2D | 5144 Titles
The Last King of Scotland (2006)
Directed by | Kevin Macdonald | Cinematography by | Anthony Dod Mantle | Editing by | Justine Wright
Lenses | Panavision Lenses
Boxers and Ballerinas (2004)
Directed by | Mike Cahill, Brit Marling | Cinematography by | Mike Cahill, Brit Marling | Editing by | Mike Cahill, Brit Marling
Cameras | Sony DSR-PD150 Camera
Easy A (2010)
Directed by | Will Gluck | Cinematography by | Michael Grady | Editing by | Susan Littenberg
Cameras | Panavision Genesis Camera
The Next Three Days (2010)
Directed by | Paul Haggis | Cinematography by | Stéphane Fontaine | Editing by | Jo Francis
Cameras | Aaton Penelope Camera, ARRICAM Lite (LT) Camera
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Super (2010)
Directed by | James Gunn | Cinematography by | Steve Gainer | Editing by | Cara Silverman
Cameras | Red One Camera
2 Coelhos (2012)
Directed by | Afonso Poyart | Cinematography by | Carlos André Zalasik | Editing by | Lucas Gonzaga, Afonso Poyart, André Vidigal
Cameras | Phantom HD Gold Camera, Red One MX Camera
Death Note: The Last Name (2006)
Directed by | Shûsuke Kaneko | Cinematography by | Kenji Takama | Editing by | Yôsuke Yafune
Cameras | Sony HDW-F900 Camera
Lenses | Angenieux Lenses, Zeiss DigiPrime Lenses
Pearl Harbor (2001)
Directed by | Michael Bay | Cinematography by | John Schwartzman | Editing by | Roger Barton, Mark Goldblatt, Chris Lebenzon, Steven Rosenblum
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
ZZ Top: Live from Texas (2008)
Kiss the Girls (1997)
Directed by | Gary Fleder | Cinematography by | Aaron Schneider | Editing by | Armen Minasian, Harvey Rosenstock, William Steinkamp
Cameras | Panavision Panaflex Gold II Camera
The Patriot (1998)
Directed by | Dean Semler | Cinematography by | Stephen F. Windon | Editing by | Derek Brechin
Cameras | Panavision Cameras
John Carter (2012)
Directed by | Andrew Stanton | Cinematography by | Dan Mindel | Editing by | Eric Zumbrunnen
Lenses | Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Secret défense (2008)
Directed by | Philippe Haïm | Cinematography by | Jérôme Alméras | Editing by | Sylvie Landra
Cameras | ARRICAM Lite (LT) Camera
Columbus Circle (2012)
Directed by | George Gallo | Cinematography by | Anastas N. Michos | Editing by | Malcolm Campbell
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Crazy Heart (2009)
Directed by | Scott Cooper | Cinematography by | Barry Markowitz | Editing by | John Axelrad, Jeffrey Ford
Green Zone (2010)
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses
Inglourious Basterds (2009)
Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Sally Menke
Lenses | Cooke Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
L’amour dure trois ans (2011)
Directed by | Frédéric Beigbeder | Cinematography by | Yves Cape | Editing by | Stan Collet, Stéphane Garnier
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Lenses
Diary of a Wimpy Kid: Rodrick Rules (2011)
Directed by | David Bowers | Cinematography by | Jack N. Green | Editing by | Troy Takaki
Cameras | Panavision Cameras
