Spherical Camera Aperture | 1217 Titles
Battle Royale (2000)
Directed by | Kinji Fukasaku | Cinematography by | Katsumi Yanagijima | Editing by | Hirohide Abe
Cameras | ARRIFLEX 535 B Camera
Lenses | Angenieux Lenses, Zeiss Lenses
Habemus Papam (2011)
Directed by | Nanni Moretti | Cinematography by | Alessandro Pesci | Editing by | Esmeralda Calabria
The Silence of the Lambs (1991) 
Directed by | Jonathan Demme | Cinematography by | Tak Fujimoto | Editing by | Craig McKay
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
Un heureux événement (2011)
Directed by | Rémi Bezançon | Cinematography by | Antoine Monod | Editing by | Sophie Reine
Cameras | ARRICAM Studio (ST) Camera
Jackie Brown (1997)
Directed by | Quentin Tarantino | Cinematography by | Guillermo Navarro | Editing by | Sally Menke
Cameras | Moviecam Compact Camera
Lenses | Zeiss Super Speed Lenses
House of Sand and Fog (2003)
Directed by | Vadim Perelman | Cinematography by | Roger Deakins | Editing by | Lisa Zeno Churgin
Cameras | ARRIFLEX 535 B Camera, Moviecam Superlight Camera
Lenses | Cooke S4 Lenses
The Accountant (2001)
Directed by | Ray McKinnon | Cinematography by | Blake B. Jackson | Editing by | Joan Sobel
Cameras | Panavision Cameras
Lenses | Panavision Lenses
My Big Fat Greek Wedding (2002)
Directed by | Joel Zwick | Cinematography by | Jeffrey Jur | Editing by | Mia Goldman
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Two Soldiers (2003)
Directed by | Aaron Schneider | Cinematography by | David Boyd | Editing by | Kelly Matsumoto, Aaron Schneider
Cameras | Panavision Panaflex Gold II Camera
The Good German (2006)
Directed by | Steven Soderbergh | Cinematography by | Steven Soderbergh | Editing by | Steven Soderbergh
Interview with the Vampire: The Vampire Chronicles (1994)
Directed by | Neil Jordan | Cinematography by | Philippe Rousselot | Editing by | Mick Audsley, Joke van Wijk
Cameras | Panavision Panaflex Platinum Camera
Jayne Mansfield’s Car (2012)
Directed by | Billy Bob Thornton | Cinematography by | Barry Markowitz | Editing by | Lauren Zuckerman
Before Night Falls (2000)
Directed by | Julian Schnabel | Cinematography by | Xavier Grobet, Guillermo Rosas | Editing by | Michael Berenbaum
Cameras | ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera
Lenses | Zeiss Super Speed Lenses
The Constant Gardener (2005)
Directed by | Fernando Meirelles | Cinematography by | César Charlone | Editing by | Claire Simpson
Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses | Angenieux HR Zoom Lenses
Sling Blade (1996)
Directed by | Billy Bob Thornton | Cinematography by | Barry Markowitz | Editing by | Hughes Winborne
Cameras | Panavision Cameras
Lenses | Panavision Lenses
28 Days (2000)
Directed by | Betty Thomas | Cinematography by | Declan Quinn | Editing by | Peter Teschner
Cameras | Panavision Cameras
Lenses | Panavision Lenses
An Inconvenient Truth (2006)
Directed by | Davis Guggenheim | Cinematography by | Davis Guggenheim, Robert Richman | Editing by | Jay Cassidy, Dan Swietlik
Cameras | Sony HDC-F950 Camera
Bernie (2011)
Directed by | Richard Linklater | Cinematography by | Dick Pope | Editing by | Sandra Adair
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4 Lenses
Vampire Effect (2003)
Directed by | Dante Lam | Cinematography by | Man Po Cheung | Editing by | Ki-Hop Chan
Lenses | Angenieux Lenses, Zeiss Lenses
The Uninvited (2009)
Directed by | Charles Guard, Thomas Guard | Cinematography by | Daniel Landin | Editing by | Jim Page, Christian Wagner
Cameras | Panavision Cameras
