Prep Artist: Double Negative Singapore
Rush (2013)
Directed by: Ron Howard
Cinematography by: Anthony Dod Mantle
Digital Artist: Industrial Light & Magic
Star Trek Into Darkness (2013)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Digital Compositor
Rango (2011)
Directed by: Gore Verbinski
Cinematography by: Roger Deakins
Edited by: Craig Wood
Editing System: Avid Editing System
Visual Effects
The Sorcerer and the White Snake (2011)
Directed by: Siu-Tung Ching
Edited by: Angie Lam
Visual Effects Supervisor
Xin Shao Lin si (2011)
Directed by: Benny Chan
Cinematography by: Anthony Pun
Edited by: Chi Wai Yau
Digital Artist: Industrial Light & Magic
Transformers: Dark of the Moon (2011)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Digital Compositor
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Digital Artist
Transformers: Revenge of the Fallen (2009)
Directed by: Michael Bay
Cinematography by: Ben Seresin
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Visual Effects Director: Menfond
Blood: The Last Vampire (2009)
Directed by: Chris Nahon
Cinematography by: Hang-Sang Poon
Edited by: Marco Cavé
Cameras: ARRI Cameras, ARRIFLEX 435 Xtreme Camera
Digital Compositor
Terminator Salvation (2009)
Directed by: McG
Cinematography by: Shane Hurlbut
Edited by: Conrad Buff IV
Visual Effects Supervisor
Cheung gong 7 hou (2008)
Directed by: Stephen Chow
Cinematography by: Hang-Sang Poon
Edited by: Angie Lam
Visual Effects Supervisor: Menfond
Gui si (2006)
Directed by: Chao-Bin Su
Cinematography by: Arthur Wong
Edited by: Ka-Fai Cheung
Visual Effects Supervisor
Still Life (2006)
Directed by: Zhangke Jia
Cinematography by: Nelson Lik-wai Yu
Edited by: Jinlei Kong
Visual Effects Supervisor
Bo bui gai wak (2006)
Directed by: Benny Chan
Cinematography by: Anthony Pun
Edited by: Chi Wai Yau
Visual Effects Supervisor
Chung buk ji (2005)
Directed by: Chi-Leung Law
Cinematography by: Chi-Ying Chan
Edited by: Chi-Leung Kwong
Art Director
Qi jian (2005)
Directed by: Hark Tsui
Cinematography by: Kwok-Man Keung
Edited by: Angie Lam
Visual Effects Supervisor
Gau min (2004)
Directed by: Chi-Leung Law
Cinematography by: Chi-Ying Chan
Edited by: Chi-Leung Kwong
Visual Effects Supervisor: Mendfond
House of Flying Daggers (2004)
Directed by: Yimou Zhang
Cinematography by: Xiaoding Zhao
Edited by: Long Cheng
Lenses: Cooke Lenses, Zeiss Lenses
Visual Effects Supervisor
Magic Kitchen (2004)
Directed by: Chi-Ngai Lee
Cinematography by: Arthur Wong
Edited by: Chi-Leung Kwong
Visual Effects Supervisor
Wong Gok hak yeh (2004)
Directed by: Tung-Shing Yee
Cinematography by: Kwok-Man Keung
Edited by: Ka-Fai Cheung
Visual Effects Supervisor
Chin gei bin II: Faa dou dai zin (2004)
Cinematography by: Chi-Ying Chan
Edited by: Ka-Fai Cheung
Visual Effects Supervisor
Mou gaan dou III: Jung gik mou gaan (2003)
Visual Effects Supervisor
Chin gei bin (2003)
Directed by: Dante Lam
Cinematography by: Man Po Cheung
Edited by: Ki-Hop Chan
Lenses: Angenieux Lenses, Zeiss Lenses
Visual Effects Supervisor
Infernal Affairs (2002)
Visual Effects Supervisor
Lao fu zi (2001)
Directed by: Herman Yau
Cinematography by: Puccini Yu
Edited by: Ki-Hop Chan
Supervising Art Director
Crouching Tiger, Hidden Dragon (2000)
Directed by: Ang Lee
Cinematography by: Peter Pau
Edited by: Tim Squyres
Cameras: ARRIFLEX 435 ES Camera
Lenses: Zeiss Lenses
Visual Effects Supervisor
The Duel (2000)
Directed by: Andrew Lau Wai-Keung
Cinematography by: Andrew Lau Wai-Keung
Edited by: Marco Mak
Visual Effects Supervisor
Zi yu feng bao (1999)
Directed by: Teddy Chan
Cinematography by: Arthur Wong
Edited by: Chi-Leung Kwong
Visual Effects Supervisor
Lit feng chin che 2 gik chuk chuen suet (1999)
Directed by: Andrew Lau Wai-Keung
Cinematography by: Andrew Lau Wai-Keung
Visual Effects Supervisor
Boh lei chun (1999)
Directed by: Vincent Kok
Cinematography by: Man Po Cheung
