Sound Effects Editor
Suicide Squad (2016)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Edited by: John Gilroy
Sound Designer / Supervising Sound Editor
Ender's Game (2013)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Cameras: Red Epic Camera
Sound Designer
The Apparition (2012)
Directed by: Todd Lincoln
Cinematography by: Daniel Pearl
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Sound Designer
Project X (2012)
Directed by: Nima Nourizadeh
Cinematography by: Ken Seng
Edited by: Jeff Groth
Cameras: Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F23 Camera, Sony PMW-EX3 Camera
Lenses: Canon Lenses
Sound Designer
Bullet to the Head (2012)
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Edited by: Timothy Alverson
Sound Designer
For Greater Glory: The True Story of Cristiada (2012)
Directed by: Dean Wright
Cinematography by: Eduardo Martínez Solares
Cameras: ARRIFLEX 435 Camera
Lenses: Zeiss Lenses
Sound Designer / Supervising Sound Editor
The Twilight Saga: Breaking Dawn - Part 2 (2012)
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Editing System: Adobe Premiere Editing System, Avid Editing System
Sound Designer / Supervising Sound Editor
The Twilight Saga: Breaking Dawn - Part 1 (2011)
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Edited by: Virginia Katz
Editing System: Avid Editing System
Sound Designer / Supervising Sound Editor
The Cabin in the Woods (2011)
Directed by: Drew Goddard
Cinematography by: Peter Deming
Edited by: Lisa Lassek
Additional Sound Designer
Ninja Assassin (2009)
Directed by: James McTeigue
Cinematography by: Karl Walter Lindenlaub
Lenses: Zeiss Master Prime Lenses
Sound Effects Editor
Whiteout (2009)
Directed by: Dominic Sena
Cinematography by: Christopher Soos
Edited by: Martin Hunter
Sound Designer: Editorial / Supervising Sound Editor
The Day the Earth Stood Still (2008)
Directed by: Scott Derrickson
Cinematography by: David Tattersall
Edited by: Wayne Wahrman
Cameras: Panavision Cameras
Sound Designer / Supervising Sound Editor
Speed Racer (2008)
Cinematography by: David Tattersall
Lenses: Zeiss DigiPrime Lenses
Sound Designer / Supervising Sound Editor
Ghost Rider (2007)
Directed by: Mark Steven Johnson
Cinematography by: Russell Boyd
Edited by: Richard Francis-Bruce
Cameras: Panavision Cameras
Sound Designer / Supervising Sound Editor
The Hunting Party (2007)
Directed by: Richard Shepard
Cinematography by: David Tattersall
Edited by: Carole Kravetz Aykanian
Sound Effects Editor
Battle in Seattle (2007)
Directed by: Stuart Townsend
Cinematography by: Barry Ackroyd
Supervising Sound Designer
The Good Night (2007)
Directed by: Jake Paltrow
Cinematography by: Giles Nuttgens
Edited by: Rick Lawley
Sound Effects Editor
The Reaping (2007)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Colby Parker Jr.
Sound Designer
Black Snake Moan (2006)
Directed by: Craig Brewer
Cinematography by: Amy Vincent
Edited by: Billy Fox
Editing System: Final Cut Pro Editing System
Sound Designer
The Hills Have Eyes (2006)
Directed by: Alexandre Aja
Cinematography by: Maxime Alexandre
Edited by: Baxter
Supervising Sound Editor
Lord of War (2005)
Directed by: Andrew Niccol
Cinematography by: Amir Mokri
Edited by: Zach Staenberg
Cameras: Panavision Panaflex Platinum Camera
Sound Designer: Danetracks
The Lost City (2005)
Directed by: Andy Garcia
Cinematography by: Emmanuel Kadosh
Edited by: Christopher Cibelli
Supervising Sound Designer / Supervising Sound Editor
Æon Flux (2005)
Directed by: Karyn Kusama
Cinematography by: Stuart Dryburgh
Sound Designer / Supervising Sound Editor
The Forgotten (2004)
Directed by: Joseph Ruben
Cinematography by: Anastas N. Michos
Edited by: Richard Francis-Bruce
Sound Designer / Supervising Sound Editor
The Matrix Reloaded (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Supervising Sound Editor
Northfork (2003)
Directed by: Michael Polish
Cinematography by: M. David Mullen
Edited by: Leo Trombetta
Sound Designer / Supervising Sound Editor
The Matrix Revolutions (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Supervising Sound Editor
The Good Girl (2002)
Directed by: Miguel Arteta
Cinematography by: Enrique Chediak
Edited by: Jeff Betancourt
Morph, Sound Designer
Treasure Planet (2002)
Cinematography by: Rasoul Azadani
Edited by: Michael Kelly
Supervising Sound Editor
8 Mile (2002)
Directed by: Curtis Hanson
Cinematography by: Rodrigo Prieto
Lenses: Zeiss Ultra Prime Lenses
Supervising Sound Editor
Ghost Ship (2002)
Directed by: Steve Beck
Cinematography by: Gale Tattersall
