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North America

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Bad Santa 2 (2016)

Motion Picture | 2D | Color | 1.85:1 | 92 Minutes

Directed by | Mark Waters | Cinematography by | Theo van de Sande | Editing by | Travis Sittard

Starring | Billy Bob Thornton, Kathy Bates, Tony Cox, Christina Hendricks

Cameras | Panasonic VariCam 35

Lenses | Cooke Lenses

Two Lovers and a Bear (2016)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Kim Nguyen | Cinematography by | Nicolas Bolduc | Editing by | Richard Comeau

Starring | Dane DeHaan, Tatiana Maslany, Joel Gagne, Gordon Pinsent

Cameras | ARRI ALEXA XT Camera

Mean Dreams (2016)

Motion Picture | 2D | Color | 108 Minutes

Directed by | Nathan Morlando | Cinematography by | Steve Cosens | Editing by | Sandy Pereira, Ronald Sanders

Starring | Josh Wiggins, Sophie Nélisse, Joe Cobden, Bill Paxton

Cameras | Red Epic Dragon Camera

The Boy (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 97 Minutes

Directed by | William Brent Bell | Cinematography by | Daniel Pearl | Editing by | Brian Berdan

Starring | Lauren Cohan, Rupert Evans, James Russell, Jim Norton

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Hawk Vantage One Lenses

My Big Fat Greek Wedding 2 (2016)

Motion Picture | 2D | Color | 2.39:1 | 94 Minutes

Directed by | Kirk Jones | Cinematography by | Jim Denault | Editing by | Mark Czyzewski

Starring | Nia Vardalos, John Corbett, Michael Constantine, Lainie Kazan

Cameras | Red Epic Dragon Camera

X-Men: Apocalypse (2016)

Motion Picture | 3D | 4K Project | Color | 2.39:1 | 144 Minutes

Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | Michael Louis Hill, John Ottman

Starring | James McAvoy, Michael Fassbender, Jennifer Lawrence, Nicholas Hoult

Cameras | Phantom Flex4K Camera, Red Epic Dragon Camera

Lenses | Leitz Summilux-C Series Lenses

11.22.63 (2016)

Miniseries | 2D | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Adam Suschitzky, David Katznelson | Editing by | Sue Blainey, Michael R. Fox, Plummy Tucker, Dorian Harris

Starring | James Franco, Sarah Gadon, George MacKay, Chris Cooper

Cameras | Red Epic Dragon Camera

The Red Violin (1998)

Motion Picture | 2D | Color | 1.85:1 | 130 Minutes

Directed by | François Girard | Cinematography by | Alain Dostie | Editing by | Gaétan Huot

Starring | Carlo Cecchi, Jean-Luc Bideau, Christoph Koncz, Jason Flemyng

Murderball (2005)

Documentary | 2D | SD Project | Color | 1.85:1 | 88 Minutes

Directed by | Henry Alex Rubin, Dana Adam Shapiro | Cinematography by | Henry Alex Rubin | Editing by | Conor O'Neill, Geoffrey Richman

Starring | Joe Soares, Keith Cavill, Mark Zupan, Joe Bishop

Cameras | Panasonic AG-DVX100 Camera

Deadpool (2016)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 108 Minutes

Directed by | Tim Miller | Cinematography by | Ken Seng | Editing by | Julian Clarke

Starring | Ryan Reynolds, Morena Baccarin, T.J. Miller, Ed Skrein

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Panavision Primo Primes Spherical Lenses

Sicko (2007)

Documentary | 2D | Color | 1.85:1 | 123 Minutes

Directed by | Michael Moore | Cinematography by | Andrew Black, Jayme Roy | Editing by | Geoffrey Richman, Christopher Seward, Dan Swietlik

Starring | Michael Moore, Tucker Albrizzi, Tony Benn, George W. Bush

Madame Tutli-Putli (2007)

Short Film | 2D | Color | 1.85:1 | 17 Minutes

Directed by | Chris Lavis, Maciek Szczerbowski | Cinematography by | Stéphanie Anne Weber Biron

Cameras | Canon EOS 30D Camera

Spotlight (2015)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 129 Minutes

Directed by | Tom McCarthy | Cinematography by | Masanobu Takayanagi | Editing by | Tom McArdle

Starring | Mark Ruffalo, Michael Keaton, Rachel McAdams, Liev Schreiber

Cameras | ARRI ALEXA XT Camera

Lenses | Panavision Lightweight Zoom Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

Room (2015)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 118 Minutes

Directed by | Lenny Abrahamson | Cinematography by | Danny Cohen | Editing by | Nathan Nugent

Starring | Brie Larson, Jacob Tremblay, Sean Bridgers, Wendy Crewson

Cameras | Red Epic Dragon Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

Brooklyn (2015)

Motion Picture | 2D | Color | 1.85:1 | 117 Minutes

Directed by | John Crowley | Cinematography by | Yves Bélanger | Editing by | Jake Roberts

Starring | Saoirse Ronan, Emory Cohen, Domhnall Gleeson, Jim Broadbent

Cameras | ARRI ALEXA XT Camera

Lenses | Leitz Summilux-C Series Lenses, Zeiss Master Prime Lenses

The Walk (2015)

Motion Picture | 2D | Color | 2.39:1 | 123 Minutes

Directed by | Robert Zemeckis | Cinematography by | Dariusz Wolski | Editing by | Jeremiah O'Driscoll

Starring | Joseph Gordon-Levitt, Charlotte Le Bon, Guillaume Baillargeon, Émilie Leclerc

Cameras | Red Epic Dragon Camera

Hard Core Logo (1996)

Motion Picture | 2D | Color | 92 Minutes

Directed by | Bruce McDonald | Cinematography by | Danny Nowak | Editing by | Reginald Harkema

Starring | Hugh Dillon, Callum Keith Rennie, John Pyper-Ferguson, Bernie Coulson

Cameras | ARRIFLEX Camera

Lenses | Zeiss Lenses, Zeiss Zoom Lenses

Crimson Peak (2015)

Motion Picture | 2D | Color | 1.85:1 | 119 Minutes

Directed by | Guillermo del Toro | Cinematography by | Dan Laustsen | Editing by | Bernat Vilaplana

Starring | Mia Wasikowska, Jessica Chastain, Tom Hiddleston, Charlie Hunnam

Cameras | ARRI ALEXA XT Camera

Tomorrowland (2015)

Motion Picture | 2D, 3D | Color | 1.85:1, 1.90:1, 2.20:1 | 130 Minutes

Directed by | Brad Bird | Cinematography by | Claudio Miranda | Editing by | Walter Murch, Craig Wood

Starring | George Clooney, Britt Robertson, Hugh Laurie, Raffey Cassidy

Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses | Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens

Bowling for Columbine (2002)

Documentary | 2D | Color | 1.85:1 | 120 Minutes

Directed by | Michael Moore | Editing by | Kurt Engfehr

Starring | Michael Moore, Charlton Heston, Marilyn Manson, Salvador Allende

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