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North America

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Fargo (2014)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 53 Minutes

| Cinematography by | Dana Gonzales, Craig Wrobleski, Matthew J. Lloyd | Editing by | Regis Kimble, Skip Macdonald, Bridget Durnford, Curtis Thurber, Henk Van Eeghen, Andrew Seklir

Starring | Billy Bob Thornton, Martin Freeman, Allison Tolman, Colin Hanks

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4/i Lenses, Leitz Summilux-C Series Lenses

Body Language (2014)

Short Film | 2D | Color | 11 Minutes

Directed by | Maéva Thibeault | Cinematography by | Ian MacDougall | Editing by | Richard Macdonald, Maéva Thibeault, Mackenzie Warner

Starring | Ben Cotton, Rebekah Asselstine, Jessica Harmon, Craig March

Cameras | Red Digital Cinema Cameras, Red Epic Camera

Lenses | Fujinon Cabrio (ZK3.5 × 85) 85-300mm T2.9/4.0 Lens, Fujinon Premier ZK Cabrio PL Compact Lenses, Zeiss Ultra Prime Lenses

Brick Mansions (2014)

Motion Picture | 2D | Color | 90 Minutes

Directed by | Camille Delamarre | Cinematography by | Christophe Collette | Editing by | Carlo Rizzo, Arthur Tarnowski

Starring | Paul Walker, David Belle, RZA, Goûchy Boy

Cameras | Red Epic Camera

Lenses | Hawk V-Lite Lenses

Foxfire (2012)

Motion Picture | 2D | Color | 2.39:1 | 143 Minutes

Directed by | Laurent Cantet | Cinematography by | Pierre Milon | Editing by | Robin Campillo, Stephanie Leger, Sophie Reine

Starring | Raven Adamson, Katie Coseni, Madeleine Bisson, Claire Mazerolle

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Pompeii (2014)

Motion Picture | 3D | Color | 2.39:1 | 105 Minutes

Directed by | Paul W.S. Anderson | Cinematography by | Glen MacPherson | Editing by | Michele Conroy

Starring | Kit Harington, Emily Browning, Kiefer Sutherland, Adewale Akinnuoye-Agbaje

Cameras | Red Epic Camera

The Best Man Holiday (2013)

Motion Picture | 2D | Color | 2.39:1 | 123 Minutes

Directed by | Malcolm D. Lee | Cinematography by | Greg Gardiner | Editing by | Paul Millspaugh

Starring | Monica Calhoun, Morris Chestnut, Melissa De Sousa, Taye Diggs

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Je vais te manquer (2009)

Motion Picture | 2D | Color | 1.85:1 |

Directed by | Amanda Sthers | Cinematography by | Régis Blondeau | Editing by | Elise Fievet

Starring | Carole Bouquet, Pierre Arditi, Anne Marivin, Patrick Mille

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Colony (2013)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | Jeff Renfroe | Cinematography by | Pierre Gill | Editing by | Aaron Marshall

Starring | Kevin Zegers, Laurence Fishburne, Bill Paxton, Charlotte Sullivan

Cameras | ARRI ALEXA Camera

Lenses | Panavision Primo Anamorphic Lenses

Don’t Speak at Funerals (2012)

Short Film | 2D | Color | 10 Minutes

Directed by | Montserrat Gomez | Cinematography by | Salman Sajun | Editing by | Trevor Lareau, Zakim Nuraney

Starring | Michael Brian, Sean Depner, Matthew Hoglie, Bernard Houston

Cameras | Sony PMW-F3 Camera

Lenses | Zeiss DigiPrime Lenses

The Color of Magic (2008)

Miniseries | 2D | Black & White, Color | 1.78:1 (16x9) | 191 Minutes

| Cinematography by | Gavin Finney | Editing by | Joe McNally, Liz Webber

Starring | David Jason, Sean Astin, Tim Curry, Jeremy Irons

Cameras | ARRIFLEX D-21 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Jack Ryan: Shadow Recruit (2014)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 105 Minutes

