Herb Ault

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The Matrix Resurrections | ShotOnWhat?

Key Grip: San Francisco

The Matrix Resurrections (2021)

Directed by: Lana Wachowski

Cinematography by: Daniele Massaccesi, John Toll

Edited by: Joseph Jett Sally

Cameras: Red Komodo Camera

Lenses: Panavision Compact Zoom Lenses, Panavision LWZ 27-68 mm T2.8 Lens, Panavision Panaspeed Series Lenses, Panavision Primo 70 Lenses, Sigma Lenses, Zeiss Cinema Zoom Series Lenses

Tenet | ShotOnWhat?

Key Grip

Tenet (2020)

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Jennifer Lame

Cameras: ARRIFLEX 765 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision System 65 Camera

Lenses: Hasselblad Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Ad Astra | ShotOnWhat?

Key Grip

Ad Astra (2019)

Directed by: James Gray

Cinematography by: Hoyte Van Hoytema

Edited by: John Axelrad, Lee Haugen

Cameras: Aaton Penelope Camera, ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX Camera

Lenses: CamTec Astra Master Prime Series Lenses, Zeiss Master Prime Lenses

The Hateful Eight | ShotOnWhat?

Key Grip

The Hateful Eight (2015)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Cameras: ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens

Editing System: Avid Editing System

Interstellar | ShotOnWhat?

Key Grip

Interstellar (2014)

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Hasselblad Lenses, Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Now You See Me | ShotOnWhat?

Key Grip: Las Vegas

Now You See Me (2013)

Directed by: Louis Leterrier

Cinematography by: Mitchell Amundsen, Larry Fong

Edited by: Robert Leighton, Vincent Tabaillon

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses

After Earth | ShotOnWhat?

Key Grip

After Earth (2013)

Directed by: M. Night Shyamalan

Cinematography by: Peter Suschitzky

Edited by: Steven Rosenblum

Cameras: Canon EOS-C500 Camera, Sony CineAlta F65 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

Life of Pi | ShotOnWhat?

Key Grip

Life of Pi (2012)

Directed by: Ang Lee

Cinematography by: Claudio Miranda

Edited by: Tim Squyres

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Horrible Bosses | ShotOnWhat?

Key Grip

Horrible Bosses (2011)

Directed by: Seth Gordon

Cinematography by: David Hennings

Edited by: Peter Teschner

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

The Soloist | ShotOnWhat?

First Company Grip

The Soloist (2009)

Directed by: Joe Wright

Cinematography by: Seamus McGarvey

Edited by: Paul Tothill

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Lightworks Editing System

Leatherheads | ShotOnWhat?

Key Grip

Leatherheads (2008)

Directed by: George Clooney

Cinematography by: Newton Thomas Sigel

Edited by: Stephen Mirrione

Tropic Thunder | ShotOnWhat?

First Company Grip

Tropic Thunder (2008)

Directed by: Ben Stiller

Cinematography by: John Toll

Edited by: Greg Hayden

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Valkyrie | ShotOnWhat?

Key Grip: Additional Photography, U.S.

Valkyrie (2008)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: John Ottman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

The Kite Runner | ShotOnWhat?

Key Grip

The Kite Runner (2007)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Seraphim Falls | ShotOnWhat?

Key Grip

Seraphim Falls (2006)

Directed by: David Von Ancken

Cinematography by: John Toll

Edited by: Conrad Buff IV

Elizabethtown | ShotOnWhat?

Grip: First Company

Elizabethtown (2005)

Directed by: Cameron Crowe

Cinematography by: John Toll

Edited by: David Moritz

The Aviator | ShotOnWhat?

Key Grip

The Aviator (2004)

Directed by: Martin Scorsese

Cinematography by: Robert Richardson

Edited by: Thelma Schoonmaker

Cameras: Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Lightworks Editing System

Kill Bill: Vol. 2 | ShotOnWhat?

Key Grip

Kill Bill: Vol. 2 (2004)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Kill Bill: Vol. 1 | ShotOnWhat?

Key Grip

Kill Bill: Vol. 1 (2003)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Spider-Man | ShotOnWhat?

Additional Key Grip

Spider-Man (2002)

Directed by: Sam Raimi

Cinematography by: Don Burgess

Edited by: Arthur Coburn, Bob Murawski

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Vanilla Sky | ShotOnWhat?

First Company Grip

Vanilla Sky (2001)

Directed by: Cameron Crowe

Cinematography by: John Toll

Edited by: Joe Hutshing, Mark Livolsi

Cameras: Panavision Panaflex Gold Camera

Lenses: Panavision Primo Primes Spherical Lenses

Almost Famous | ShotOnWhat?

