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Spherical Camera Aperture | 1217 Titles

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Ghost Rider (2007)

Motion Picture | 2D | Color | 2.39:1 | 114 Minutes

Ghost Rider | ShotOnWhat?

Directed by | Mark Steven Johnson | Cinematography by | Russell Boyd | Editing by | Richard Francis-Bruce

Starring | Nicolas Cage, Eva Mendes, Sam Elliott, Matt Long

Cameras | Panavision Cameras

War of the Worlds (2005)

Motion Picture | 2D | Color | 1.85:1 | 116 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Tom Cruise, Dakota Fanning, Tim Robbins, Miranda Otto

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

Forgetting Sarah Marshall (2008)

Motion Picture | 2D | Color | 1.37:1, 1.78:1 (16x9), 1.85:1 | 111 Minutes

Forgetting Sarah Marshall | ShotOnWhat?

Directed by | Nicholas Stoller | Cinematography by | Russ T. Alsobrook | Editing by | William Kerr

Starring | Kristen Bell, Jason Segel, Paul Rudd, Mila Kunis

Cameras | Panavision Cameras

Lenses | Panavision Lenses

El crimen del Padre Amaro (2002)

Motion Picture | 2D | Color | 1.85:1 | 118 Minutes

Directed by | Carlos Carrera | Cinematography by | Guillermo Granillo | Editing by | Óscar Figueroa

Starring | Gael García Bernal, Ana Claudia Talancón, Sancho Gracia, Angélica Aragón

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Intolerable Cruelty (2003)

Motion Picture | Color | 1.85:1 | 100 Minutes

Intolerable Cruelty | ShotOnWhat?

Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen

Starring | George Clooney, Catherine Zeta-Jones, Billy Bob Thornton, Geoffrey Rush

Cameras | ARRIFLEX 535 Camera

The Beat That My Heart Skipped (2005)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

The Beat That My Heart Skipped | ShotOnWhat?

Directed by | Jacques Audiard | Cinematography by | Stéphane Fontaine | Editing by | Juliette Welfling

Starring | Romain Duris, Aure Atika, Emmanuelle Devos, Niels Arestrup

Cameras | Aaton 35-III Camera

Lenses | Cooke S4 Lenses

Fred Claus (2007)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Fred Claus | ShotOnWhat?

Directed by | David Dobkin | Cinematography by | Remi Adefarasin | Editing by | Mark Livolsi

Starring | Vince Vaughn, Paul Giamatti, Elizabeth Banks, John Michael Higgins

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Ultra Prime Lenses

The Sixth Sense (1999)

Motion Picture | 2D | Color | 1.85:1 | 107 Minutes

Directed by | M. Night Shyamalan | Cinematography by | Tak Fujimoto | Editing by | Andrew Mondshein

Starring | Bruce Willis, Haley Joel Osment, Toni Collette, Olivia Williams

Cameras | Panavision Panaflex Millennium Camera

Lenses | Panavision Primo Primes Spherical Lenses

Waiting for Guffman (1996)

Motion Picture | 2D | Color | 1.85:1 | 84 Minutes

Waiting for Guffman | ShotOnWhat?

Directed by | Christopher Guest | Cinematography by | Roberto Schaefer | Editing by | Andy Blumenthal

Starring | Christopher Guest, Fred Willard, Catherine O'Hara, Parker Posey

Cameras | Aaton Cameras, Aaton XTR Prod Camera

Lenses | Canon Lenses, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk II Lenses

Departures (2008)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 130 Minutes

Directed by | Yôjirô Takita | Cinematography by | Takeshi Hamada | Editing by | Akimasa Kawashima

Starring | Masahiro Motoki, Ryôko Hirosue, Tsutomu Yamazaki, Kazuko Yoshiyuki

Cameras | ARRI Cameras

Lenses | Angenieux Lenses, Zeiss Lenses

Mrs Henderson Presents (2005)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Directed by | Stephen Frears | Cinematography by | Andrew Dunn | Editing by | Lucia Zucchetti

Starring | Judi Dench, Bob Hoskins, Christopher Guest, Will Young

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Against the Ropes (2004)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Charles S. Dutton | Cinematography by | Jack N. Green | Editing by | Eric L. Beason

Starring | Meg Ryan, Omar Epps, Charles S. Dutton, Tony Shalhoub

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Angel-A (2005)

Motion Picture | 2D | Black & White | 2.39:1 | 91 Minutes

Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Christine Lucas Navarro, Frédéric Thoraval

Starring | Rie Rasmussen, Jamel Debbouze, Gilbert Melki, Serge Riaboukine

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

Death at a Funeral (2007)

Motion Picture | Color | 1.85:1 | 90 Minutes

Death at a Funeral | ShotOnWhat?

Directed by | Frank Oz | Cinematography by | Oliver Curtis | Editing by | Beverley Mills

Starring | Matthew Macfadyen, Peter Dinklage, Ewen Bremner, Keeley Hawes

Cameras | ARRI Cameras

Lenses | Zeiss Lenses

Another 48 Hrs. (1990)

Motion Picture | 2D | Color | 1.85:1 | 93 Minutes

Directed by | Walter Hill | Cinematography by | Matthew F. Leonetti | Editing by | Donn Aron, Carmel Davies, Freeman A. Davies, Tim Ryder

Starring | Eddie Murphy, Nick Nolte, Brion James, Kevin Tighe

Cameras | Ultracam 35 Camera

Get Him to the Greek (2010)

Motion Picture | 2D | Color | 1.85:1 | 109 Minutes

Get Him to the Greek | ShotOnWhat?

Directed by | Nicholas Stoller | Cinematography by | Robert D. Yeoman | Editing by | William Kerr, Michael L. Sale

Starring | Jonah Hill, Russell Brand, Elisabeth Moss, Rose Byrne

Cameras | Panavision Cameras

The Counterfeiters (2007)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 99 Minutes

Directed by | Stefan Ruzowitzky | Cinematography by | Benedict Neuenfels | Editing by | Britta Nahler

Starring | Karl Markovics, August Diehl, Devid Striesow, Martin Brambach

Cameras | ARRIFLEX 16SR2 Camera, ARRIFLEX 16SR3 Camera, Moviecam Superlight Camera

Lenses | Canon Lenses, Cooke Varopanchro Lenses, Zeiss Super Speed Lenses

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