DTS-HD Master Audio | 44 Titles
Free Fire (2016)
The Lighthouse (2019)
Directed by | Robert Eggers | Cinematography by | Jarin Blaschke | Editing by | Louise Ford
Lenses | Bausch & Lomb Lenses, Pathé Lenses
Upgrade (2018)
Directed by | Leigh Whannell | Cinematography by | Stefan Duscio | Editing by | Andy Canny
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Bran Nue Dae (2009)
Guillermo del Toro’s Pinocchio (2022)
Directed by | Guillermo del Toro, Mark Gustafson | Cinematography by | Frank Passingham | Editing by | Holly Klein, Ken Schretzmann
Cameras | Canon EOS-1D Mark IV Camera
Living (2022)
Directed by | Oliver Hermanus | Cinematography by | Jamie Ramsay | Editing by | Chris Wyatt
Cameras | ARRI ALEXA Mini Camera
Lenses | Zeiss Supreme Prime Series Lenses
Barely Legal (2011)
Directed by | Jose Montesinos | Cinematography by | Ben Demaree | Editing by | Rob Pallatina
Cameras | Red One MX Camera
Horrible Bosses (2011)
Directed by | Seth Gordon | Cinematography by | David Hennings | Editing by | Peter Teschner
Cameras | Panavision Genesis Camera
Lenses | Panavision Primo Anamorphic Lenses
Unstoppable (2010)
Directed by | Tony Scott | Cinematography by | Ben Seresin | Editing by | Robert Duffy, Chris Lebenzon
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Searching for Sugar Man (2012)
Directed by | Malik Bendjelloul | Cinematography by | Camilla Skagerström | Editing by | Malik Bendjelloul
Tooth Fairy (2010)
Directed by | Michael Lembeck | Cinematography by | David Tattersall | Editing by | David Finfer
Lenses | Panavision Primo Anamorphic Lenses
Pride & Prejudice (2005)
Directed by | Joe Wright | Cinematography by | Roman Osin | Editing by | Paul Tothill
Lenses | Cooke S4 Lenses
Dinner for Schmucks (2010)
Directed by | Jay Roach | Cinematography by | Jim Denault | Editing by | Alan Baumgarten, Jon Poll
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Lorax (2012)
Wall Street: Money Never Sleeps (2010)
Directed by | Oliver Stone | Cinematography by | Rodrigo Prieto | Editing by | David Brenner, Julie Monroe
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Zeiss Master Prime Lenses
Chernobyl Diaries (2012)
Directed by | Bradley Parker | Cinematography by | Morten Søborg | Editing by | Stan Salfas
Cameras | ARRI ALEXA Camera
Friends with Kids (2011)
Directed by | Jennifer Westfeldt | Cinematography by | William Rexer | Editing by | Tara Timpone
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4 Lenses
The Wolfman (2010)
Directed by | Joe Johnston | Cinematography by | Shelly Johnson | Editing by | Walter Murch, Dennis Virkler, Mark Goldblatt
Cameras | Panavision Panaflex Millennium XL Camera
Hannah Montana & Miley Cyrus: Best of Both Worlds Concert (2008)
Directed by | Bruce Hendricks | Cinematography by | Mitchell Amundsen, Reed Smoot, Rodney Taylor | Editing by | Michael Tronick
Cameras | Sony CineAlta F23 Camera, Sony HDC-F950 Camera
Step Up 3D (2010)
Directed by | Jon M. Chu | Cinematography by | Ken Seng | Editing by | Andrew Marcus
Cameras | Sony CineAlta F23 Camera