Celluloid | 3105 Titles
Jane Eyre (2011)
Directed by | Cary Joji Fukunaga | Cinematography by | Adriano Goldman | Editing by | Melanie Oliver
Cameras | ARRICAM Lite (LT) Camera
Salt (2010)
Directed by | Phillip Noyce | Cinematography by | Robert Elswit | Editing by | Stuart Baird, John Gilroy
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision 70-210 mm T2.8 (Custom by Dan Sasaki) Lens, Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII 24 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses
Talk to Her (2002)
Directed by | Pedro Almodóvar | Cinematography by | Javier Aguirresarobe | Editing by | José Salcedo
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Fantastic Four: Rise of the Silver Surfer (2007)
Directed by | Tim Story | Cinematography by | Larry Blanford | Editing by | Peter S. Elliot, William Hoy
Cameras | Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Lenses | Panavision Primo Anamorphic Lenses
Blindness (2008)
Directed by | Fernando Meirelles | Cinematography by | César Charlone | Editing by | Daniel Rezende
Cameras | Aaton 35-III Camera, Aaton A-Minima Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Sony DCR-PC110 Camera
Lenses | Canon Lenses, Fujinon Lenses, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
The Tailor of Panama (2001)
Directed by | John Boorman | Cinematography by | Philippe Rousselot | Editing by | Ron Davis
Cameras | Panavision Panaflex Platinum Camera
Ghost Rider (2007)
Directed by | Mark Steven Johnson | Cinematography by | Russell Boyd | Editing by | Richard Francis-Bruce
Cameras | Panavision Cameras
War of the Worlds (2005)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | Panavision Panaflex Millennium XL Camera
Gosford Park (2001)
Directed by | Robert Altman | Cinematography by | Andrew Dunn | Editing by | Tim Squyres
Cameras | Panavision Panaflex Platinum Camera
Ying xiong (2002)
Directed by | Yimou Zhang | Cinematography by | Christopher Doyle | Editing by | Angie Lam, Vincent Lee, Ru Zhai
Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera
Lenses | Angenieux Lenses, Cooke Lenses
Forgetting Sarah Marshall (2008)
Directed by | Nicholas Stoller | Cinematography by | Russ T. Alsobrook | Editing by | William Kerr
Cameras | Panavision Cameras
Lenses | Panavision Lenses
El crimen del Padre Amaro (2002)
Directed by | Carlos Carrera | Cinematography by | Guillermo Granillo | Editing by | Óscar Figueroa
Cameras | Panavision Cameras
Lenses | Panavision Lenses
An Education (2009)
Directed by | Lone Scherfig | Cinematography by | John de Borman | Editing by | Barney Pilling
Cameras | ARRIFLEX 235 Camera
Lenses | Cooke Speed Panchro Lenses
The Affair of the Necklace (2001)
Directed by | Charles Shyer | Cinematography by | Ashley Rowe | Editing by | David Moritz
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
A Cinderella Story: Once Upon a Song (2011)
Directed by | Damon Santostefano | Cinematography by | John Peters | Editing by | Tony Lombardo
Cameras | Panavised Sony CineAlta F35 Camera
Lenses | Panavision Lenses
American Gun (2005)
Directed by | Aric Avelino | Cinematography by | Nancy Schreiber | Editing by | Richard Nord
Cameras | Aaton XTR Prod Camera
Lenses | Canon Lenses
Lara Croft Tomb Raider: The Cradle of Life (2003)
Directed by | Jan de Bont | Cinematography by | David Tattersall | Editing by | Michael Kahn
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Dreamgirls (2006)
The Beat That My Heart Skipped (2005)
Directed by | Jacques Audiard | Cinematography by | Stéphane Fontaine | Editing by | Juliette Welfling
Cameras | Aaton 35-III Camera
Lenses | Cooke S4 Lenses
Fred Claus (2007)
Directed by | David Dobkin | Cinematography by | Remi Adefarasin | Editing by | Mark Livolsi
Lenses | Zeiss Ultra Prime Lenses