Edited by: Roger Barton
Sound Designer / Supervising Sound Editor
Exit Wounds (2001)
Directed by: Andrzej Bartkowiak
Cinematography by: Glen MacPherson
Edited by: Derek Brechin
Sound Designer / Supervising Sound Editor
Swordfish (2001)
Directed by: Dominic Sena
Cinematography by: Paul Cameron
Edited by: Stephen E. Rivkin
Sound Designer / Supervising Sound Editor
Antitrust (2001)
Directed by: Peter Howitt
Cinematography by: John Bailey
Edited by: Zach Staenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Designer / Supervising Sound Editor
Red Planet (2000)
Directed by: Antony Hoffman
Cinematography by: Peter Suschitzky
Re-recording Mixer / Sound Designer / Supervising Sound Editor
Sand (2000)
Directed by: Matt Palmieri
Sound Designer / Supervising Sound Editor
Romeo Must Die (2000)
Directed by: Andrzej Bartkowiak
Cinematography by: Glen MacPherson
Edited by: Derek Brechin
Supervising Sound Editor
Go (1999)
Directed by: Doug Liman
Cinematography by: Doug Liman
Edited by: Stephen Mirrione
Sound Designer / Supervising Sound Editor
The Matrix (1999)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics Cameras
Lenses: Panavision Lenses
Supervising Sound Editor
Phoenix (1998)
Directed by: Danny Cannon
Cinematography by: James L. Carter
Edited by: Zach Staenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Supervising Sound Editor
Simon Birch (1998)
Directed by: Mark Steven Johnson
Cinematography by: Aaron Schneider
Edited by: David Finfer
Cameras: Panavision Cameras
Supervising Sound Editor
Boogie Nights (1997)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Sound Designer
American Perfekt (1997)
Directed by: Paul Chart
Cinematography by: William Wages
Edited by: Michael Ruscio
Supervising Sound Editor
Bed of Roses (1996)
Directed by: Michael Goldenberg
Cinematography by: Adam Kimmel
Edited by: Jane Kurson
Cameras: Panavision Cameras
Supervising Sound Editor
Gunfighter's Moon (1995)
Directed by: Larry Ferguson
Cinematography by: James L. Carter
Edited by: Jere Huggins
Cameras: Panavision Cameras
Supervising Sound Editor
Tom and Huck (1995)
Directed by: Peter Hewitt
Cinematography by: Bobby Bukowski
Edited by: David Freeman
Supervising Sound Editor
Pie in the Sky (1995)
Directed by: Bryan Gordon
Cinematography by: Bernd Heinl
Edited by: Colleen Halsey
Supervising Sound Editor
My Father the Hero (1994)
Directed by: Steve Miner
Cinematography by: Daryn Okada
Edited by: Marshall Harvey
Supervising Sound Editor
Don Juan DeMarco (1994)
Directed by: Jeremy Leven
Cinematography by: Ralf D. Bode
Edited by: Antony Gibbs
Cameras: Panavision Cameras
Supervising Sound Editor
The Hand That Rocks the Cradle (1992)
Directed by: Curtis Hanson
Cinematography by: Robert Elswit
Edited by: John F. Link
Cameras: Panavision Cameras
Supervising Sound Editor
Forever Young (1992)
Directed by: Steve Miner
Cinematography by: Russell Boyd
Edited by: Jon Poll
Supervising Sound Editor
Defending Your Life (1991)
Directed by: Albert Brooks
Cinematography by: Allen Daviau
Edited by: David Finfer
Supervising Sound Editor
Welcome Home, Roxy Carmichael (1990)
Directed by: Jim Abrahams
Cinematography by: Paul Elliott
Edited by: Bruce Green
Supervising Sound Editor
Pump Up the Volume (1990)
Directed by: Allan Moyle
Cinematography by: Walt Lloyd
Sound Effects Recordist
The Abyss (1989)
Directed by: James Cameron
Cinematography by: Mikael Salomon
Supervising Sound Editor
Warlock (1989)
Directed by: Steve Miner
Cinematography by: David Eggby
Edited by: David Finfer
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Supervising Sound Editor
Hider in the House (1989)
Directed by: Matthew Patrick
Cinematography by: Jeffrey Jur
Edited by: Debra T. Smith
Supervising Sound Editor: Danetracks
Drugstore Cowboy (1989)
Directed by: Gus Van Sant
Cinematography by: Robert D. Yeoman
Supervising Sound Editor
Rocket Gibraltar (1988)
Directed by: Daniel Petrie
Cinematography by: Jost Vacano
Edited by: Melody London
Sound Effects Library, Design
Back to the Beach (1987)
Directed by: Lyndall Hobbs
Cinematography by: Bruce Surtees
Edited by: David Finfer
Cameras: Panavision Cameras
Special Sound Effects
It's Alive III: Island of the Alive (1987)
Directed by: Larry Cohen
Cinematography by: Daniel Pearl
Edited by: David Kern
Additional Sound Effects Editor
Armed Response (1986)
Directed by: Fred Olen Ray
Cinematography by: Paul Elliott
Edited by: Miriam L. Preissel
Special Sound Effects
Crawlspace (1986)
Directed by: David Schmoeller
Cinematography by: Sergio Salvati
Edited by: Bert Glatstein
