England | 362 Titles
The Bourne Ultimatum (2007)
Directed by | Paul Greengrass | Cinematography by | Oliver Wood | Editing by | Christopher Rouse
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Lenses | Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
Billy Elliot (2000)
Directed by | Stephen Daldry | Cinematography by | Brian Tufano | Editing by | John Wilson
Cameras | Aaton 35-III Camera, ARRIFLEX 35 BL4 Camera
Lenses | Zeiss Lenses
Marie Antoinette (2006)
Directed by | Sofia Coppola | Cinematography by | Lance Acord | Editing by | Sarah Flack
Cameras | Aaton 35-III Camera, ARRICAM Studio (ST) Camera
The Bounty (1984)
Directed by | Roger Donaldson | Cinematography by | Arthur Ibbetson | Editing by | Tony Lawson
Cameras | J-D-C Camera, Joe Dunton Cameras
Being Julia (2004)
Directed by | István Szabó | Cinematography by | Lajos Koltai | Editing by | Susan Shipton
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke Varotal Lenses
Match Point (2005)
Charlie and the Chocolate Factory (2005)
Directed by | Tim Burton | Cinematography by | Philippe Rousselot | Editing by | Chris Lebenzon
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
A Fish Called Wanda (1988)
Directed by | Charles Crichton, John Cleese | Cinematography by | Alan Hume | Editing by | John Jympson
Cameras | Panavision Cameras
Lenses | Panavision Lenses
United 93 (2006)
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Clare Douglas, Richard Pearson, Christopher Rouse
Cameras | Aaton A-Minima Camera, ARRICAM Lite (LT) Camera
Lenses | Cooke S4 Lenses, Zeiss Variable Prime Lenses
Gandhi (1982) 
Directed by | Richard Attenborough | Cinematography by | Ronnie Taylor, Billy Williams | Editing by | John Bloom
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Harry Potter and the Goblet of Fire (2005)
Directed by | Mike Newell | Cinematography by | Roger Pratt | Editing by | Mick Audsley
Lenses | Angenieux Optimo Anamorphic Lenses, Canon Lenses, Cooke S4 Lenses, Zeiss Variable Prime Lenses
Tamara Drewe (2010)
Directed by | Stephen Frears | Cinematography by | Ben Davis | Editing by | Mick Audsley
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Mr. Bean’s Holiday (2007)
Directed by | Steve Bendelack | Cinematography by | Baz Irvine | Editing by | Tony Cranstoun
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Nanny McPhee Returns (2010)
Directed by | Susanna White | Cinematography by | Mike Eley | Editing by | Sim Evan-Jones
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens
28 Weeks Later (2007)
Directed by | Juan Carlos Fresnadillo | Cinematography by | Enrique Chediak | Editing by | Chris Gill
Cameras | Aaton A-Minima Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Sony HVR-Z1E Camera
Sexy Beast (2000)
Directed by | Jonathan Glazer | Cinematography by | Ivan Bird | Editing by | John Scott, Sam Sneade
Cameras | ARRI ARRIFLEX Series Cameras
Lenses | ARRI Lenses
1492: Conquest of Paradise (1992)
Directed by | Ridley Scott | Cinematography by | Adrian Biddle | Editing by | William M. Anderson, Françoise Bonnot, Les Healey, Armen Minasian, Deborah Zeitman
Hard Boiled Sweets (2012)
Directed by | David L.G. Hughes | Cinematography by | Sara Deane | Editing by | Lloyd George
Cameras | Canon EOS-5D Mark II Camera
Lenses | Canon L Series Lenses
A Prayer for the Dying (1987)
Directed by | Mike Hodges | Cinematography by | Michael Garfath | Editing by | Peter Boyle
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
RocknRolla (2008)
Directed by | Guy Ritchie | Cinematography by | David Higgs | Editing by | James Herbert
Cameras | ARRIFLEX D-20 Camera
