Project Resolution » 4K Project

4K Project | 314 Titles

4K Project 2.33/5 3 Votes

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Bloodline (2015)

Television Series | 2D | 4K Project | Color | 60 Minutes

| Cinematography by | Jaime Reynoso, Darren Lew | Editing by | Josh Beal, Naomi Geraghty, Deborah Moran, Louise Innes, Lynne Willingham, Dorian Harris, Justin Krohn, Ravi Subramanian, Aaron Kuhn, Jill Paget

Starring | Kyle Chandler, Ben Mendelsohn, Linda Cardellini, Sissy Spacek

Cameras | Sony PMW-F55 Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses, Zeiss Master Prime Lenses

House of Cards (2013)

Television Series | 2D | 2K Project, 4K Project | Color | 2.0:1 | 51 Minutes

| Cinematography by | David M. Dunlap, Igor Martinovic, Eigil Bryld, Peter Konczal, Martin Ahlgren, Tim Norman, Paul Elliott, Tim Ives | Editing by | Lisa Bromwell, Byron Smith, Cindy Mollo, Sidney Wolinsky, Michelle Tesoro, Yuka Shirasuna, Kirk Baxter, Michael Ruscio, Katherine Skjerping, Josh Beal, Grant Surmi, Kyle Traynor

Starring | Kevin Spacey, Michel Gill, Robin Wright, Kate Mara

Cameras | Red Epic Camera, Red Epic Dragon Camera, Red Weapon Dragon Camera

Lenses | Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Lenses

Narcos (2015)

Television Series | 2D | 4K Project | Color | 1.78:1 (16x9) | 49 Minutes

| Cinematography by | Adrian Teijido, Mauricio Vidal, Carmen Cabana, Juan Carlos Gil, Lula Carvalho, Luis David Sansans | Editing by | Matthew Colonna, Trevor Baker, Luis Carballar, Leo Trombetta, Nathan Gunn, Chris McCaleb, Ryan Jones, Jon Otazua, Victor Du Bois, Alex Marquez

Starring | Pedro Pascal, Wagner Moura, Boyd Holbrook, Alberto Ammann

Cameras | Panasonic Lumix DMC-GH4 Camera, Red Epic Dragon Camera

Lenses | Cooke S4/i Lenses, Hawk V-Lite Lenses, Zeiss Ultra Prime Lenses

A Quiet Place (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 90 Minutes

Directed by | John Krasinski | Cinematography by | Charlotte Bruus Christensen | Editing by | Christopher Tellefsen

Starring | Emily Blunt, John Krasinski, Millicent Simmonds, Noah Jupe

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision Primo Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses

Can You Ever Forgive Me? (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 106 Minutes

Directed by | Marielle Heller | Cinematography by | Brandon Trost | Editing by | Anne McCabe

Starring | Melissa McCarthy, Richard E. Grant, Dolly Wells, Ben Falcone

Cameras | Panavision Millennium DXL Camera

Lenses | Panavision Primo 70 Lenses

Fantastic Beasts and Where to Find Them (2016)

Motion Picture | 2D, 3D | 4K Project | Color | 2.39:1 | 132 Minutes

Directed by | David Yates | Cinematography by | Philippe Rousselot | Editing by | Mark Day

Starring | Eddie Redmayne, Katherine Waterston, Alison Sudol, Dan Fogler

Cameras | ARRI ALEXA XT Camera

Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

A Girl Is a Gun (2017)

Television Series, Web Series | 2D | 4K Project | Color | 2.35:1 |

| Cinematography by | Tobias Deml | Editing by | Benjamin Geronimi

Starring | Hiram A. Murray, Jon Komp Shin, Maria Volk, Roy Werner

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo Anamorphic 30-72 mm A2S T4.0 Lens, Cooke Anamorphic/i 135mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 75mm T2.3 Lens

Bohemian Rhapsody (2018)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3), 2.39:1 | 134 Minutes

Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | John Ottman

Starring | Rami Malek, Lucy Boynton, Gwilym Lee, Ben Hardy

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA SXT Plus Camera, ARRIFLEX 35 BL Camera

Lenses | ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Cooke Speed Panchro Lenses

The Boonies (2017)

Television Series, Web Series | 2D | 4K Project | Color | 1.78:1 (16x9) |

| Cinematography by | Tobias Deml | Editing by | Mark Marraccini, Monet Malek

Starring | Emilio Garcia-Sanchez, Zoe Travis, Justin Cone, Logan Garretson

Cameras | ARRI ALEXA Mini Camera

Lenses | Zeiss Super Speeds Mk I 18 mm T1.4 Lens, Zeiss Super Speeds Mk I 35 mm T1.4 Lens, Zeiss Super Speeds Mk I 50 mm T1.4 Lens, Zeiss Super Speeds Mk I 85 mm T1.4 Lens

