DTS | 1235 Titles
The Getaway (1994)
Directed by | Roger Donaldson | Cinematography by | Peter Menzies Jr. | Editing by | Conrad Buff IV
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Joyeux Noel (2005)
Directed by | Christian Carion | Cinematography by | Walther van den Ende | Editing by | Judith Rivière Kawa, Andrea Sedlácková
Lenses | Panavision Lenses
Magic Mike (2012)
Directed by | Steven Soderbergh | Cinematography by | Steven Soderbergh | Editing by | Steven Soderbergh
Cameras | Red Epic Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
Apollo 18 (2011)
Directed by | Gonzalo López-Gallego | Cinematography by | José David Montero | Editing by | Patrick Lussier
Cameras | ARRIFLEX 16SR Camera, Sony CineAlta F23 Camera
Lenses | Panavision Primo Digital Lenses
The Sorcerer’s Apprentice (2010)
Contraband (2012)
Directed by | Baltasar Kormákur | Cinematography by | Barry Ackroyd | Editing by | Elísabet Ronaldsdóttir
Cameras | Aaton Penelope Camera
Trouble with the Curve (2012)
Directed by | Robert Lorenz | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach
Cameras | Panavision Panaflex Platinum Camera
All or Nothing (2002)
Directed by | Mike Leigh | Cinematography by | Dick Pope | Editing by | Lesley Walker
Lenses | Angenieux Lenses, Zeiss Lenses
Apocalypto (2006)
Directed by | Mel Gibson | Cinematography by | Dean Semler | Editing by | John Wright
Cameras | Aaton A-Minima Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Ikonoskop Cameras, Panavision Genesis Camera
Spy Kids 2: Island of Lost Dreams (2002)
Directed by | Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez
Cameras | Sony HDW-F900 Camera
Blood Work (2002)
Gunjô: Ai ga shizunda umi no iro (2009)
Directed by | Yosuke Nakagawa | Cinematography by | Hiro'o Yanagida | Editing by | Hiroaki Morishita
Lenses | Fujinon E Series Lenses, Panavision Lenses
The Imaginarium of Doctor Parnassus (2009)
Directed by | Terry Gilliam | Cinematography by | Nicola Pecorini | Editing by | Mick Audsley
Lenses | Zeiss Ultra Prime Lenses
Date Night (2010)
Directed by | Shawn Levy | Cinematography by | Dean Semler | Editing by | Dean Zimmerman
Cameras | Panavision Genesis Camera
J. Edgar (2011)
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach
Lenses | Panavision C Series Anamorphic Lenses, Panavision C100 100 mm T2.8 Lens, Panavision C75 75 mm T2.5 Lens, Panavision E Series Anamorphic Lenses, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens
Easy A (2010)
Directed by | Will Gluck | Cinematography by | Michael Grady | Editing by | Susan Littenberg
Cameras | Panavision Genesis Camera
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Black Snake Moan (2006)
Pearl Harbor (2001)
Directed by | Michael Bay | Cinematography by | John Schwartzman | Editing by | Roger Barton, Mark Goldblatt, Chris Lebenzon, Steven Rosenblum
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Kiss the Girls (1997)
Directed by | Gary Fleder | Cinematography by | Aaron Schneider | Editing by | Armen Minasian, Harvey Rosenstock, William Steinkamp
Cameras | Panavision Panaflex Gold II Camera