2D | 5068 Titles
Inkheart (2008)
Directed by | Iain Softley | Cinematography by | Roger Pratt | Editing by | Martin Walsh
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Inception (2010)
Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision System 65 Camera, Phantom HD Gold Camera, Photo-Sonics 35mm-4B/4C Camera, Photo-Sonics 35mm-4ER Camera, Super Panavision-70 Camera
Lenses | Panavision 65mm Prime Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Fear and Loathing in Las Vegas (1998)
Directed by | Terry Gilliam | Cinematography by | Nicola Pecorini | Editing by | Lesley Walker
Lenses | Zeiss Standard Speed Prime Lenses
American History X (1998)
Directed by | Tony Kaye | Cinematography by | Tony Kaye | Editing by | Gerald B. Greenberg, Alan Heim
Cameras | Panavision Panaflex Series Cameras
Lenses | Panavision Lenses
28 Days Later… (2002)
Directed by | Danny Boyle | Cinematography by | Anthony Dod Mantle | Editing by | Chris Gill
Cameras | ARRI Cameras, Canon XL1 Camera
Lenses | Canon EC Series Lenses, Canon EJ Series Lenses
Bienvenue à bord (2011)
Directed by | Eric Lavaine | Cinematography by | Stéphane Le Parc | Editing by | Vincent Zuffranieri
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
1989 (2009)
Extremely Loud & Incredibly Close (2011)
Directed by | Stephen Daldry | Cinematography by | Chris Menges | Editing by | Claire Simpson
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses
National Treasure (2004)
Directed by | Jon Turteltaub | Cinematography by | Caleb Deschanel | Editing by | William Goldenberg
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Away from Her (2006)
7 días en La Habana (2012)
Directed by | Laurent Cantet, Benicio Del Toro, Julio Medem, Gaspar Noé, Elia Suleiman, Juan Carlos Tabío, Pablo Trapero | Cinematography by | Daniel Aranyó, Diego Dussuel, Gaspar Noé | Editing by | Santiago Esteves, Thomas Fernandez, Rich Fox, Berta Frías, Véronique Lange, Julio Medem, Gaspar Noé, Alex Rodríguez, Pablo Trapero
Cameras | Red One Camera
The Day After Tomorrow (2004)
Directed by | Roland Emmerich | Cinematography by | Ueli Steiger | Editing by | David Brenner
Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Rättskiparen (2010)
Directed by | Mattias Löw | Cinematography by | Orvar Anklew, Mattias Löw | Editing by | Orvar Anklew
The Kite Runner (2007)
54 (1998)
Directed by | Mark Christopher | Cinematography by | Alexander Gruszynski | Editing by | Lee Percy
Cameras | Panavision Cameras
Lenses | Panavision Lenses
(Untitled) (2009)
Directed by | Jonathan Parker | Cinematography by | Svetlana Cvetko | Editing by | Keiko Deguchi
Cameras | Panavision Genesis Camera
Lovely, Still (2008)
Directed by | Nicholas Fackler | Cinematography by | Sean Kirby | Editing by | Douglas Crise
Cameras | Moviecam Compact Camera
Lenses | Zeiss Super Speed Lenses
Run, Fatboy, Run (2007)
Directed by | David Schwimmer | Cinematography by | Richard Greatrex | Editing by | Michael Parker
Cameras | ARRI Cameras
Lenses | Zeiss Lenses
Psych:9 (2010)
Directed by | Andrew Shortell | Cinematography by | Shane Daly | Editing by | Nick McCahearty
Lenses | Panavision Lenses
Indiana Jones and the Kingdom of the Crystal Skull (2008)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses