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Spherical Camera Aperture | 1217 Titles

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The Fifth Element (1997)

Motion Picture | 2D | Color | 2.39:1 | 126 Minutes

Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Sylvie Landra

Starring | Bruce Willis, Milla Jovovich, Gary Oldman, Ian Holm

Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 35 IIIC Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera

Lenses | Zeiss Lenses

Jin yi wei (2010)

Motion Picture | 2D | Color | 2.39:1 | 114 Minutes

Directed by | Daniel Lee | Cinematography by | Tony Cheung | Editing by | Ka-Fai Cheung, Man To Tang

Starring | Donnie Yen, Wei Zhao, Chun Wu, Sammo Kam-Bo Hung

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses | Angenieux Lenses, Zeiss Lenses

Catch Me If You Can (2002)

Motion Picture | 2D | Color | 1.85:1 | 141 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Leonardo DiCaprio, Tom Hanks, Christopher Walken, Martin Sheen

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

Affliction (1997)

Motion Picture | 2D | Color | 1.85:1 | 114 Minutes

Directed by | Paul Schrader | Cinematography by | Paul Sarossy | Editing by | Jay Rabinowitz

Starring | Nick Nolte, Sissy Spacek, James Coburn, Brigid Tierney

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision Primo Primes Spherical Lenses

Winged Migration (2001)

Documentary | 2D | Color | 1.85:1 | 89 Minutes

Directed by | Jacques Perrin, Jacques Cluzaud, Michel Debats | Cinematography by | Olli Barbé, Michel Benjamin, Sylvie Carcedo, Laurent Charbonnier, Luc Drion, Laurent Fleutot, Philippe Garguil, Dominique Gentil, Bernard Lutic, Thierry Machado, Stéphane Martin, Fabrice Moindrot, Ernst Sasse, Michel Terrasse, Thierry Thomas | Editing by | Marie-Josèphe Yoyotte

Starring | Jacques Perrin, Philippe Labro

Cameras | Aaton 35-III Camera, Eclair Cameras, Panavision Cameras, Technovision Cameras

Lenses | Panavision Lenses

Napoleon Dynamite (2004)

Motion Picture | Color | 1.85:1 | 96 Minutes

Napoleon Dynamite | ShotOnWhat?

Directed by | Jared Hess | Cinematography by | Munn Powell | Editing by | Jeremy Coon

Starring | Jon Heder, Efren Ramirez, Jon Gries, Aaron Ruell

Cameras | Panavision Cameras

Salem’s Lot (2004)

Miniseries | 2D | Color | 1.78:1 (16x9) | 181 Minutes

| Cinematography by | Ben Nott | Editing by | Robert A. Ferretti

Starring | Rob Lowe, Andre Braugher, Donald Sutherland, Samantha Mathis

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Cooke S4 Lenses

Hot Fuzz (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 121 Minutes

Directed by | Edgar Wright | Cinematography by | Jess Hall | Editing by | Chris Dickens

Starring | Simon Pegg, Nick Frost, Martin Freeman, Bill Nighy

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

A Good Year (2006)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Ridley Scott | Cinematography by | Philippe Le Sourd | Editing by | Dody Dorn, Robb Sullivan

Starring | Russell Crowe, Abbie Cornish, Albert Finney, Marion Cotillard

Cameras | ARRICAM Lite (LT) Camera

Lenses | Panavision Primo Primes Spherical Lenses

Clockstoppers (2002)

Motion Picture | 2D | Color | 1.85:1 | 94 Minutes

Directed by | Jonathan Frakes | Cinematography by | Tim Suhrstedt | Editing by | Peter E. Berger, Jeff Canavan

Starring | Jesse Bradford, French Stewart, Paula Garcés, Michael Biehn

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics Cameras

Lenses | Panavision Primo Primes Spherical Lenses

Mesrine Part 2: Public Enemy #1 (2008)

Motion Picture | 2D | Color | 2.39:1 | 133 Minutes

Directed by | Jean-François Richet | Cinematography by | Robert Gantz | Editing by | Stéphane Garnier, Bill Pankow, Hervé Schneid

Starring | Vincent Cassel, Ludivine Sagnier, Mathieu Amalric, Samuel Le Bihan

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Cameras, Panavision Panaflex Millennium XL Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

My Name Is Khan (2010)

Motion Picture | 2D | Color | 2.39:1 | 165 Minutes

Directed by | Karan Johar | Cinematography by | Ravi K. Chandran | Editing by | Deepa Bhatia

Starring | Shah Rukh Khan, Kajol, Sheetal Menon, Katie A. Keane

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Advanced Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Adaptation. (2002)

Motion Picture | 2D | Color | 1.85:1 | 115 Minutes

Directed by | Spike Jonze | Cinematography by | Lance Acord | Editing by | Eric Zumbrunnen

Starring | Nicolas Cage, Meryl Streep, Chris Cooper, Tilda Swinton

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

Something’s Gotta Give (2003)

Motion Picture | 2D | Color | 1.85:1 | 128 Minutes

Directed by | Nancy Meyers | Cinematography by | Michael Ballhaus | Editing by | Joe Hutshing

Starring | Jack Nicholson, Diane Keaton, Keanu Reeves, Amanda Peet

Cameras | ARRICAM Studio (ST) Camera

Lenses | Angenieux Lenses, Zeiss Lenses

Barbershop (2002)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

Directed by | Tim Story | Cinematography by | Tom Priestley Jr. | Editing by | John Carter

Starring | Ice Cube, Cedric The Entertainer, Eve, Anthony Anderson

Cameras | Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

3000 Miles to Graceland (2001)

Motion Picture | 2D | Color | 2.39:1 | 125 Minutes

Directed by | Demian Lichtenstein | Cinematography by | David Franco | Editing by | Michael J. Duthie, Miklos Wright

Starring | Kurt Russell, Kevin Costner, Courteney Cox, Christian Slater

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Sonatine (1993)

Motion Picture | 2D | Color | 1.85:1 | 94 Minutes

Directed by | Takeshi Kitano | Cinematography by | Katsumi Yanagijima | Editing by | Takeshi Kitano

Starring | Takeshi Kitano, Aya Kokumai, Tetsu Watanabe, Masanobu Katsumura

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera

Lenses | Panavision Primo Primes Spherical Lenses

Life Is Beautiful (1997)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 116 Minutes

Directed by | Roberto Benigni | Cinematography by | Tonino Delli Colli | Editing by | Simona Paggi

Starring | Roberto Benigni, Nicoletta Braschi, Giorgio Cantarini, Giustino Durano

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Goodfellas (1990)

Motion Picture | 2D | Color | 1.85:1 | 146 Minutes

Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | James Y. Kwei, Thelma Schoonmaker

Starring | Robert De Niro, Ray Liotta, Joe Pesci, Lorraine Bracco

Cameras | ARRIFLEX 35 BL4s Camera

Lenses | Zeiss Lenses

Extreme Justice (1993)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Directed by | Mark L. Lester | Cinematography by | Mark Irwin | Editing by | Donn Aron

Starring | Lou Diamond Phillips, Scott Glenn, Chelsea Field, Yaphet Kotto

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses | ARRI / Zeiss Lenses, Cooke Lenses, Zeiss Lenses

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