematography by | Pete Kozachik | Editing by | Chris Lebenzon, Jonathan Lucas

Starring | Johnny Depp, Helena Bonham Carter, Emily Watson, Tracey Ullman

Cameras | ARRIFLEX D-20 Camera, Canon EOS-1D Mark IV Camera

Lenses | Zeiss Ultra Prime Lenses

Mousehunt (1997)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Gore Verbinski | Cinematography by | Phedon Papamichael | Editing by | Craig Wood

Starring | Nathan Lane, Lee Evans, Vicki Lewis, Maury Chaykin

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Traffic (2000)

Motion Picture | 2D | Color | 1.85:1 | 147 Minutes

Directed by | Steven Soderbergh | Cinematography by | Steven Soderbergh | Editing by | Stephen Mirrione

Starring | Michael Douglas, Benicio Del Toro, Catherine Zeta-Jones, Jacob Vargas

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

Box of Moon Light (1996)

Motion Picture | 2D | Color | 1.66:1 | 112 Minutes

Directed by | Tom DiCillo | Cinematography by | Paul Ryan | Editing by | Camilla Toniolo

Starring | John Turturro, Sam Rockwell, Catherine Keener, Lisa Blount

Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera

Lenses | Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses

A Civil Action (1998)

Motion Picture | 2D | Color | 1.85:1 | 115 Minutes

Directed by | Steven Zaillian | Cinematography by | Conrad L. Hall | Editing by | Wayne Wahrman

Starring | John Travolta, Robert Duvall, Kathleen Quinlan, Tony Shalhoub

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Bulworth (1998)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Directed by | Warren Beatty | Cinematography by | Vittorio Storaro | Editing by | Robert C. Jones, Billy Weber

Starring | Warren Beatty, Halle Berry, Kimberly Deauna Adams, Vinny Argiro

Lost in Translation (2003)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

Directed by | Sofia Coppola | Cinematography by | Lance Acord | Editing by | Sarah Flack

Starring | Bill Murray, Scarlett Johansson, Giovanni Ribisi, Anna Faris

Cameras | Aaton 35-III Camera, Moviecam Compact Camera

Lenses | Angenieux Lenses, Zeiss Super Speed Lenses

Eat Pray Love (2010)

Motion Picture | 2D | Color | 1.85:1 | 133 Minutes

Directed by | Ryan Murphy | Cinematography by | Robert Richardson | Editing by | Bradley Buecker

Starring | Julia Roberts, Javier Bardem, Richard Jenkins, Viola Davis

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Green Hornet (2011)

Motion Picture | 3D | Color | 2.35:1 | 119 Minutes

The Green Hornet | ShotOnWhat?

Directed by | Michel Gondry | Cinematography by | John Schwartzman | Editing by | Michael Tronick

Starring | Seth Rogen, Jay Chou, Christoph Waltz, Cameron Diaz

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

61* (2001)

Television Movie | 2D | Color | 1.85:1 | 129 Minutes

Directed by | Billy Crystal | Cinematography by | Haskell Wexler | Editing by | Michael Jablow

Starring | Barry Pepper, Thomas Jane, Anthony Michael Hall, Richard Masur

Cameras | ARRIFLEX 435 ES Camera

Lenses | Angenieux HR Zoom Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Hawk 150-450 mm T2.8 Lens

Gainsbourg: A Heroic Life (2010)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 135 Minutes

Directed by | Joann Sfar | Cinematography by | Guillaume Schiffman | Editing by | Maryline Monthieux

Starring | Eric Elmosnino, Lucy Gordon, Laetitia Casta, Doug Jones

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Cooke S4 Lenses

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