Directed by | Kenneth Branagh | Cinematography by | Haris Zambarloukos | Editing by | Martin Walsh

Starring | Chris Pine, Kevin Costner, Keira Knightley, Kenneth Branagh

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses | Angenieux HR Zoom Lenses, Panavision C Series Anamorphic Lenses

Seventh Son (2014)

Motion Picture | 3D | Color | 2.39:1 | 102 Minutes

Directed by | Sergei Bodrov | Cinematography by | Newton Thomas Sigel | Editing by | Michael Kahn, Jim Page, Paul Rubell

Starring | Ben Barnes, Julianne Moore, Jeff Bridges, Alicia Vikander

Cameras | ARRI ALEXA Camera

X-Men: Days of Future Past (2014)

Motion Picture | 3D | Color | 2.39:1 | 132 Minutes

Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | Michael Louis Hill, John Ottman

Starring | Patrick Stewart, Ian McKellen, Hugh Jackman, James McAvoy

Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Camera

Lenses | ARRI / Fujinon Lenses, Fujinon Lenses, Leitz Summilux-C Series Lenses

The Company You Keep (2012)

Motion Picture | 2D | Color | 2.39:1 | 125 Minutes

Directed by | Robert Redford | Cinematography by | Adriano Goldman | Editing by | Mark Day

Starring | Robert Redford, Brit Marling, Stanley Tucci, Nick Nolte

Cameras | ARRICAM Lite (LT) Camera

2012 (2009)

Motion Picture | 2D, 3D | Color | 2.39:1 | 158 Minutes

Directed by | Roland Emmerich | Cinematography by | Dean Semler | Editing by | David Brenner, Peter S. Elliot

Starring | John Cusack, Thandiwe Newton, Chiwetel Ejiofor, Amanda Peet

Cameras | Panavision Cameras, Panavision Genesis Camera

Lenses | Panavision Lenses, Panavision Primo Primes Spherical Lenses

White House Down (2013)

Motion Picture | 2D | Color | 2.39:1 | 131 Minutes

Directed by | Roland Emmerich | Cinematography by | Anna Foerster | Editing by | Adam Wolfe

Starring | Channing Tatum, Jamie Foxx, Maggie Gyllenhaal, Jason Clarke

Cameras | ARRI ALEXA Plus Camera, Sony CineAlta F65 Camera

Lenses | ARRI / Zeiss Lenses, Fujinon Premier Lenses, Zeiss Lenses

RoboCop (2014)

Motion Picture | 2D | Color | 117 Minutes

RoboCop | ShotOnWhat?

Directed by | José Padilha | Cinematography by | Lula Carvalho | Editing by | Peter McNulty, Daniel Rezende

Starring | Joel Kinnaman, Gary Oldman, Michael Keaton, Abbie Cornish

Cameras | ARRI ALEXA Camera, Red Epic Camera

The Mortal Instruments: City of Bones (2013)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

The Mortal Instruments: City of Bones | ShotOnWhat?

Directed by | Harald Zwart | Cinematography by | Geir Hartly Andreassen | Editing by | Jacqueline Carmody

Starring | Lily Collins, Jamie Campbell Bower, Robert Sheehan, Jemima West

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision G Series Anamorphic Lenses

Elysium (2013)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 109 Minutes

Directed by | Neill Blomkamp | Cinematography by | Trent Opaloch | Editing by | Julian Clarke, Lee Smith

Starring | Matt Damon, Jodie Foster, Sharlto Copley, Alice Braga

Cameras | Canon EOS-5D Mark II Camera, Red Epic Camera

Lenses | Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Dawn of the Planet of the Apes (2014)

Motion Picture | 3D | Color | 130 Minutes

Directed by | Matt Reeves | Cinematography by | Michael Seresin | Editing by | William Hoy, Stan Salfas

Starring | Gary Oldman, Keri Russell, Andy Serkis, Kodi Smit-McPhee

Cameras | ARRI ALEXA M Camera

Lenses | ARRI / Fujinon Lenses, Leitz Summilux-C Series Lenses

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