Animation » Computer Animation » Motion Capture

Motion Capture | 30 Titles

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In motion capture, actors wear suits attached to digital data points that feed their movements back into a computer.

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A Blood Throne (2020)

Short Film | 2D | 4K Project | Color | 2.39:1 | 40 Minutes

Directed by | Xavier Garcia | Cinematography by | Jonathan Garcia | Editing by | Xavier Garcia

Starring | Pierre Rumpf, Arissa Page, Danny Irizarry

Cameras | Panasonic Lumix DMC-GH5 Camera

Lenses | SLR Magic APO HyperPrime Cine 25mm T2.1 Lens, SLR Magic APO HyperPrime Cine 32mm T2.1 Lens, SLR Magic APO HyperPrime Cine 50mm T2.1 Lens, SLR Magic APO HyperPrime Cine 85mm T2.1 Lens

Khaita Dance (2020)

Short Film | 2D | HD Project | Color | 1.78:1 (16x9) | 9 Minutes

Directed by | Alexander Popov | Cinematography by | Alexander Popov | Editing by | Alexander Popov

Starring | Tatiana Bolotova, Mashe Braude, Carles Jañez Brucet, Nicola Cassano

Cameras | Sony α7 II Camera

Lenses | Sony G Series Lenses

Ambuli (2012)

Motion Picture | 3D | HD Project | Color | 2.39:1 | 139 Minutes

Directed by | Haresh Narayan, K. Hari Shankar | Cinematography by | Sathish G. | Editing by | K. Hari Shankar

Starring | Gokulnath, Parthiban, Srijith P.S., Ajai R.

Cameras | Panasonic AG-3DA1 Camera

Lenses | Panasonic Lenses

Live Free or Die Hard (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 128 Minutes

Directed by | Len Wiseman | Cinematography by | Simon Duggan | Editing by | Nicolas De Toth

Starring | Bruce Willis, Justin Long, Timothy Olyphant, Maggie Q

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Immortals (2011)

Motion Picture | 3D | 2K Project | Color | 1.85:1 | 110 Minutes

Directed by | Tarsem Singh | Cinematography by | Brendan Galvin | Editing by | Wyatt Jones, Stuart Levy, David Rosenbloom

Starring | Henry Cavill, Mickey Rourke, John Hurt, Stephen Dorff

Cameras | Panavision Genesis Camera, Phantom HD Gold Camera

Lenses | Panavision Primo Primes Spherical Lenses

Skull (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 107 Minutes

Directed by | Yusron Fuadi | Editing by | Yusron Fuadi

Starring | Eka Nusa Pertiwi, Yusron Fuadi, Guh S Mana, Haydar Salishz

Cameras | Blackmagic Cinema Camera, Blackmagic Pocket Cinema Camera, Panasonic Lumix DMC-GH3 Camera

Lenses | Nikon - Nikkor Lenses, Samyang VDSLR II Cine 85mm T1.5 Lens, Zeiss Distagon T* 25mm f2.0 ZE

Il ragazzo invisibile: Fratelli (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 100 Minutes

Directed by | Gabriele Salvatores | Cinematography by | Italo Petriccione

Starring | Ludovico Girardello, Kseniya Rappoport, Galatéa Bellugi, Ivan Franek

Cameras | ARRI ALEXA XT Camera

Thor (2011)

Motion Picture | 3D | Color | 2.35:1 | 115 Minutes

Thor | ShotOnWhat?

Directed by | Kenneth Branagh | Cinematography by | Haris Zambarloukos | Editing by | Paul Rubell

Starring | Chris Hemsworth, Anthony Hopkins, Natalie Portman, Tom Hiddleston

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Transformers (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 144 Minutes

Dawn of the Planet of the Apes (2014)

Motion Picture | 3D | Color | 130 Minutes

Directed by | Matt Reeves | Cinematography by | Michael Seresin | Editing by | William Hoy, Stan Salfas

Starring | Gary Oldman, Keri Russell, Andy Serkis, Kodi Smit-McPhee

Cameras | ARRI ALEXA M Camera

Lenses | ARRI / Fujinon Lenses, Leitz Summilux-C Series Lenses

Warm Bodies (2013)

Motion Picture | 2D | Color, Black and White | 2.39:1 | 98 Minutes

Warm Bodies | ShotOnWhat?

Directed by | Jonathan Levine | Cinematography by | Javier Aguirresarobe | Editing by | Nancy Richardson

Starring | Nicholas Hoult, Teresa Palmer, John Malkovich, Analeigh Tipton

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Wescam Cameras

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Beowulf (2007)

Motion Picture | 3D | Color | 1.44:1, 2.39:1 | 115 Minutes

Beowulf | ShotOnWhat?

Directed by | Robert Zemeckis | Cinematography by | Robert Presley | Editing by | Jeremiah O'Driscoll

Starring | Ray Winstone, Crispin Glover, Angelina Jolie, Robin Wright

Final Destination 5 (2011)

Motion Picture | 3D | Color | 2.35:1 | 92 Minutes

Final Destination 5 | ShotOnWhat?

Directed by | Steven Quale | Cinematography by | Brian Pearson | Editing by | Eric A. Sears

Starring | Nicholas D'Agosto, Emma Bell, Arlen Escarpeta, Miles Fisher

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Pirates of the Caribbean: Dead Man’s Chest (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 151 Minutes

Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Craig Wood

Starring | Johnny Depp, Orlando Bloom, Keira Knightley, Jack Davenport

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Sucker Punch (2011)

Motion Picture | 2D | Color | 2.35:1 | 110 Minutes

Sucker Punch | ShotOnWhat?

Directed by | Zack Snyder | Cinematography by | Larry Fong | Editing by | William Hoy

Starring | Emily Browning, Vanessa Hudgens, Abbie Cornish, Jena Malone

Cameras | Panavision Cameras

Quantum of Solace (2008)

Motion Picture | 2D | Color | 2.35:1 | 106 Minutes

Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse, Richard Pearson

Starring | Daniel Craig, Olga Kurylenko, Mathieu Amalric, Judi Dench

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Robin Hood (2010)

Motion Picture | 2D | Color | 2.39:1 | 140 Minutes

Robin Hood | ShotOnWhat?

Directed by | Ridley Scott | Cinematography by | John Mathieson | Editing by | Pietro Scalia

Starring | Russell Crowe, Cate Blanchett, Matthew Macfadyen, Max von Sydow

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera

Lenses | Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

The Adventures of Tintin (2011)

Motion Picture | 3D | Color | 2.39:1 | 107 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Jamie Bell, Andy Serkis, Daniel Craig, Simon Pegg

Cameras | Panavision Cameras

Where the Wild Things Are (2009)

Motion Picture | 2D | Color | 2.35:1 | 101 Minutes

Where the Wild Things Are | ShotOnWhat?

Directed by | Spike Jonze | Cinematography by | Lance Acord | Editing by | James Haygood, Eric Zumbrunnen

Starring | Max Records, Catherine O'Hara, Forest Whitaker, Pepita Emmerichs

Cameras | Aaton 35-III Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

The Spiderwick Chronicles (2008)

Motion Picture | 2D | Color | 2.35:1 | 96 Minutes

The Spiderwick Chronicles | ShotOnWhat?

Directed by | Mark Waters | Cinematography by | Caleb Deschanel | Editing by | Michael Kahn

Starring | Freddie Highmore, Sarah Bolger, David Strathairn, Mary-Louise Parker

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

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