Key Grip

Almost Famous (2000)

Directed by: Cameron Crowe

Cinematography by: John Toll

Edited by: Joe Hutshing, Saar Klein

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Traffic | ShotOnWhat?

Key Grip

Traffic (2000)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Dr. T and the Women | ShotOnWhat?

Key Grip

Dr. T & the Women (2000)

Directed by: Robert Altman

Cinematography by: Jan Kiesser

Edited by: Geraldine Peroni

Simpatico | ShotOnWhat?

Key Grip

Simpatico (1999)

Directed by: Matthew Warchus

Cinematography by: John Toll

Edited by: Pasquale Buba, Seth Flaum

The Thin Red Line | ShotOnWhat?

Key Grip: Los Angeles Post-production Unit

The Thin Red Line (1998)

Directed by: Terrence Malick

Cinematography by: John Toll

Edited by: Leslie Jones, Saar Klein, Billy Weber

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens

Editing System: Avid Editing System

Out to Sea | ShotOnWhat?

Key Grip

Out to Sea (1997)

Directed by: Martha Coolidge

Cinematography by: Lajos Koltai

Edited by: Anne V. Coates

That Thing You Do! | ShotOnWhat?

Key Grip

That Thing You Do! (1996)

Directed by: Tom Hanks

Cinematography by: Tak Fujimoto

Edited by: Richard Chew

Home for the Holidays | ShotOnWhat?

First Company Grip

Home for the Holidays (1995)

Directed by: Jodie Foster

Cinematography by: Lajos Koltai

Edited by: Lynzee Klingman

Grumpier Old Men | ShotOnWhat?

Key Grip

Grumpier Old Men (1995)

Directed by: Howard Deutch

Cinematography by: Tak Fujimoto

Edited by: Maryann Brandon, Seth Flaum, Billy Weber

Just Cause | ShotOnWhat?

Key Grip

Just Cause (1995)

Directed by: Arne Glimcher

Cinematography by: Lajos Koltai

Edited by: William M. Anderson, Armen Minasian

Born Yesterday | ShotOnWhat?

Key Grip

Born Yesterday (1993)

Directed by: Luis Mandoki

Cinematography by: Lajos Koltai

Edited by: Lesley Walker

Cameras: ARRIFLEX Camera

Wrestling Ernest Hemingway | ShotOnWhat?

Key Grip

Wrestling Ernest Hemingway (1993)

Directed by: Randa Haines

Cinematography by: Lajos Koltai

Edited by: Paul Hirsch

Sneakers | ShotOnWhat?

Key Grip

Sneakers (1992)

Directed by: Phil Alden Robinson

Cinematography by: John Lindley

Edited by: Tom Rolf

Salmonberries | ShotOnWhat?

Key Grip

Salmonberries (1991)

Directed by: Percy Adlon

Cinematography by: Newton Thomas Sigel

Edited by: Conrad M. Gonzalez

Mobsters | ShotOnWhat?

Key Grip

Mobsters (1991)

Directed by: Michael Karbelnikoff

Cinematography by: Lajos Koltai

Edited by: Joe D'Augustine, M. Scott Smith

Guilty by Suspicion | ShotOnWhat?

Key Grip

Guilty by Suspicion (1991)

Directed by: Irwin Winkler

Cinematography by: Michael Ballhaus

Edited by: Priscilla Nedd-Friendly

Scenes from a Mall | ShotOnWhat?

Key Grip: Los Angeles

Scenes from a Mall (1991)

Directed by: Paul Mazursky

Cinematography by: Fred Murphy

Edited by: Stuart H. Pappé

Catchfire | ShotOnWhat?

First Company Grip

Catchfire (1990)

Directed by: Dennis Hopper, Alan Smithee

Cinematography by: Edward Lachman

Edited by: David Rawlins

Cameras: Cinerama Camera, Moviecam Cameras

The Hot Spot | ShotOnWhat?

Grip

The Hot Spot (1990)

Directed by: Dennis Hopper

Cinematography by: Ueli Steiger

Edited by: Wende Phifer Mate

Pet Sematary | ShotOnWhat?

First Company Grip

Pet Sematary (1989)

Directed by: Mary Lambert

Cinematography by: Peter Stein

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Cameras

Lisa | ShotOnWhat?

Key Grip

Lisa (1989)

Directed by: Gary Sherman

Cinematography by: Alex Nepomniaschy

Edited by: Ross Albert

Trancers | ShotOnWhat?

Best Boy Grip

Trancers (1984)

Directed by: Charles Band

Cinematography by: Mac Ahlberg

Edited by: Ted Nicolaou

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