Modelmaker: Kerner Optical
Elysium (2013)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera
Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Model Maker: Kerner Optical
Terminator Salvation (2009)
Directed by: McG
Cinematography by: Shane Hurlbut
Edited by: Conrad Buff IV
Still Photographer: ILM
Lemony Snicket's A Series of Unfortunate Events (2004)
Directed by: Brad Silberling
Cinematography by: Emmanuel Lubezki
Edited by: Michael Kahn
Cameras: Panavision Panaflex Platinum Camera
Still Photographer: ILM
Dreamcatcher (2003)
Directed by: Lawrence Kasdan
Cinematography by: John Seale
Still Photographer: ILM
Minority Report (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Visual Effects Still Photographer: ILM
October Sky (1999)
Directed by: Joe Johnston
Cinematography by: Fred Murphy
Edited by: Robert Dalva
Visual Effects Production And Technical Support: ILM
Star Wars: Episode I - The Phantom Menace (1999)
Directed by: George Lucas
Cinematography by: David Tattersall
Lenses: Hawk C-Series Lenses
Model Maker: Miniatures Unit, ILM
Congo (1995)
Directed by: Frank Marshall
Cinematography by: Allen Daviau
Edited by: Anne V. Coates
Chief Model Maker: ILM
Jumanji (1995)
Directed by: Joe Johnston
Cinematography by: Thomas E. Ackerman
Edited by: Robert Dalva
Cameras: Panavision Cameras
Visual Effects Still Photographer
In the Mouth of Madness (1994)
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Edited by: Edward A. Warschilka
Digital Matte Painter: ILM
The Hudsucker Proxy (1994)
Cinematography by: Roger Deakins
Edited by: Thom Noble
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Still Photographer
Back to the Future Part III (1990)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Matte Artist: ILM
Back to the Future Part II (1989)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Still Photographer: ILM
Willow (1988)
Directed by: Ron Howard
Cinematography by: Adrian Biddle
Cameras: Panavision Panaflex Gold Camera
Additional Contributor: ILM
Caddyshack II (1988)
Directed by: Allan Arkush
Cinematography by: Harry Stradling Jr.
Edited by: Bernard Gribble
Cameras: Panavision Cameras
Puppeteer: ILM
Young Sherlock Holmes (1985)
Directed by: Barry Levinson
Cinematography by: Stephen Goldblatt
Edited by: Stu Linder
Stop-motion Technician: ILM
Indiana Jones and the Temple of Doom (1984)
Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
Cameras: Panavision Panaflex Gold Camera
Model Maker: ILM
Star Wars: Episode VI - Return of the Jedi (1983)
Directed by: Richard Marquand
Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera
Model Maker: ILM
Poltergeist (1982)
Directed by: Tobe Hooper
Cinematography by: Matthew F. Leonetti
Edited by: Michael Kahn
Cameras: Ultracam 35 Camera
Modelmaker: ILM
Star Trek II: The Wrath of Khan (1982)
Directed by: Nicholas Meyer
Cinematography by: Gayne Rescher
Edited by: William Paul Dornisch
Cameras: Dykstraflex Camera, Panavision Cameras
