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Datasat Digital Sound | 158 Titles

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Interstellar (2014)

Motion Picture | 2D | Film Project | Color | 1.44:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.39:1 | 169 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith

Starring | Matthew McConaughey, Anne Hathaway, Jessica Chastain

Cameras | Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Hasselblad Lenses, Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Tenet (2020)

Motion Picture | 2D | Film Project | Color | 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.39:1 | 150 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Jennifer Lame

Starring | John David Washington, Robert Pattinson, Elizabeth Debicki

Cameras | ARRIFLEX 765 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision System 65 Camera

Lenses | Hasselblad Lenses, Panavision Sphero 65 Series Lenses

Dunkirk (2017)

Motion Picture | 2D | 4K Project | Color | 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.39:1 | 106 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith

Starring | Fionn Whitehead, Barry Keoghan, Mark Rylance, Tom Hardy

Cameras | IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision 65mm Prime Lenses, Panavision Sphero 65 Series Lenses

The Dark Knight Rises (2012)

Motion Picture | 2D | Film Project | Color | 1.44:1, 1.78:1 (16x9), 2.39:1 | 164 Minutes

Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith

Starring | Christian Bale, Tom Hardy, Anne Hathaway, Gary Oldman

Cameras | ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera

Lenses | Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

John Wick (2014)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 101 Minutes

Directed by | Chad Stahelski, David Leitch | Cinematography by | Jonathan Sela | Editing by | Elísabet Ronaldsdóttir

Starring | Keanu Reeves, Michael Nyqvist, Alfie Allen, Willem Dafoe

Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Camera

Lenses | Cooke S4 Lenses, Hawk V-Lite Vintage´74 Lens

Skyfall (2012)

Motion Picture | 2D | Color | 1.90:1, 2.39:1 | 143 Minutes

Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Stuart Baird

Starring | Daniel Craig, Javier Bardem, Naomie Harris, Judi Dench

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Red Epic Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Spectre (2015)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 148 Minutes

Star Wars: The Force Awakens (2015)

Motion Picture | 2D, 3D | 4K Project | Color | 1.43:1, 1.90:1, 2.39:1 | 136 Minutes

The Grand Budapest Hotel (2014)

Motion Picture | 2D | 2K Project | Color | 1.37:1, 1.85:1, 2.39:1 | 99 Minutes

Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Barney Pilling

Starring | Ralph Fiennes, F. Murray Abraham, Mathieu Amalric

Cameras | ARRICAM Studio (ST) Camera

Lenses | Angenieux Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Technovision Techno-Cooke Anamorphic Zoom 40-200mm T4.5 Lens

Guardians of the Galaxy (2014)

Motion Picture | 2D, 3D | 2K Project | Color | 1.90:1, 2.39:1 | 121 Minutes

Directed by | James Gunn | Cinematography by | Ben Davis | Editing by | Fred Raskin, Hughes Winborne, Craig Wood

Starring | Chris Pratt, Vin Diesel, Bradley Cooper, Zoe Saldaña

Cameras | ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Joyful Noise (2012)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 118 Minutes

Directed by | Todd Graff | Cinematography by | David Boyd | Editing by | Kathryn Himoff

Starring | Queen Latifah, Dolly Parton, Keke Palmer

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Miracles from Heaven (2016)

Motion Picture | 2D | Color | 1.85:1 | 109 Minutes

Directed by | Patricia Riggen | Cinematography by | Checco Varese | Editing by | Emma E. Hickox

Starring | Jennifer Garner, Kylie Rogers, Martin Henderson

Cameras | ARRI Cameras

Lenses | ARRI Lenses

Dream House (2011)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 92 Minutes

Directed by | Jim Sheridan | Cinematography by | Caleb Deschanel | Editing by | Glen Scantlebury, Barbara Tulliver

Starring | Daniel Craig, Rachel Weisz, Naomi Watts

Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Mission: Impossible – Rogue Nation (2015)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 131 Minutes

Directed by | Christopher McQuarrie | Cinematography by | Robert Elswit | Editing by | Eddie Hamilton

Starring | Tom Cruise, Rebecca Ferguson, Jeremy Renner

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Fujinon Premier Lenses, Panavision B Series Anamorphic Lenses

Kick-Ass 2 (2013)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Jeff Wadlow | Cinematography by | Tim Maurice-Jones | Editing by | Eddie Hamilton

Starring | Aaron Taylor-Johnson, Chloë Grace Moretz, Christopher Mintz-Plasse

Cameras | ARRI ALEXA Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Lenses | Angenieux Optimo Zoom Lenses, ARRI / Fujinon Lenses, Zeiss Master Prime Lenses

Seberg (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 102 Minutes

Directed by | Benedict Andrews | Cinematography by | Rachel Morrison | Editing by | Pamela Martin

Starring | Kristen Stewart, Yvan Attal, Gabriel Sky, Jack O'Connell

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses

Whiplash (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 106 Minutes

Directed by | Damien Chazelle | Cinematography by | Sharone Meir | Editing by | Tom Cross

Starring | Miles Teller, J.K. Simmons, Melissa Benoist, Paul Reiser

Cameras | ARRI ALEXA Camera, Canon EOS-7D Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Leitz Summilux-C Series Lenses

Project X (2012)

Motion Picture | 2D | Color | 1.85:1 | 88 Minutes

Directed by | Nima Nourizadeh | Cinematography by | Ken Seng | Editing by | Jeff Groth

Starring | Thomas Mann, Oliver Cooper, Jonathan Daniel Brown, Dax Flame

Cameras | Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F23 Camera, Sony PMW-EX3 Camera

Lenses | Canon Lenses

Pete’s Dragon (2016)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 102 Minutes

Directed by | David Lowery | Cinematography by | Bojan Bazelli | Editing by | Lisa Zeno Churgin

Starring | Bryce Dallas Howard, Robert Redford, Oakes Fegley, Oona Laurence

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Cooke Anamorphic/i Prime Lenses

Finding Dory (2016)

Motion Picture | 3D | 4K Project | Color | 1.85:1 | 97 Minutes

Directed by | Andrew Stanton, Angus MacLane | Cinematography by | Jeremy Lasky | Editing by | Axel Geddes

Starring | Ellen DeGeneres, Albert Brooks, Ed O'Neill, Kaitlin Olson

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