Visual Effects Supervisor: ZERO VFX
Ghostbusters (2016)
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Cameras: ARRI ALEXA XT Camera
Visual Effects Supervisor: Svengali
After Earth (2013)
Directed by: M. Night Shyamalan
Cinematography by: Peter Suschitzky
Edited by: Steven Rosenblum
Digital Compositor
Project X (2012)
Directed by: Nima Nourizadeh
Cinematography by: Ken Seng
Edited by: Jeff Groth
Cameras: Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F23 Camera, Sony PMW-EX3 Camera
Lenses: Canon Lenses
Digital Compositor
Here Comes the Boom (2012)
Directed by: Frank Coraci
Cinematography by: Phil Meheux
Edited by: Scott Hill
Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera
Visual Effects Supervisor: Svengali FX
Priest (2011)
Directed by: Scott Stewart
Cinematography by: Don Burgess
Compositor
Thor (2011)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Compositor
Captain America: The First Avenger (2011)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Visual Effects Supervisor: Svengali FX
The Last Airbender (2010)
Directed by: M. Night Shyamalan
Cinematography by: Andrew Lesnie
Edited by: Conrad Buff IV
Digital Compositor: Luma
The Book of Eli (2010)
Cinematography by: Don Burgess
Edited by: Cindy Mollo
Cameras: Red One Camera
Visual Effects Supervisor: Svengali FX
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Digital Compositor
2012 (2009)
Directed by: Roland Emmerich
Cinematography by: Dean Semler
Cameras: Panavision Cameras, Panavision Genesis Camera
Editing System: Avid Editing System
Compositor
Stealth (2005)
Directed by: Rob Cohen
Cinematography by: Dean Semler
Edited by: Stephen E. Rivkin
Lead Compositor
The Day After Tomorrow (2004)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: David Brenner
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Digital Compositor
Star Trek: Nemesis (2002)
Directed by: Stuart Baird
Cinematography by: Jeffrey L. Kimball
Edited by: Dallas Puett
Digital Compositor: Digital Domain
We Were Soldiers (2002)
Directed by: Randall Wallace
Cinematography by: Dean Semler
Edited by: William Hoy
Cameras: Panavision Panaflex Camera
Digital Compositor: Digital Domain
Vanilla Sky (2001)
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Panaflex Gold Camera
Digital Artist
Spy Kids (2001)
Directed by: Robert Rodriguez
Cinematography by: Guillermo Navarro
Edited by: Robert Rodriguez
Digital Compositor
How the Grinch Stole Christmas (2000)
Directed by: Ron Howard
Cinematography by: Donald Peterman