Project Resolution » 4K Project

4K Project | 314 Titles

4K Project 2.33/5 3 Votes

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Sicarivs: the Night and the Silence (2015)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 98 Minutes

Directed by | Javier Muñoz | Cinematography by | Javier Cerdá | Editing by | Paco Díaz

Starring | Pedro Casablanc, Víctor Clavijo, Israel Elejalde, Fernando Gil

Cameras | Sony PMW-F55 Camera

Lenses | Zeiss Super Speeds Mk III Lenses

X-Men: Apocalypse (2016)

Motion Picture | 3D | 4K Project | Color | 2.39:1 | 144 Minutes

Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | Michael Louis Hill, John Ottman

Starring | James McAvoy, Michael Fassbender, Jennifer Lawrence, Nicholas Hoult

Cameras | Phantom Flex4K Camera, Red Epic Dragon Camera

Lenses | Leitz Summilux-C Series Lenses

Rogue One: A Star Wars Story (2016)

Motion Picture | 3D | 4K Project | Color | 2.39:1 | 133 Minutes

Directed by | Gareth Edwards | Cinematography by | Greig Fraser | Editing by | John Gilroy, Colin Goudie, Jabez Olssen

Starring | Felicity Jones, Diego Luna, Alan Tudyk, Donnie Yen

Cameras | ARRI ALEXA 65 Camera

Lenses | Panavision APO Panatar Lenses

Captain America: Civil War (2016)

Motion Picture | 2D | 4K Project | Color | 1.90:1, 2.39:1 | 147 Minutes

Directed by | Anthony Russo, Joe Russo | Cinematography by | Trent Opaloch | Editing by | Jeffrey Ford, Matthew Schmidt

Starring | Chris Evans, Robert Downey Jr., Scarlett Johansson, Sebastian Stan

Cameras | ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

Deadpool (2016)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 108 Minutes

Directed by | Tim Miller | Cinematography by | Ken Seng | Editing by | Julian Clarke

Starring | Ryan Reynolds, Morena Baccarin, T.J. Miller, Ed Skrein

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Panavision Primo Primes Spherical Lenses

Magic Mike XXL (2015)

Motion Picture | 2D | 4K Project | Color | 115 Minutes

Directed by | Gregory Jacobs | Cinematography by | Steven Soderbergh | Editing by | Steven Soderbergh

Starring | Channing Tatum, Joe Manganiello, Matt Bomer, Adam Rodriguez

Cameras | Red Epic Dragon Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

To Here Knows When (2013)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 85 Minutes

Directed by | Grant McPhee | Cinematography by | Grant McPhee | Editing by | Ben McKinstrie

Starring | Kitty Colquhoun, Patrick O'Brien, Hanna Stanbridge

Cameras | Éclair NPR Camera, Red One MX Camera

Lenses | Nikon - Nikkor Lenses

Where Do We Go From Here? (2015)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 82 Minutes

Directed by | John McPhail | Cinematography by | Grant McPhee | Editing by | John McPhail

Starring | Tyler Collins, Lucy-Jane Quinlan, Alison Peebles, Richard Addison

Cameras | Red Epic Camera

Lenses | Red Pro Prime 100 mm T1.8 Lens, Red Pro Prime 18 mm T1.8 Lens, Red Pro Prime 25 mm T1.8 Lens, Red Pro Prime 35 mm T1.8 Lens, Red Pro Prime 50 mm T1.8 Lens, Red Pro Prime 85 mm T1.8 Lens

Katyn (2007)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 121 Minutes

Directed by | Andrzej Wajda | Cinematography by | Pawel Edelman | Editing by | Milenia Fiedler, Rafal Listopad

Starring | Andrzej Chyra, Maja Ostaszewska, Artur Zmijewski, Danuta Stenka

Doubt (2008)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 104 Minutes

Directed by | John Patrick Shanley | Cinematography by | Roger Deakins | Editing by | Dylan Tichenor

Starring | Meryl Streep, Philip Seymour Hoffman, Amy Adams, Viola Davis

Cameras | ARRIFLEX 535 B Camera

Lenses | Zeiss Master Prime Lenses

View from a Blue Moon (2015)

Motion Picture | 2D | 4K Project | Color | 58 Minutes

Directed by | Blake Kueny | Cinematography by | Paulo Barcellos, Erik Knutson | Editing by | Kevin Thomas Barnett, Blake Kueny

Starring | Greyson Fletcher, Alex Florence, Ivan Florence, John Florence

Cameras | Phantom Flex4K Camera, Red Digital Cinema Cameras

Youth (2015)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 124 Minutes

Directed by | Paolo Sorrentino | Cinematography by | Luca Bigazzi | Editing by | Cristiano Travaglioli

Starring | Michael Caine, Harvey Keitel, Rachel Weisz, Jane Fonda

Cameras | Red Epic Dragon Camera

Lenses | Zeiss Ultra Prime Lenses

Room (2015)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 118 Minutes

Directed by | Lenny Abrahamson | Cinematography by | Danny Cohen | Editing by | Nathan Nugent

Starring | Brie Larson, Jacob Tremblay, Sean Bridgers, Wendy Crewson

Cameras | Red Epic Dragon Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

The Way Back (2010)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 133 Minutes

Directed by | Peter Weir | Cinematography by | Russell Boyd | Editing by | Lee Smith

Starring | Jim Sturgess, Ed Harris, Colin Farrell, Dragos Bucur

Cameras | ARRIFLEX 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Bridge of Spies (2015)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 142 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Tom Hanks, Mark Rylance, Alan Alda, Amy Ryan

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

Tophy (2015)

Motion Picture | 2D | 4K Project | Color | 91 Minutes

Directed by | Kourosh Parsi | Cinematography by | Alex Grene | Editing by | Kourosh Parsi

Starring | Aaron Dalla Villa, Eddie Eisele, Chris Grazul, Emily Iaquinta

Cameras | Sony NEX-FS700 Camera

Lenses | Canon EF Series Lenses

Die Pro (2015)

Motion Picture | 2D | 4K Project | Color | 90 Minutes

Directed by | Andre Velts | Cinematography by | Eduan Kitching | Editing by | Linsen Loots

Starring | Edwin van der Walt, Reine Swart, Vilje Maritz, Arno Greeff

Cameras | Red Epic Camera, Red Scarlet Camera

Lenses | Cooke miniS4/i 100mm T2.8 Lens, Cooke miniS4/i 18mm T2.8 Lens, Cooke miniS4/i 25mm T2.8 Lens, Cooke miniS4/i 32mm T2.8 Lens, Cooke miniS4/i 50mm T2.8 Lens, Cooke miniS4/i 75mm T2.8 Lens

Batman v Superman: Dawn of Justice (2016)

Motion Picture | 2D, 3D | 4K Project | Color | 1.44:1, 1.78:1 (16x9), 2.39:1 | 151 Minutes

Directed by | Zack Snyder | Cinematography by | Larry Fong | Editing by | David Brenner

Starring | Ben Affleck, Henry Cavill, Amy Adams, Jesse Eisenberg

Cameras | ARRI ALEXA Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Tears of Steel (2012)

Short Film | 2D | 4K Project | Color | 2.39:1 | 12 Minutes

Directed by | Ian Hubert | Cinematography by | Joris Kerbosch

Starring | Derek de Lint, Sergio Hasselbaink, Rogier Schippers, Vanja Rukavina

Cameras | Sony CineAlta F65 Camera

Warsaw ’44 (2014)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 130 Minutes

Directed by | Jan Komasa | Cinematography by | Marian Prokop | Editing by | Michal Czarnecki

Starring | Józef Pawlowski, Zofia Wichlacz, Anna Próchniak, Antoni Królikowski

Cameras | ARRICAM Lite (LT) Camera

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