Studio | 595 Titles
Patch Adams (1998)
Directed by | Tom Shadyac | Cinematography by | Phedon Papamichael | Editing by | Don Zimmerman
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Ted (2012)
Directed by | Seth MacFarlane | Cinematography by | Michael Barrett | Editing by | Jeff Freeman
Cameras | Panavision Genesis Camera, Sony PMW-EX3 Camera
Hellboy II: The Golden Army (2008)
Directed by | Guillermo del Toro | Cinematography by | Guillermo Navarro | Editing by | Bernat Vilaplana
Cameras | ARRIFLEX 235 Camera, Moviecam Compact Camera
Lenses | Zeiss Ultra Prime Lenses
American Beauty (1999) 
Directed by | Sam Mendes | Cinematography by | Conrad L. Hall | Editing by | Tariq Anwar, Christopher Greenbury
Cameras | Panavision Panaflex Platinum Camera
Cowboys & Aliens (2011)
Directed by | Jon Favreau | Cinematography by | Matthew Libatique | Editing by | Dan Lebental, Jim May
Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The Amazing Spider-Man (2012)
Directed by | Marc Webb | Cinematography by | John Schwartzman | Editing by | Alan Edward Bell, Michael McCusker, Pietro Scalia
Cameras | Red Epic Camera
A History of Violence (2005)
Directed by | David Cronenberg | Cinematography by | Peter Suschitzky | Editing by | Ronald Sanders
Cameras | Panavision Cameras
Lenses | Panavision Lenses
30 Days of Night (2007)
Directed by | David Slade | Cinematography by | Jo Willems | Editing by | Art Jones
Cameras | Panavision Panaflex Millennium XL Camera
Green Lantern (2011)
Directed by | Martin Campbell | Cinematography by | Dion Beebe | Editing by | Stuart Baird
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
House of Flying Daggers (2004)
Directed by | Yimou Zhang | Cinematography by | Xiaoding Zhao | Editing by | Long Cheng
Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera
Lenses | Cooke Lenses, Zeiss Lenses
The Haunting (1999)
Directed by | Jan de Bont | Cinematography by | Karl Walter Lindenlaub | Editing by | Michael Kahn
Cameras | Panavision Cameras, VistaVision Cameras
Lenses | Panavision Lenses
Tower Heist (2011)
Living Hell (2008)
Directed by | Richard Jefferies | Cinematography by | Eric Leach | Editing by | Russell Denove
Cameras | Panavision Cameras
Maadadayo (1993)
Directed by | Akira Kurosawa | Cinematography by | Takao Saitô, Shôji Ueda | Editing by | Akira Kurosawa, Ishirô Honda
Cameras | ARRIFLEX 535 Camera
The Craft (1996)
Directed by | Andrew Fleming | Cinematography by | Alexander Gruszynski | Editing by | Jeff Freeman
Cameras | Moviecam Compact Camera
Lenses | Zeiss Lenses
Kundun (1997)
Directed by | Martin Scorsese | Cinematography by | Roger Deakins | Editing by | Thelma Schoonmaker
Starring | Tenzin Thuthob Tsarong, Gyurme Tethong, Tulku Jamyang Kunga Tenzin, Tenzin Yeshi Paichang
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke Lenses, Cooke Super Cine Varotal 25-250mm f2.8 Lens, Zeiss Standard Speed Prime Lenses
Morning Glory (2010)
Directed by | Roger Michell | Cinematography by | Alwin H. Küchler | Editing by | Dan Farrell, Nick Moore, Steven Weisberg
Cameras | Panavision Panaflex Millennium Camera
ToyKhtoProyshovKrizVohon (2011)
Directed by | Mykhailo Illienko | Cinematography by | Oleksandr Kryshtalovych | Editing by | Viktor Malyarenko
Cameras | Red One Camera
The Adjustment Bureau (2011)
Directed by | George Nolfi | Cinematography by | John Toll | Editing by | Jay Rabinowitz
Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Street Life (2007)
Directed by | Timothy Willis | Cinematography by | Matthew Fabian, Timothy Willis | Editing by | Timothy Willis
Cameras | Canon XL2 Camera, Panasonic AJ-HDC27 Camera
