Sean M. Casey

21 Titles

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Elysium | ShotOnWhat?

Modelmaker: Kerner Optical

Elysium (2013)

Directed by: Neill Blomkamp

Cinematography by: Trent Opaloch

Edited by: Julian Clarke, Lee Smith

Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera

Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Terminator Salvation | ShotOnWhat?

Model Maker: Kerner Optical

Terminator Salvation (2009)

Directed by: McG

Cinematography by: Shane Hurlbut

Edited by: Conrad Buff IV

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, Pan-Arri 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

A Series of Unfortunate Events | ShotOnWhat?

Still Photographer: ILM

Lemony Snicket's A Series of Unfortunate Events (2004)

Directed by: Brad Silberling

Cinematography by: Emmanuel Lubezki

Edited by: Michael Kahn

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Dreamcatcher | ShotOnWhat?

Still Photographer: ILM

Dreamcatcher (2003)

Directed by: Lawrence Kasdan

Cinematography by: John Seale

Edited by: Raúl Dávalos, Carol Littleton

Minority Report | ShotOnWhat?

Still Photographer: ILM

Minority Report (2002)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses

October Sky | ShotOnWhat?

Visual Effects Still Photographer: ILM

October Sky (1999)

Directed by: Joe Johnston

Cinematography by: Fred Murphy

Edited by: Robert Dalva

Star Wars: Episode I - The Phantom Menace | ShotOnWhat?

Visual Effects Production And Technical Support: ILM

Star Wars: Episode I - The Phantom Menace (1999)

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Ben Burtt, Paul Martin Smith

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, Sony HDC-750 Camera

Lenses: Hawk C-Series Lenses

Congo | ShotOnWhat?

Model Maker: Miniatures Unit, ILM

Congo (1995)

Directed by: Frank Marshall

Cinematography by: Allen Daviau

Edited by: Anne V. Coates

Jumanji | ShotOnWhat?

Chief Model Maker: ILM

Jumanji (1995)

Directed by: Joe Johnston

Cinematography by: Thomas E. Ackerman

Edited by: Robert Dalva

Cameras: Panavision Cameras

In the Mouth of Madness | ShotOnWhat?

Visual Effects Still Photographer

In the Mouth of Madness (1994)

Directed by: John Carpenter

Cinematography by: Gary B. Kibbe

Edited by: Edward A. Warschilka

The Hudsucker Proxy | ShotOnWhat?

Digital Matte Painter: ILM

The Hudsucker Proxy (1994)

Directed by: Joel Coen, Ethan Coen

Cinematography by: Roger Deakins

Edited by: Thom Noble

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 535 Camera

Lenses: Zeiss Lenses

Back to the Future Part III | ShotOnWhat?

Still Photographer

Back to the Future Part III (1990)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Harry Keramidas, Arthur Schmidt

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Back to the Future Part II | ShotOnWhat?

Matte Artist: ILM

Back to the Future Part II (1989)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Harry Keramidas, Arthur Schmidt

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, VistaVision Cameras

Lenses: Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Willow | ShotOnWhat?

Still Photographer: ILM

Willow (1988)

Directed by: Ron Howard

Cinematography by: Adrian Biddle

Edited by: Daniel P. Hanley, Mike Hill, Richard Hiscott

Cameras: Panavision Panaflex Gold Camera

Lenses: Cooke Lenses, Panavision C Series Anamorphic Lenses

Caddyshack II | ShotOnWhat?

Additional Contributor: ILM

Caddyshack II (1988)

Directed by: Allan Arkush

Cinematography by: Harry Stradling Jr.

Edited by: Bernard Gribble

Cameras: Panavision Cameras

Young Sherlock Holmes | ShotOnWhat?

Puppeteer: ILM

Young Sherlock Holmes (1985)

Directed by: Barry Levinson

Cinematography by: Stephen Goldblatt

Edited by: Stu Linder

Cocoon | ShotOnWhat?

Stop-motion Technician

Cocoon (1985)

Directed by: Ron Howard

Cinematography by: Donald Peterman

Edited by: Daniel P. Hanley, Mike Hill

Indiana Jones and the Temple of Doom | ShotOnWhat?

Stop-motion Technician: ILM

Indiana Jones and the Temple of Doom (1984)

Directed by: Steven Spielberg

Cinematography by: Douglas Slocombe

Edited by: Michael Kahn, George Lucas

Cameras: Panavision Panaflex Gold Camera

Lenses: Panavision C Series Anamorphic Lenses

Star Wars: Episode VI - Return of the Jedi | ShotOnWhat?

Model Maker: ILM

Star Wars: Episode VI - Return of the Jedi (1983)

Directed by: Richard Marquand

Cinematography by: Alan Hume, Alec Mills

Edited by: Sean Barton, T.M. Christopher, Duwayne Dunham, Marcia Lucas, George Lucas

Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera

Lenses: Cooke Varotal Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Poltergeist | ShotOnWhat?

Model Maker: ILM

Poltergeist (1982)

Directed by: Tobe Hooper

Cinematography by: Matthew F. Leonetti

Edited by: Michael Kahn

Cameras: Ultracam 35 Camera

Lenses: Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Star Trek II: The Wrath of Khan | ShotOnWhat?

Modelmaker: ILM

Star Trek II: The Wrath of Khan (1982)

Directed by: Nicholas Meyer

Cinematography by: Gayne Rescher

Edited by: William Paul Dornisch

Cameras: Dykstraflex Camera, Panavision Cameras

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