Set Costumer
Doctor Sleep (2019)
Directed by: Mike Flanagan
Cinematography by: Michael Fimognari
Edited by: Mike Flanagan
Cameras: ARRI ALEXA 65 Camera
Lenses: Hasselblad Lenses
Costumer: Additional Photography / Set Costumer
The Spy Who Dumped Me (2018)
Directed by: Susanna Fogel
Cinematography by: Barry Peterson
Edited by: Jonathan Schwartz
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Set Costumer
Den of Thieves (2018)
Directed by: Christian Gudegast
Cinematography by: Terry Stacey
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Zeiss Master Prime Lenses
Costumer
The Fate of the Furious (2017)
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Set Costumer
Term Life (2016)
Directed by: Peter Billingsley
Cinematography by: Roberto Schaefer
Cameras: ARRI ALEXA Camera, Red Epic Dragon Camera
Set Costumer
Live by Night (2016)
Directed by: Ben Affleck
Cinematography by: Robert Richardson
Edited by: William Goldenberg
Cameras: ARRI ALEXA 65 Camera
Set Costumer
Neighbors 2: Sorority Rising (2016)
Directed by: Nicholas Stoller
Cinematography by: Brandon Trost
Cameras: ARRI ALEXA XT Plus Camera
Set Costumer
Allegiant (2016)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Stuart Levy
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera
Costumer
The Hunger Games: Mockingjay - Part 2 (2015)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Set Costumer
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Costumer
Let's Be Cops (2014)
Directed by: Luke Greenfield
Cinematography by: Daryn Okada
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Additional Set Production Assistant
The Internship (2013)
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
Edited by: Dean Zimmerman
Cameras: ARRI ALEXA Plus Camera
Production Assistant
42 (2013)
Directed by: Brian Helgeland
Cinematography by: Don Burgess
Cameras: Red Epic Camera
Editing System: Avid Editing System
Additional Costumer
Anchorman 2: The Legend Continues (2013)
Directed by: Adam McKay
Cinematography by: Oliver Wood
Cameras: ARRI ALEXA Camera
Production Assistant
Scary Movie 5 (2013)
Cinematography by: Steven Douglas Smith
Edited by: Sam Seig
Cameras: ARRI ALEXA Camera
Set Production Assistant
The Hunger Games: Catching Fire (2013)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Edited by: Alan Edward Bell
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Additional Set Production Assistant
Trouble with the Curve (2012)
Directed by: Robert Lorenz
Cinematography by: Tom Stern
Cameras: Panavision Panaflex Platinum Camera
Second Unit: Set Production Assistant
The Odd Life of Timothy Green (2012)
Directed by: Peter Hedges
Cinematography by: John Toll
Edited by: Andrew Mondshein
Set Production Assistant
What to Expect When You're Expecting (2012)
Directed by: Kirk Jones
Cinematography by: Xavier Grobet
Edited by: Michael Berenbaum
Cameras: ARRI ALEXA Camera
Set Production Assistant
Wanderlust (2012)
Directed by: David Wain
Cinematography by: Michael Bonvillain
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Set Production Assistant
'Royal Pains' Imperfect Storm (2012)
Directed by: Emile B. Levisetti
Cinematography by: Joe Collins
Set Production Assistant
'Royal Pains' After the Fireworks (2012)
Directed by: Emile B. Levisetti
Cinematography by: Joe Collins
Edited by: Charles McClelland
Production Assistant
The Three Stooges (2012)
Cinematography by: Matthew F. Leonetti
Edited by: Sam Seig
Set Production Assistant
'Drop Dead Diva' Prom (2011)
Directed by: Jamie Babbit
Cinematography by: David A. Makin
Edited by: John Murray
Set Production Assistant
'Drop Dead Diva' The Wedding (2011)
Directed by: Kevin Hooks
Cinematography by: David A. Makin
Edited by: Augie Hess
Set Production Assistant
'Drop Dead Diva' False Alarm (2011)
Directed by: Michael Grossman
Cinematography by: David A. Makin
Edited by: John Murray
Set Production Assistant
'Drop Dead Diva' Hit and Run (2011)
Directed by: Jamie Babbit
Cinematography by: David A. Makin
Edited by: Augie Hess
Editorial Production Assistant
Hall Pass (2011)
Cinematography by: Matthew F. Leonetti
Edited by: Sam Seig
Set Production Assistant - 2 Episodes, 2012
Royal Pains (2009)
Directed by: Michael Rauch, Matthew Penn, Jay Chandrasekhar, Emile B. Levisetti, Constantine Makris, Michael W. Watkins, Ed Fraiman, Mark Feuerstein, Allison Liddi-Brown, Don Scardino, Jace Alexander, Tawnia McKiernan, Janice Cooke, Paulo Costanzo, Joe Collins, Dennie Gordon, Ken Whittingham, Charles McClelland, Ken Girotti, Bronwen Hughes, Eric Laneuville, Dennis Smith, Wendey Stanzler, Tricia Brock, Kevin Dowling, Lara Shapiro, Michael B. Silver, Brendan Walsh
Cinematography by: Joe Collins, David S. Tuttman, Jim Denault, Michael Slovis, David M. Dunlap, Michael Caracciolo, Raphy Molinary
Edited by: Charles McClelland, Daniel A. Valverde, Gary Levy, Deborah Moran, Marnee Meyer, Arge O'Neal, Nancy Morrison, Gregory Perler, Matthew S. Nickelson, Michael Berenbaum, Elizabeth Merrick, Jeffrey Wolf, Thom Zimny, Robert Nassau
Cameras: Sony CineAlta F35 Camera
Lenses: Panavision Lenses
Set Production Assistant - 4 Episodes, 2011
Drop Dead Diva (2009)
Directed by: Michael Grossman, Robert J. Wilson, Jamie Babbit, Bethany Rooney, Michael Lange, Dwight H. Little, David Petrarca, Kevin Hooks, J. Miller Tobin, Michael Schultz, Melanie Mayron, Ron Underwood, Tim Matheson, Matthew Hastings, James Hayman, Lawrence Trilling, Kevin Dowling, Rick Rosenthal, Arlene Sanford, John Terlesky, David Warren, Martha Coolidge, Augie Hess, John Murray, David Grossman
Edited by: Augie Hess, Tirsa Hackshaw, John Murray, Noah Pontell, Justin Bourret, Thomas R. Moore, Jim Page, J. Scott Harvey
Cameras: Panavision Genesis Camera
