4K Project | 314 Titles
Sicarivs: the Night and the Silence (2015)
Directed by | Javier Muñoz | Cinematography by | Javier Cerdá | Editing by | Paco Díaz
Cameras | Sony PMW-F55 Camera
Lenses | Zeiss Super Speeds Mk III Lenses
X-Men: Apocalypse (2016)
Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | Michael Louis Hill, John Ottman
Cameras | Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses | Leitz Summilux-C Series Lenses
Rogue One: A Star Wars Story (2016)
Directed by | Gareth Edwards | Cinematography by | Greig Fraser | Editing by | John Gilroy, Colin Goudie, Jabez Olssen
Cameras | ARRI ALEXA 65 Camera
Lenses | Panavision APO Panatar Lenses
Captain America: Civil War (2016)
Directed by | Anthony Russo, Joe Russo | Cinematography by | Trent Opaloch | Editing by | Jeffrey Ford, Matthew Schmidt
Cameras | ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses
Deadpool (2016)
Directed by | Tim Miller | Cinematography by | Ken Seng | Editing by | Julian Clarke
Cameras | ARRI ALEXA XT Plus Camera
Magic Mike XXL (2015)
Directed by | Gregory Jacobs | Cinematography by | Steven Soderbergh | Editing by | Steven Soderbergh
Cameras | Red Epic Dragon Camera
To Here Knows When (2013)
Directed by | Grant McPhee | Cinematography by | Grant McPhee | Editing by | Ben McKinstrie
Cameras | Éclair NPR Camera, Red One MX Camera
Lenses | Nikon - Nikkor Lenses
Where Do We Go From Here? (2015)
Directed by | John McPhail | Cinematography by | Grant McPhee | Editing by | John McPhail
Cameras | Red Epic Camera
Lenses | Red Pro Prime 100 mm T1.8 Lens, Red Pro Prime 18 mm T1.8 Lens, Red Pro Prime 25 mm T1.8 Lens, Red Pro Prime 35 mm T1.8 Lens, Red Pro Prime 50 mm T1.8 Lens, Red Pro Prime 85 mm T1.8 Lens
Katyn (2007)
Directed by | Andrzej Wajda | Cinematography by | Pawel Edelman | Editing by | Milenia Fiedler, Rafal Listopad
Doubt (2008)
Directed by | John Patrick Shanley | Cinematography by | Roger Deakins | Editing by | Dylan Tichenor
Cameras | ARRIFLEX 535 B Camera
Lenses | Zeiss Master Prime Lenses
View from a Blue Moon (2015)
Directed by | Blake Kueny | Cinematography by | Paulo Barcellos, Erik Knutson | Editing by | Kevin Thomas Barnett, Blake Kueny
Cameras | Phantom Flex4K Camera, Red Digital Cinema Cameras
Youth (2015)
Directed by | Paolo Sorrentino | Cinematography by | Luca Bigazzi | Editing by | Cristiano Travaglioli
Cameras | Red Epic Dragon Camera
Lenses | Zeiss Ultra Prime Lenses
Room (2015)
Directed by | Lenny Abrahamson | Cinematography by | Danny Cohen | Editing by | Nathan Nugent
Cameras | Red Epic Dragon Camera
The Way Back (2010)
Directed by | Peter Weir | Cinematography by | Russell Boyd | Editing by | Lee Smith
Cameras | ARRIFLEX 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Bridge of Spies (2015)
Tophy (2015)
Directed by | Kourosh Parsi | Cinematography by | Alex Grene | Editing by | Kourosh Parsi
Cameras | Sony NEX-FS700 Camera
Lenses | Canon EF Series Lenses
Die Pro (2015)
Directed by | Andre Velts | Cinematography by | Eduan Kitching | Editing by | Linsen Loots
Cameras | Red Epic Camera, Red Scarlet Camera
Lenses | Cooke miniS4/i 100mm T2.8 Lens, Cooke miniS4/i 18mm T2.8 Lens, Cooke miniS4/i 25mm T2.8 Lens, Cooke miniS4/i 32mm T2.8 Lens, Cooke miniS4/i 50mm T2.8 Lens, Cooke miniS4/i 75mm T2.8 Lens
Batman v Superman: Dawn of Justice (2016)
Directed by | Zack Snyder | Cinematography by | Larry Fong | Editing by | David Brenner
Cameras | ARRI ALEXA Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera
Tears of Steel (2012)
Warsaw ’44 (2014)
Directed by | Jan Komasa | Cinematography by | Marian Prokop | Editing by | Michal Czarnecki
Cameras | ARRICAM Lite (LT) Camera