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Il ragazzo invisibile: Fratelli (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 100 Minutes

Directed by | Gabriele Salvatores | Cinematography by | Italo Petriccione

Starring | Ludovico Girardello, Kseniya Rappoport, Galatéa Bellugi, Ivan Franek

Cameras | ARRI ALEXA XT Camera

Escape Room (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 99 Minutes

Directed by | Adam Robitel | Cinematography by | Marc Spicer | Editing by | Steve Mirkovich

Starring | Taylor Russell, Logan Miller, Jay Ellis, Tyler Labine

Cameras | ARRI ALEXA Mini Camera

Lenses | Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens

Border (2018)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Ali Abbasi | Cinematography by | Nadim Carlsen | Editing by | Olivia Neergaard-Holm, Anders Skov

Starring | Eva Melander, Eero Milonoff, Jörgen Thorsson, Ann Petrén

Cameras | Red Digital Cinema Cameras

A Quiet Place (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 90 Minutes

Directed by | John Krasinski | Cinematography by | Charlotte Bruus Christensen | Editing by | Christopher Tellefsen

Starring | Emily Blunt, John Krasinski, Millicent Simmonds, Noah Jupe

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision Primo Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses

Can You Ever Forgive Me? (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 106 Minutes

Directed by | Marielle Heller | Cinematography by | Brandon Trost | Editing by | Anne McCabe

Starring | Melissa McCarthy, Richard E. Grant, Dolly Wells, Ben Falcone

Cameras | Panavision Millennium DXL Camera

Lenses | Panavision Primo 70 Lenses

Magnum Force (1973)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 124 Minutes

Directed by | Ted Post | Cinematography by | Frank Stanley | Editing by | Ferris Webster

Starring | Clint Eastwood, Hal Holbrook, Mitchell Ryan, David Soul

Cameras | Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses

Bad Boys II (2003)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 147 Minutes

Directed by | Michael Bay | Cinematography by | Amir Mokri | Editing by | Roger Barton, Mark Goldblatt, Tom Muldoon

Starring | Will Smith, Martin Lawrence, Gabrielle Union, Jordi Mollà

Cameras | Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Deep Impact (1998)

Motion Picture | 2D | Film Project | Color | 2.35:1 | 120 Minutes

Directed by | Mimi Leder | Cinematography by | Dietrich Lohmann | Editing by | Paul Cichocki, David Rosenbloom

Starring | Robert Duvall, Téa Leoni, Elijah Wood, Morgan Freeman

Cameras | ARRIFLEX 535 Camera

3 Idiots (2009)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 170 Minutes

Directed by | Rajkumar Hirani | Cinematography by | C.K. Muraleedharan | Editing by | Rajkumar Hirani

Starring | Aamir Khan, Madhavan, Mona Singh, Sharman Joshi

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Zeiss Master Prime Lenses

Whiplash (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 106 Minutes

Directed by | Damien Chazelle | Cinematography by | Sharone Meir | Editing by | Tom Cross

Starring | Miles Teller, J.K. Simmons, Melissa Benoist, Paul Reiser

Cameras | ARRI ALEXA Camera, Canon EOS-7D Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Leitz Summilux-C Series Lenses

Bad Santa (2003)

Motion Picture | 2D | Color | 91 Minutes

Directed by | Terry Zwigoff | Cinematography by | Jamie Anderson | Editing by | Robert Hoffman

Starring | Billy Bob Thornton, Bernie Mac, Lauren Graham, John Ritter

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Fantastic Beasts and Where to Find Them (2016)

Motion Picture | 2D, 3D | 4K Project | Color | 2.39:1 | 132 Minutes

Directed by | David Yates | Cinematography by | Philippe Rousselot | Editing by | Mark Day

Starring | Eddie Redmayne, Katherine Waterston, Alison Sudol, Dan Fogler

Cameras | ARRI ALEXA XT Camera

Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Family Obligations (2019)

Direct to Video | 2D | HD Project | Color | 2.39:1 | 81 Minutes

Directed by | Kenneth R. Frank | Cinematography by | Kenneth R. Frank | Editing by | Chris Mollica, Kevin Wolfring

Starring | Angelica Adams, Eleanor Brandle-Frank, Peppa Brandle-Frank, Grace Chan

Cameras | Blackmagic Pocket Cinema Camera

Lenses | Panasonic Lumix G X Vario 12-35mm f2.8 Lens

Ace Attorney (2012)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 135 Minutes

Directed by | Takashi Miike | Cinematography by | Masakazu Oka | Editing by | Kenji Yamashita

Starring | Hiroki Narimiya, Takumi Saitoh, Mirei Kiritani, Akiyoshi Nakao

Mindhunter (2017)

Television Series | 2D | 6K Project | Color | 2.20:1 | 60 Minutes

| Cinematography by | Erik Messerschmidt, Christopher Probst | Editing by | Tyler Nelson, Kirk Baxter, Grant Surmi, Byron Smith, Eric Zumbrunnen

Starring | Jonathan Groff, Holt McCallany, Anna Torv, Hannah Gross

Cameras | Red Xenomorph Camera

Lenses | Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Fujinon Premier Lenses, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens

The Perfect Host (2010)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 93 Minutes

Directed by | Nick Tomnay | Cinematography by | John Brawley | Editing by | Nick Tomnay

Starring | David Hyde Pierce, Clayne Crawford, Nathaniel Parker, Tyrees Allen

Cameras | Red One Camera

Lenses | Zeiss Ultra Prime Lenses

Designated Survivor (2016)

Television Series | 2D | Color | 60 Minutes

| Cinematography by | Jeffrey C. Mygatt, Michael Storey, Adam Suschitzky, Cort Fey, Colin Hoult, Darran Tiernan, M. David Mullen, David A. Harp, Michael McMurray | Editing by | Damien Smith, Charissa Sanjarernsuithikul, Ned Bastille, Pamela Malouf, David Beatty, John L. Roberts, Michael Schweitzer, James Coblentz, Monty DeGraff, Jennifer Van Goethem, Roy C. Poole, Bryan Darling

Starring | Kiefer Sutherland, Adan Canto, Italia Ricci, Kal Penn

Cameras | ARRI ALEXA LF Camera

Scrooged (1988)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 101 Minutes

Directed by | Richard Donner | Cinematography by | Michael Chapman | Editing by | Fredric Steinkamp, William Steinkamp

Starring | Bill Murray, Karen Allen, John Forsythe, John Glover

Cameras | Panavision Panaflex Gold Camera

Animal Behaviour (2018)

Short Film | 2D | Color | 1.85:1 | 14 Minutes

Directed by | David Fine, Alison Snowden

Starring | Ryan Beil, Taz Van Rassel, Leah Juel, Andrea Libman

Shutter Island (2010)

Motion Picture | 2D | Color | 2.39:1 | 138 Minutes

Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker

Starring | Leonardo DiCaprio, Emily Mortimer, Mark Ruffalo, Ben Kingsley

Cameras | ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses

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