2D | 5452 Titles
Steal Big Steal Little (1995)
Alien: Resurrection (1997)
Music and Lyrics (2007)
Directed by | Marc Lawrence | Cinematography by | Xavier Grobet | Editing by | Susan E. Morse
Cameras | ARRI Cameras
Lenses | Zeiss Lenses
China Strike Force (2000)
Directed by | Stanley Tong | Cinematography by | Jeffrey C. Mygatt | Editing by | Pietro Cecchini, Chi Wai Yau
Sweet and Lowdown (1999)
Directed by | Woody Allen | Cinematography by | Fei Zhao | Editing by | Alisa Lepselter
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Alex Cross (2012)
Directed by | Rob Cohen | Cinematography by | Ricardo Della Rosa | Editing by | Matthew Diezel, Thom Noble
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL3 Camera, Silicon Imaging SI-2K Mini Camera, Silicon Imaging SI-2K Nano Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses
W.E. (2011)
Directed by | Madonna | Cinematography by | Hagen Bogdanski | Editing by | Danny Tull
Lenses | Zeiss Ultra Prime Lenses
Tyrannosaur (2011)
Directed by | Paddy Considine | Cinematography by | Erik Wilson | Editing by | Pia Di Ciaula
Cameras | Canon EOS-5D Mark II Camera, Red One MX Camera
Lenses | Cooke Speed Panchro Lenses
Shanghai (2010)
Directed by | Mikael Håfström | Cinematography by | Benoît Delhomme | Editing by | Peter Boyle, Kevin Tent
Cameras | Panavision Panaflex Millennium XL Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Dumb & Dumber (1994)
Directed by | Peter Farrelly, Bobby Farrelly | Cinematography by | Mark Irwin | Editing by | Christopher Greenbury
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Magic of Belle Isle (2012)
Directed by | Rob Reiner | Cinematography by | Reed Morano | Editing by | Dorian Harris
Cameras | ARRI ALEXA Camera
The Lives of Others (2006)
Directed by | Florian Henckel von Donnersmarck | Cinematography by | Hagen Bogdanski | Editing by | Patricia Rommel
Cameras | ARRIFLEX 535 B Camera
Lenses | Hawk C-Series Lenses, Hawk V-Series Lenses
Amistad (1997)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | Panavision Panaflex Platinum Camera
Lenses | Zeiss Super Speed Lenses
Happy-Go-Lucky (2008)
Directed by | Mike Leigh | Cinematography by | Dick Pope | Editing by | Jim Clark
Cameras | ARRI ARRIFLEX Series Cameras
After… (2006)
Directed by | David L. Cunningham | Cinematography by | Haole Boy | Editing by | David Handman, Geoffrey Rowland
Cameras | Sony HVR-Z1U Camera
The Stepfather (2009)
Directed by | Nelson McCormick | Cinematography by | Patrick Cady | Editing by | Eric L. Beason
Cameras | Panavision Panaflex Gold II Camera
Jodaeiye Nader az Simin (2011)
Directed by | Asghar Farhadi | Cinematography by | Mahmoud Kalari | Editing by | Hayedeh Safiyari
Cameras | Aaton 35-III Camera
Lenses | ARRI / Zeiss Lenses
10,000 Black Men Named George (2002)
Directed by | Robert Townsend | Cinematography by | Edward J. Pei | Editing by | Katina Zinner, Peter Zinner
Cameras | Panavision Cameras
Lenses | Panavision Lenses
What to Expect When You’re Expecting (2012)
Directed by | Kirk Jones | Cinematography by | Xavier Grobet | Editing by | Michael Berenbaum
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
A Walk to Remember (2002)
Directed by | Adam Shankman | Cinematography by | Julio Macat | Editing by | Emma E. Hickox
Cameras | ARRI Cameras
