Celluloid | 3105 Titles
Triumph of the Spirit (1989)
Directed by | Robert M. Young | Cinematography by | Curtis Clark | Editing by | Norman Buckley, Arthur Coburn
Iron Man 2 (2010)
Directed by | Jon Favreau | Cinematography by | Matthew Libatique | Editing by | Dan Lebental, Richard Pearson
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
The Hudsucker Proxy (1994)
Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Thom Noble
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 535 Camera
Lenses | Zeiss Lenses
Bringing Out the Dead (1999)
Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Abraham Lincoln: Vampire Hunter (2012)
Fletch Lives (1989)
Directed by | Michael Ritchie | Cinematography by | John McPherson | Editing by | Richard A. Harris
Cameras | Panavision Cameras
Lenses | Panavision Lenses
xXx (2002)
Directed by | Rob Cohen | Cinematography by | Dean Semler | Editing by | Chris Lebenzon, Joel Negron, Paul Rubell
Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses | Panavision ALZ3 270-840 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision CN400 400 mm T3.0 Lens, Panavision Primo Anamorphic Lenses
A Prayer for the Dying (1987)
Directed by | Mike Hodges | Cinematography by | Michael Garfath | Editing by | Peter Boyle
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
Gorky Park (1983)
Directed by | Michael Apted | Cinematography by | Ralf D. Bode | Editing by | Dennis Virkler
Cameras | ARRI ARRIFLEX Series Cameras, J-D-C Camera
Lost in America (1985)
Directed by | Albert Brooks | Cinematography by | Eric Saarinen | Editing by | David Finfer
Cameras | Panavision Panaflex Gold Camera
Wag the Dog (1997)
Directed by | Barry Levinson | Cinematography by | Robert Richardson | Editing by | Stu Linder
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Good Night, and Good Luck. (2005)
Directed by | George Clooney | Cinematography by | Robert Elswit | Editing by | Stephen Mirrione
Cameras | Panavision Panaflex Millennium XL Camera
Edge of Darkness (2010)
Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Stuart Baird
Cameras | Panavision Panaflex Platinum Camera
A League of Their Own (1992)
Directed by | Penny Marshall | Cinematography by | Miroslav Ondrícek | Editing by | Adam Bernardi, George Bowers
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Blind Side (2009)
Directed by | John Lee Hancock | Cinematography by | Alar Kivilo | Editing by | Mark Livolsi
Lenses | Zeiss Master Prime Lenses
Swordfish (2001)
The Full Monty (1997)
Directed by | Peter Cattaneo | Cinematography by | John de Borman | Editing by | David Freeman, Nick Moore
Cameras | Moviecam Cameras
The Island (2005)
Directed by | Michael Bay | Cinematography by | Mauro Fiore | Editing by | Paul Rubell, Christian Wagner
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux HR Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Dangerous Liaisons (1988)
Directed by | Stephen Frears | Cinematography by | Philippe Rousselot | Editing by | Mick Audsley
Cameras | Moviecam 3N Camera
Lenses | Angenieux Lenses, Zeiss Super Speed Lenses
Cast Away (2000)
Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
