Spherical Projection Format | 319 Titles
Body Melt (1993)
Directed by | Philip Brophy | Cinematography by | Ray Argall | Editing by | Bill Murphy
Cameras | ARRIFLEX 16SR2 Camera
Requiem for a Dream (2000)
Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Jay Rabinowitz
Cameras | Bell & Howell Eyemo Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panastar Camera, Sony Betacam (Unknown) Camera
Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
Platoon (1986)
Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Claire Simpson
Cameras | ARRIFLEX 35 BL3 Camera
Lenses | JDC (Joe Dunton Camera) Lenses
Spider-Man (2002)
Directed by | Sam Raimi | Cinematography by | Don Burgess | Editing by | Arthur Coburn, Bob Murawski
Cameras | Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Clueless (1995)
Directed by | Amy Heckerling | Cinematography by | Bill Pope | Editing by | Debra Chiate
Cameras | Moviecam Compact Camera, Panavision Cameras
Lenses | Panavision Lenses, Zeiss Lenses
Manila in the Claws of Light (1975)
Directed by | Lino Brocka | Cinematography by | Mike De Leon, Clodualdo Del Mundo Jr. | Editing by | Ike Jarlego Jr., Edgardo Jarlego
Cameras | ARRIFLEX 35 IIB Camera
Razorback (1984)
Directed by | Russell Mulcahy | Cinematography by | Dean Semler | Editing by | William M. Anderson
Cameras | Panavision Panaflex Gold Camera
The Man in Room 6 (2022)
Directed by | Trevor Juenger | Cinematography by | Dylan Schnitker, Joe Tello, Rexx Villotti | Editing by | Abbey Heise, Trevor Juenger
Cameras | GoPro (Woodman Labs) Cameras, GoPro HERO4 Black, Panasonic Lumix DMC-GH5 Camera, Sony α7S II Camera
Lenses | Rokinon Lenses, SLR Magic Lenses
Return of the Thumb (2018)
Directed by | Florian Schmidt-Convey | Cinematography by | Costa Konstantinou | Editing by | Florian Schmidt-Convey
Cameras | Blackmagic Design Cameras, Blackmagic URSA Camera, Canon Cameras, Canon EOS-C100 Camera, Canon EOS-C300 Camera, Sony Cameras, Sony α7 Series Cameras, Sony α7S Camera
Lenses | Canon EF 16-35 mm f2.8L II Lens, Canon EF 24-105 mm f4.0 L IS Lens, Canon EF 24-70 mm f2.8L II Lens, Canon EF 70-200 mm f2.8 L IS II Lens, Canon EF Series Lenses, Canon L Series Lenses, Canon Lenses, Zeiss Lenses, Zeiss ZF.2 85mm Planar f1.4 Lens, Zeiss ZF.2 Prime Lenses
The Texas Chainsaw Massacre (2003)
Directed by | Marcus Nispel | Cinematography by | Daniel Pearl | Editing by | Glen Scantlebury
Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
The Father (2020)
Directed by | Florian Zeller | Cinematography by | Ben Smithard | Editing by | Yorgos Lamprinos
Cameras | Sony CineAlta VENICE Camera
Cotton Wool (2017)
Directed by | Nicholas Connor | Cinematography by | Alan C. McLaughlin | Editing by | Nicholas Connor, Amy Pfeil
Cameras | ARRIFLEX 435 ES Camera, Red Epic Dragon Camera
Lenses | Cooke Speed Panchro (S1) 108mm f2.0 Lens, Cooke Speed Panchro (S2) 18mm f2.0 Lens, Cooke Speed Panchro (S2) 25mm f2.2 Lens, Cooke Speed Panchro (S2) 32mm f2.3 Lens, Cooke Speed Panchro (S2) 40mm f2.3 Lens, Cooke Speed Panchro (S2) 50mm f2.3 Lens, Cooke Speed Panchro (S2) 75mm f2.3 Lens
Warlock (1989)
Directed by | Steve Miner | Cinematography by | David Eggby | Editing by | David Finfer
Cameras | Panavision Panaflex Series Cameras
Lenses | Panavision Lenses
The Book of Henry (2017)
Directed by | Colin Trevorrow | Cinematography by | John Schwartzman | Editing by | Kevin Stitt
Lenses | Panavision Lenses
Chopper (2000)
Directed by | Andrew Dominik | Cinematography by | Geoffrey Hall, Kevin Hayward | Editing by | Ken Sallows
Gipsy Queen (2019)
Directed by | Hüseyin Tabak | Cinematography by | Lukas Gnaiger | Editing by | Christoph Loidl
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera
Disaster Movie (2008)
Directed by | Jason Friedberg, Aaron Seltzer | Cinematography by | Shawn Maurer | Editing by | Peck Prior
Back to the Future (1985)
Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Harry Keramidas, Arthur Schmidt



























































