Land | 228 Titles
The Last Samurai (2003)
Directed by | Edward Zwick | Cinematography by | John Toll | Editing by | Victor Du Bois, Steven Rosenblum
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panastar Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The Bounty (1984)
Directed by | Roger Donaldson | Cinematography by | Arthur Ibbetson | Editing by | Tony Lawson
Cameras | J-D-C Camera, Joe Dunton Cameras
Dancer in the Dark (2000)
Directed by | Lars von Trier | Cinematography by | Robby Müller | Editing by | François Gédigier, Molly Malene Stensgaard
Cameras | Sony DSR-PD100 Camera, Sony DSR-PD150 Camera
The Big Slice (1991)
Directed by | John Bradshaw | Cinematography by | Ludek Bogner | Editing by | Nick Rotundo
Cameras | ARRI ARRIFLEX Series Cameras
Dangerous Liaisons (1988)
Directed by | Stephen Frears | Cinematography by | Philippe Rousselot | Editing by | Mick Audsley
Cameras | Moviecam 3N Camera
Lenses | Angenieux Lenses, Zeiss Super Speed Lenses
Vito Bonafacci (2011)
Directed by | John Martoccia | Cinematography by | Patrick Wells Valenti | Editing by | Ingmar Cederstrom, Patrick Wells Valenti
Cameras | Red One Camera
Lenses | Zeiss DigiPrime Lenses
The Expendables 2 (2012)
51 Paintings (2012)
Directed by | Shaun Wilson | Cinematography by | Shaun Wilson | Editing by | Tammy Honey
Cameras | Canon EOS 550D Camera, Red One Camera
Lenses | Zeiss DigiPrime Lenses
Terminator 3: Rise of the Machines (2003)
Directed by | Jonathan Mostow | Cinematography by | Don Burgess | Editing by | Nicolas De Toth, Neil Travis
Cameras | Panavision Panaflex Platinum Camera
The Sound of Music (1965) 
Directed by | Robert Wise | Cinematography by | Ted D. McCord | Editing by | William Reynolds
Cameras | Mitchell BNC Camera, Modern Cinema Systems MCS-70
Shark Night 3D (2011)
Directed by | David R. Ellis | Cinematography by | Gary Capo | Editing by | Dennis Virkler
Cameras | Sony CineAlta F35 Camera
Lenses | Cooke CXX 15-40mm T2.0 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens
Around the World in 80 Days (2004)
Directed by | Frank Coraci | Cinematography by | Phil Meheux | Editing by | Tom Lewis
Cameras | Panavision Panaflex Gold II Camera
Priest (2011)
Directed by | Scott Stewart | Cinematography by | Don Burgess | Editing by | Lisa Zeno Churgin, Rebecca Weigold
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Triangle (2009)
Directed by | Christopher Smith | Cinematography by | Robert Humphreys | Editing by | Stuart Gazzard
Cameras | Panavision Genesis Camera
Pearl Harbor (2001)
Directed by | Michael Bay | Cinematography by | John Schwartzman | Editing by | Roger Barton, Mark Goldblatt, Chris Lebenzon, Steven Rosenblum
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Arthur Schmidt, Craig Wood
Cameras | Panavision Panaflex Platinum Camera
Catch Me If You Can (2002)
Winged Migration (2001)
Directed by | Jacques Perrin, Jacques Cluzaud, Michel Debats | Cinematography by | Olli Barbé, Michel Benjamin, Sylvie Carcedo, Laurent Charbonnier, Luc Drion, Laurent Fleutot, Philippe Garguil, Dominique Gentil, Bernard Lutic, Thierry Machado, Stéphane Martin, Fabrice Moindrot, Ernst Sasse, Michel Terrasse, Thierry Thomas | Editing by | Marie-Josèphe Yoyotte
Lenses | Panavision Lenses
Adaptation. (2002)
Directed by | Spike Jonze | Cinematography by | Lance Acord | Editing by | Eric Zumbrunnen
Cameras | Panavision Panaflex Millennium XL Camera
Never Let Me Go (2010)
Directed by | Mark Romanek | Cinematography by | Adam Kimmel | Editing by | Barney Pilling
Lenses | ARRI / Zeiss Master Anamorphic Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses
