Project Resolution » 4K Project

4K Project | 314 Titles

4K Project 2.33/5 3 Votes

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Gamer (2009)

Motion Picture | 2D, 3D | 4K Project | Color | 1.85:1 | 95 Minutes

Directed by | Mark Neveldine, Brian Taylor | Cinematography by | Ekkehart Pollack | Editing by | Peter Amundson, Fernando Villena, Doobie White

Starring | Gerard Butler, Michael C. Hall, Ludacris, Amber Valletta

Cameras | ARRIFLEX 435 Camera, Red One Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Grand Tour (2016)

Television Series | 2D | 4K Project | Color | 60 Minutes

| Cinematography by | Ben Joiner, Steve Lidgerwood | Editing by | Chris Denton, James Hart, Dan James, Adam Hutchings, Steve Flatt, Stephen Bainbridge, Chris Denton, Tom Rich, Mark Roverts

Starring | Jeremy Clarkson, James May, Richard Hammond, Abbie Eaton

Cameras | ARRI AMIRA Series Cameras, Panasonic Lumix DMC-GH4 Camera

Lenses | ARRI / Fujinon Lenses, Canon Lenses

Altered Carbon (2018)

Television Series | 2D | 4K Project | Color | 2.0:1 | 60 Minutes

| Cinematography by | Corey Robson, Martin Ahlgren, Neville Kidd, Bernard Couture, P.J. Dillon | Editing by | Amy M. Fleming, Byron Smith, Erin Deck, Barry Alexander Brown, Jonathan Chibnall, Julian Clarke, Michael Ruscio, Geoff Ashenhurst, Stephen Philipson, Jay Prychidny

Starring | Chris Conner, Renée Elise Goldsberry, Joel Kinnaman, James Purefoy

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses | Canon Lenses, Cooke 5/i Lenses, Cooke S4/i Lenses, Hawk 150-450 mm T2.8 Lens, Zeiss Compact Prime Lenses

Sad Hill Unearthed (2017)

Documentary | 2D | 4K Project | Color | 1.78:1 (16x9), 1.85:1 | 86 Minutes

Directed by | Guillermo de Oliveira | Cinematography by | Guillermo de Oliveira | Editing by | Guillermo de Oliveira, Javier Duch

Starring | Ennio Morricone, James Hetfield, Joe Dante, Clint Eastwood

Cameras | Sony α7S II Camera

Lenses | Canon EF 24-70 mm f2.8L II Lens

Death Note (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 101 Minutes

Directed by | Adam Wingard | Cinematography by | David Tattersall | Editing by | Louis Cioffi

Starring | Nat Wolff, LaKeith Stanfield, Margaret Qualley, Shea Whigham

Cameras | Panasonic VariCam 35, Panasonic VariCam Camera

Lenses | Fujinon Lenses, Fujinon Premier Lenses, P+S Technik Skater Scope T5.6 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens

The Neon Demon (2016)

Motion Picture | 2D | 4K Project, Other Project Resolution | Color | 2.39:1 | 117 Minutes

Directed by | Nicolas Winding Refn | Cinematography by | Natasha Braier | Editing by | Matthew Newman

Starring | Elle Fanning, Christina Hendricks, Keanu Reeves, Karl Glusman

Cameras | ARRI ALEXA Series Cameras, ARRI ALEXA XT Camera, ARRI Cameras

Lenses | Cooke Lenses, Cooke Xtal Express Lenses

Boots on the Ground (2017)

Motion Picture | 2D | 4K Project | Color | 1.78:1 (16x9) | 86 Minutes

Directed by | Louis Melville | Cinematography by | Boyd Skinner | Editing by | Lucas Roche

Starring | Ian Virgo, Tom Ainsley, Ryan McParland, Valmike Rampersad

Cameras | GoPro HERO4 Black

Revelator (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 109 Minutes

Directed by | J. Van Auken | Cinematography by | Dan Clarke | Editing by | J. Van Auken

Starring | Lillian Solange Beaudoin, Barrow Davis-Tolot, Shelly DeChristofaro, Joe DeSoto

Cameras | Blackmagic URSA Camera

Pickings (2018)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 103 Minutes

Directed by | Usher Morgan | Cinematography by | Usher Morgan, Louis Obioha | Editing by | Usher Morgan

Starring | Elyse Price, Michelle Holland, Lily Brooks O'Briant, Giacomo Rocchini

Cameras | Red Epic Camera, Red Epic Dragon Camera, Sony α7S II Camera

Lenses | Cooke Lenses, Red Digital Cinema Lenses, Zeiss ZE Prime Lenses

Raymond’s 5 (2017)

Motion Picture | 2D | 4K Project, UHD Project | Color |

Directed by | James Hastings | Cinematography by | Francis Cousins

Starring | Gareth Lawrence, Faith Elizabeth, Mo Idriss, Emily Highams

Cameras | Red Raven Camera

Lenses | Canon Lenses

Cat and Mouse (2015)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 90 Minutes

Directed by | Victor Nieuwenhuijs, Maartje Seyferth | Cinematography by | Victor Nieuwenhuijs | Editing by | Vima Kara, Tarek

Starring | Carlijn van Zijtveld, Wilma Bakker, Raymond Thiry, Patrick Linotte

Cameras | Red One Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Cooke Speed Panchro (S3) 25mm T2.2 Lens

Capsule (2015)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 91 Minutes

Finding Dory (2016)

Motion Picture | 3D | 4K Project | Color | 1.85:1 | 97 Minutes

Directed by | Andrew Stanton, Angus MacLane | Cinematography by | Jeremy Lasky | Editing by | Axel Geddes

Starring | Ellen DeGeneres, Albert Brooks, Ed O'Neill, Kaitlin Olson

Suicide Squad (2016)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 123 Minutes

Directed by | David Ayer | Cinematography by | Roman Vasyanov | Editing by | John Gilroy

Starring | Will Smith, Jared Leto, Margot Robbie, Viola Davis

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Gortimer Gibbon’s Life on Normal Street (2014)

Television Series | 2D | 4K Project | Color | 23 Minutes

| Cinematography by | Eduardo Enrique Mayén, Francisco Bulgarelli | Editing by | Cheryl Campsmith, Marcelo Sansevieri, Kevin Gasca

Starring | Sloane Morgan Siegel, Ashley Boettcher, Drew Justice, Robyn Lively

Cameras | Sony PMW-F55 Camera

Lenses | Cooke S4 Lenses

No Good Deed (2014)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 84 Minutes

Directed by | Sam Miller | Cinematography by | Michael Barrett | Editing by | Randy Bricker, Jim Page

Starring | Taraji P. Henson, Idris Elba, Leslie Bibb, Kate del Castillo

Cameras | Sony CineAlta F65 Camera

Lenses | Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Think Like a Man Too (2014)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 106 Minutes

Directed by | Tim Story | Cinematography by | Christopher Duskin | Editing by | Peter S. Elliot

Starring | Kevin Hart, Gabrielle Union, Wendi McLendon-Covey, La La Anthony

Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses | Panavision Super Speed Lenses

Assassin’s Creed (2016)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 115 Minutes

Directed by | Justin Kurzel | Cinematography by | Adam Arkapaw | Editing by | Christopher Tellefsen

Starring | Michael Fassbender, Marion Cotillard, Jeremy Irons, Brendan Gleeson

Cameras | ARRI ALEXA 65 Camera

Guardians of the Galaxy Vol. 2 (2017)

Motion Picture | 2D, 3D | 4K Project | Color | 1.90:1, 2.39:1 | 136 Minutes

Directed by | James Gunn | Cinematography by | Henry Braham | Editing by | Fred Raskin, Craig Wood

Starring | Chris Pratt, Zoe Saldaña, Dave Bautista, Vin Diesel

Cameras | Red Weapon Dragon Camera

Lenses | Panavision Primo 70 Lenses

Crouching Tiger, Hidden Dragon: Sword of Destiny (2016)

Motion Picture | 3D | 4K Project | Black & White, Color | 1.90:1, 2.39:1 | 96 Minutes

Directed by | Woo-Ping Yuen | Cinematography by | Newton Thomas Sigel | Editing by | Jeff Betancourt

Starring | Donnie Yen, Michelle Yeoh, Harry Shum Jr., Natasha Liu Bordizzo

Cameras | Red Epic Dragon Camera

Lenses | Leitz Summicron-C Series Lenses, Leitz Summilux-C Series Lenses

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