Anamorphic Projection Format | 525 Titles
The Cooler (2003)
The Wings of the Dove (1997)
Directed by | Iain Softley | Cinematography by | Eduardo Serra | Editing by | Tariq Anwar
Cameras | ARRIFLEX 535 Camera
Lenses | Zeiss Super Speed Lenses
Rampart (2011)
Directed by | Oren Moverman | Cinematography by | Bobby Bukowski | Editing by | Jay Rabinowitz
Cameras | ARRI ALEXA Camera
A Good Year (2006)
Directed by | Ridley Scott | Cinematography by | Philippe Le Sourd | Editing by | Dody Dorn, Robb Sullivan
Cameras | ARRICAM Lite (LT) Camera
Mesrine Part 2: Public Enemy #1 (2008)
Directed by | Jean-François Richet | Cinematography by | Robert Gantz | Editing by | Stéphane Garnier, Bill Pankow, Hervé Schneid
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Cameras, Panavision Panaflex Millennium XL Camera
Equilibrium (2002)
Directed by | Kurt Wimmer | Cinematography by | Dion Beebe | Editing by | Tom Rolf, William Yeh
Lenses | Panavision Lenses
My Name Is Khan (2010)
Bridget Jones’s Diary (2001)
Directed by | Sharon Maguire | Cinematography by | Stuart Dryburgh | Editing by | Martin Walsh
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Harry Brown (2009)
Directed by | Daniel Barber | Cinematography by | Martin Ruhe | Editing by | Joe Walker
Cameras | Sony CineAlta F35 Camera
Grand Canyon (1991)
Directed by | Lawrence Kasdan | Cinematography by | Owen Roizman | Editing by | Carol Littleton
Cameras | Panavision Panaflex Gold Camera
Seuls Two (2008)
Directed by | Ramzy Bedia, Eric Judor | Cinematography by | Philippe Piffeteau | Editing by | Sébastien de Sainte Croix, Jean-Christophe Hym
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Man to Man (2005)
Directed by | Régis Wargnier | Cinematography by | Laurent Dailland | Editing by | Yann Malcor
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
About a Boy (2002)
Directed by | Chris Weitz, Paul Weitz | Cinematography by | Remi Adefarasin | Editing by | Nick Moore
Cameras | ARRIFLEX 35mm Cameras
Lenses | ARRI Lenses
Le renard et l’enfant (2007)
Directed by | Luc Jacquet | Cinematography by | Eric Dumage, Gérard Simon | Editing by | Sabine Emiliani
Charlie’s Angels: Full Throttle (2003)
Directed by | McG | Cinematography by | Russell Carpenter | Editing by | Wayne Wahrman
Lenses | Panavision Primo Anamorphic Lenses
Antichrist (2009)
Directed by | Lars von Trier | Cinematography by | Anthony Dod Mantle | Editing by | Åsa Mossberg, Anders Refn
Cameras | Phantom HD Camera, Red One Camera
Lenses | Cooke Lenses, Cooke S4 Lenses
Tsotsi (2005)
Directed by | Gavin Hood | Cinematography by | Lance Gewer | Editing by | Megan Gill
Cameras | Moviecam Compact Camera
Thelma & Louise (1991)
Directed by | Ridley Scott | Cinematography by | Adrian Biddle | Editing by | Thom Noble
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Donnie Brasco (1997)
Directed by | Mike Newell | Cinematography by | Peter Sova | Editing by | Jon Gregory
Lenses | Panavision Primo Anamorphic Lenses
Fear and Loathing in Las Vegas (1998)
Directed by | Terry Gilliam | Cinematography by | Nicola Pecorini | Editing by | Lesley Walker
Lenses | Zeiss Standard Speed Prime Lenses
