Dolby | 2925 Titles
Ida (2013)
Directed by | Pawel Pawlikowski | Cinematography by | Ryszard Lenczewski, Lukasz Zal | Editing by | Jaroslaw Kaminski
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Zeiss Ultra Prime Lenses
How to Train Your Dragon 2 (2014)
Belle (2013)
Directed by | Amma Asante | Cinematography by | Ben Smithard | Editing by | Victoria Boydell, Pia Di Ciaula
Cameras | Sony CineAlta F65 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Vie sauvage (2014)
Directed by | Cédric Kahn | Cinematography by | Yves Cape | Editing by | Simon Jacquet
Cameras | Sony PMW-F55 Camera
Chocolat (2000)
In Darkness (2011)
Directed by | Agnieszka Holland | Cinematography by | Jolanta Dylewska | Editing by | Michal Czarnecki
Cameras | Red One Camera
Undefeated (2011)
Directed by | Daniel Lindsay, T.J. Martin | Cinematography by | Daniel Lindsay, T.J. Martin | Editing by | Daniel Lindsay, T.J. Martin
Puss in Boots (2011)
Rango (2011)
Get on Up (2014)
Directed by | Tate Taylor | Cinematography by | Stephen Goldblatt | Editing by | Michael McCusker
Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Style Lenses, Angenieux Optimo Zoom Lenses, Bausch & Lomb Lenses, Canon EF Series Lenses, Panavision Primo Primes Spherical Lenses
Calvary (2014)
Directed by | John Michael McDonagh | Cinematography by | Larry Smith | Editing by | Chris Gill
Cameras | ARRI ALEXA Series Cameras
Cake (2014)
Directed by | Daniel Barnz | Cinematography by | Rachel Morrison | Editing by | Kristina Boden, Michelle Harrison
Cameras | ARRI ALEXA Plus 4:3 Camera
Big Eyes (2014)
Big Hero 6 (2014)
Begin Again (2013)
Directed by | John Carney | Cinematography by | Yaron Orbach | Editing by | Andrew Marcus
Cameras | Red Epic Camera
American Sniper (2014)
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach
Cameras | ARRI ALEXA XT Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Twenty Feet from Stardom (2013)
Directed by | Morgan Neville | Cinematography by | Nicola Marsh, Graham Willoughby | Editing by | Douglas Blush, Kevin Klauber, Jason Zeldes
Cameras | Canon EOS-C300 Camera, Red Epic Camera
The Apostate: Call of the Revenant (2015)
Directed by | Andy Dodd | Cinematography by | Andy Dodd, Catherine Kerr-Phillips | Editing by | Andy Dodd
Cameras | Panasonic Lumix DMC-GH2 Camera
A Most Wanted Man (2014)
Directed by | Anton Corbijn | Cinematography by | Benoît Delhomme | Editing by | Claire Simpson
Cameras | ARRI ALEXA M Camera
Lenses | Zeiss Super Speed Lenses




















































































