DTS | 1235 Titles
Revolutionary Road (2008)
Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Tariq Anwar
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Lenses | Zeiss Master Prime Lenses
Vanilla Sky (2001)
Directed by | Cameron Crowe | Cinematography by | John Toll | Editing by | Joe Hutshing, Mark Livolsi
Cameras | Panavision Panaflex Gold Camera
Love & Other Drugs (2010)
The Chorus (2004)
Directed by | Christophe Barratier | Cinematography by | Jean-Jacques Bouhon, Dominique Gentil, Carlo Varini | Editing by | Yves Deschamps
Lenses | Hawk Anamorphic Lenses
The Hurricane (1999)
Directed by | Norman Jewison | Cinematography by | Roger Deakins | Editing by | Stephen E. Rivkin
Cameras | ARRIFLEX 535 B Camera, Moviecam Superlight Camera
Lenses | Cooke S4 Lenses
American Reunion (2012)
Directed by | Jon Hurwitz, Hayden Schlossberg | Cinematography by | Daryn Okada | Editing by | Jeff Betancourt
Cameras | Panavision Panaflex Platinum Camera
Lions for Lambs (2007)
Directed by | Robert Redford | Cinematography by | Philippe Rousselot | Editing by | Joe Hutshing
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Master and Commander: The Far Side of the World (2003)
Directed by | Peter Weir | Cinematography by | Russell Boyd | Editing by | Lee Smith
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Dolphin Tale (2011)
Directed by | Charles Martin Smith | Cinematography by | Karl Walter Lindenlaub | Editing by | Harvey Rosenstock
Cameras | Red One MX Camera
Men in Black II (2002)
Directed by | Barry Sonnenfeld | Cinematography by | Greg Gardiner | Editing by | Richard Pearson, Steven Weisberg
In Love and War (1996)
Directed by | Richard Attenborough | Cinematography by | Roger Pratt | Editing by | Lesley Walker
Lenses | Panavision Primo Anamorphic Lenses
The Taste of Others (2000)
Directed by | Agnès Jaoui | Cinematography by | Laurent Dailland | Editing by | Hervé de Luze
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
Elizabeth (1998)
Directed by | Shekhar Kapur | Cinematography by | Remi Adefarasin | Editing by | Jill Bilcock
Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera
Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses
10 Things I Hate About You (1999)
Directed by | Gil Junger | Cinematography by | Mark Irwin | Editing by | O. Nicholas Brown
Cameras | Moviecam Compact Camera
Sin City (2005)
Directed by | Frank Miller, Robert Rodriguez, Quentin Tarantino | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez
Cameras | Sony HDC-F950 Camera, Sony Other Camera
In Bruges (2008)
Down with Love (2003)
Directed by | Peyton Reed | Cinematography by | Jeff Cronenweth | Editing by | Larry Bock
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Real Steel (2011)
Directed by | Shawn Levy | Cinematography by | Mauro Fiore | Editing by | Dean Zimmerman
Cameras | Sony CineAlta F35 Camera
Lenses | Cooke Lenses, Cooke S4 Lenses
The Royal Tenenbaums (2001)
Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Dylan Tichenor
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Primary Colors (1998)
Directed by | Mike Nichols | Cinematography by | Michael Ballhaus | Editing by | Arthur Schmidt
Cameras | ARRIFLEX Camera