The Ballad of Buster Scruggs (2018)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 133 Minutes

Directed by | Ethan Coen, Joel Coen | Cinematography by | Bruno Delbonnel | Editing by | Ethan Coen, Joel Coen

Starring | Tim Blake Nelson, Willie Watson, Clancy Brown, Danny McCarthy

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Studio Camera

Lenses | Fujinon Alura Lenses, Zeiss Master Prime Lenses

At Eternity’s Gate (2018)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 111 Minutes

Directed by | Julian Schnabel | Cinematography by | Benoît Delhomme | Editing by | Louise Kugelberg, Julian Schnabel

Starring | Willem Dafoe, Rupert Friend, Oscar Isaac, Mads Mikkelsen

Cameras | Red Helium (Weapon) 8K

Lenses | Kowa Cine Prominar 20mm T2.3 Lens, Kowa Cine Prominar 25mm T2.3 Lens, Kowa Cine Prominar 32mm T2.3 Lens, Kowa Cine Prominar Spherical Lenses

Spider-Man 3 (2007)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 139 Minutes

Directed by | Sam Raimi | Cinematography by | Bill Pope | Editing by | Bob Murawski

Starring | Tobey Maguire, Kirsten Dunst, Topher Grace, Thomas Haden Church

Cameras | ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Live by Night (2016)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 129 Minutes

Directed by | Ben Affleck | Cinematography by | Robert Richardson | Editing by | William Goldenberg

Starring | Ben Affleck, Elle Fanning, Brendan Gleeson, Chris Messina

Cameras | ARRI ALEXA 65 Camera

Lenses | Panavision Sphero 65 Series Lenses, Panavision Super Panavision 70 Series Lenses

The Girl in the Spider’s Web (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 115 Minutes

Directed by | Fede Alvarez | Cinematography by | Pedro Luque | Editing by | Tatiana S. Riegel

Starring | Claire Foy, Beau Gadsdon, Sverrir Gudnason, LaKeith Stanfield

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera

Lenses | ARRI Rental Prime DNA Lenses, Zeiss Master Prime Lenses

Dogs of Berlin (2018)

Television Series | 2D | 4K Project | Color | 2.0:1 | 542 Minutes

| Cinematography by | Christoph Krauss, Frank Lamm | Editing by | Marc Hofmeister, Bobby Good

Starring | Felix Kramer, Fahri Yardim, Samy Abdel Fattah, Mohamed Issa

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses | ARRI Rental Prime 65 28mm T4.0 Lens, ARRI Rental Prime DNA Lenses, Leitz Summilux-C Series Lenses

The Art of Racing in the Rain (2019)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 109 Minutes

Directed by | Simon Curtis | Cinematography by | Ross Emery | Editing by | Adam Recht

Starring | Milo Ventimiglia, Kevin Costner, Amanda Seyfried, Martin Donovan

Cameras | ARRI ALEXA SXT EV Cameras

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk Vantage One 120mm T1 Lens, Hawk Vantage One 17.5mm T1 Lens, Hawk Vantage One 21mm T1 Lens, Hawk Vantage One 25mm T1 Lens, Hawk Vantage One 32mm T1 Lens, Hawk Vantage One 40mm T1 Lens, Hawk Vantage One 50mm T1 Lens, Hawk Vantage One 65mm T1 Lens, Hawk Vantage One 90mm T1 Lens

Dark (2017)

Television Series | 2D | 4K Project | Color | 2.0:1 | 60 Minutes

| Cinematography by | Nikolaus Summerer | Editing by | Robert Rzesacz, Anja Siemens, Denis Bachter, Boris Gromatzki, Simon Gstöttmayr, Sven Budelmann, Roan Densimbor

Starring | Karoline Eichhorn, Louis Hofmann, Jördis Triebel, Maja Schöne

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses | Zeiss Ultra Prime Lenses

Rattlesnake (2019)

Motion Picture | 2D | 4K Project | Color | 2.40:1 |

Directed by | Zak Hilditch | Editing by | Merlin Eden

Starring | Carmen Ejogo, Theo Rossi, Emma Greenwell, David Yow

Cameras | Sony CineAlta VENICE Camera

Lenses | Kowa Cine Prominar Spherical Lenses

Logan (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 137 Minutes

Directed by | James Mangold | Cinematography by | John Mathieson | Editing by | Michael McCusker, Dirk Westervelt

Starring | Hugh Jackman, Patrick Stewart, Dafne Keen, Boyd Holbrook

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Sony α7S II Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Trick Shot (2015)

Short Film | 2D | 4K Project | Color |

Directed by | Evan Kaufmann | Cinematography by | Gale Tattersall | Editing by | Zach Prichard

Starring | Danielle Andrade, Stephanie Armstrong, Amy Au, Matthew Ballesteros

Cameras | Canon EOS-C300 Mark II Camera

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