Asia | 244 Titles
Star Wars: Episode III – Revenge of the Sith (2005)
Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Roger Barton, Ben Burtt
Cameras | Sony HDC-F950 Camera
Prashna (2020)
Directed by | Santosh Ram | Cinematography by | Arjun Balakrishnan | Editing by | Pravin Anarase
Cameras | Sony PXW-FS7 Camera
12 Strong (2018)
Directed by | Nicolai Fuglsig | Cinematography by | Rasmus Videbæk | Editing by | Lisa Lassek
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses
Galli (The Lane) (2015)
Directed by | Santosh Ram | Cinematography by | Benjamin Burghartz | Editing by | Vivekanand Daakhore
Cameras | Canon EOS-5D Mark III Camera
Lenses | Canon Lenses
The Killing Fields (1984)
Vartul (Circle) (2009)
Directed by | Santosh Ram | Cinematography by | Anand Mansukh, Pravin Mokal | Editing by | Vinod Gama Borate
Cameras | ARRIFLEX 435 Camera
The Story of Yuvraj and Shahajahan (2024)
Directed by | Santosh Ram | Cinematography by | Arjun Balakrishnan | Editing by | Yogesh Bhagwat
Cameras | Blackmagic URSA Mini Pro 4.6K G2 Camera
Lenses | Samyang Lenses
Geostorm (2017)
Directed by | Dean Devlin | Cinematography by | Roberto Schaefer | Editing by | Chris Lebenzon, John Refoua, Ron Rosen
Cameras | Red Epic Dragon Camera
Apocalypse Now (1979)
Directed by | Francis Ford Coppola | Cinematography by | Vittorio Storaro | Editing by | Lisa Fruchtman, Gerald B. Greenberg, Walter Murch
Lenses | Technovision Lenses, Todd-AO Lenses
Around the World in Eighty Days (1956)
Directed by | Michael Anderson, John Farrow | Cinematography by | Lionel Lindon | Editing by | Howard Epstein, Gene Ruggiero, Paul Weatherwax
Cameras | Todd-AO 65mm Camera
Lenses | Todd-AO Lenses
Skyscraper (2018)
Directed by | Rawson Marshall Thurber | Cinematography by | Robert Elswit | Editing by | Julian Clarke, Michael L. Sale
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses
RRR (2022)
Directed by | S.S. Rajamouli | Cinematography by | KK Senthil Kumar | Editing by | A. Sreekar Prasad
Cameras | ARRI ALEXA LF Camera
Lenses | ARRI Signature Prime Lenses
Perfect Days (2023)
Directed by | Wim Wenders | Cinematography by | Franz Lustig | Editing by | Toni Froschhammer
Cameras | Sony CineAlta VENICE 2 Camera
Lenses | Canon K35 Prime Lenses
The Creator (2023)
Directed by | Gareth Edwards | Cinematography by | Greig Fraser, Oren Soffer | Editing by | Hank Corwin, Scott Morris, Joe Walker
Cameras | Sony ILME-FX3 Camera
Lenses | Atlas Mercury 42 mm T2.2 Lens, P+S Technik Kowa Cine Prominar Anamorphic 75mm T2.8 Lens (rehoused)
Past Lives (2023)
Directed by | Celine Song | Cinematography by | Shabier Kirchner | Editing by | Keith Fraase
Cameras | Panavision Panaflex Millennium XL Camera
Lenses | Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses
The Journey (2002)
Directed by | Edwin Avaness, Emy Hovanesyan | Cinematography by | Edwin Avaness | Editing by | Edwin Avaness
Cameras | Sony HDW-F900 Camera
The Deer Hunter (1978)
Directed by | Michael Cimino | Cinematography by | Vilmos Zsigmond | Editing by | Peter Zinner
Cameras | Panavision Panaflex Camera
Sar (2016)
Directed by | Alexander Popov | Cinematography by | Alexander Popov | Editing by | Alexander Popov
Cameras | Canon EOS-5D Mark II Camera, GoPro HD Hero Camera
Lenses | Canon EF 24-70 mm f2.8L II Lens
All I See Is You (2016)
Directed by | Marc Forster | Cinematography by | Matthias Koenigswieser | Editing by | Hughes Winborne
Cameras | ARRI ALEXA XT Camera