Camera Operator
Mary Poppins Returns (2018)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens
Camera Operator
Dolphin Tale 2 (2014)
Directed by: Charles Martin Smith
Cinematography by: Daryn Okada
Edited by: Harvey Rosenstock
Cameras: Sony PMW-F55 Camera
Camera Operator: "b" Camera
'Mad Men' For Immediate Release (2013)
Directed by: Jennifer Getzinger
Cinematography by: Chris Manley
Edited by: Chris Figler
"b" Camera Operator: Florida Unit
Parker (2013)
Directed by: Taylor Hackford
Cinematography by: James M. Muro
Edited by: Mark Warner
Cameras: Red Epic Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Camera Operator
Anchorman 2: The Legend Continues (2013)
Directed by: Adam McKay
Cinematography by: Oliver Wood
Cameras: ARRI ALEXA Camera
Camera Operator: "b" Camera
'Mad Men' In Care Of (2013)
Directed by: Matthew Weiner
Cinematography by: Chris Manley
Edited by: Christopher Gay
Camera Operator: "b" Camera
'Mad Men' The Quality of Mercy (2013)
Directed by: Phil Abraham
Cinematography by: Chris Manley
Edited by: Chris Figler
Camera Operator: "b" Camera
'Mad Men' Favors (2013)
Directed by: Jennifer Getzinger
Cinematography by: Chris Manley
Edited by: Tom Wilson
Camera Operator: "b" Camera
'Mad Men' A Tale of Two Cities (2013)
Directed by: John Slattery
Cinematography by: Chris Manley
Edited by: Christopher Gay
Camera Operator: "b" Camera
'Mad Men' The Better Half (2013)
Directed by: Phil Abraham
Cinematography by: Chris Manley
Edited by: Chris Figler
Camera Operator: "b" Camera
'Mad Men' The Crash (2013)
Directed by: Michael Uppendahl
Cinematography by: Chris Manley
Edited by: Tom Wilson
Camera Operator: "b" Camera
'Mad Men' Man with a Plan (2013)
Directed by: John Slattery
Cinematography by: Chris Manley
Edited by: Christopher Gay
Camera Operator
'Mad Men' The Flood (2013)
Directed by: Chris Manley
Cinematography by: Don Devine
Edited by: Tom Wilson
Camera Operator
'Mad Men' To Have and to Hold (2013)
Directed by: Michael Uppendahl
Cinematography by: Jeffrey Jur
Edited by: Christopher Gay
Camera Operator: "b" Camera
'Mad Men' The Doorway, Part 1 (2013)
Directed by: Scott Hornbacher
Cinematography by: Chris Manley
Edited by: Tom Wilson
Camera Operator: "b" Camera
'Mad Men' Collaborators (2013)
Directed by: Jon Hamm
Cinematography by: Chris Manley
Edited by: Chris Figler
Camera Operator: "b" Camera
'Mad Men' The Doorway, Part 2 (2013)
Directed by: Scott Hornbacher
Cinematography by: Chris Manley
Edited by: Tom Wilson
"b" Camera Operator / Director Of Photography: 2nd Unit
The Three Stooges (2012)
Cinematography by: Matthew F. Leonetti
Edited by: Sam Seig
"b" Camera Operator
Dolphin Tale (2011)
Directed by: Charles Martin Smith
Cinematography by: Karl Walter Lindenlaub
Edited by: Harvey Rosenstock
Cameras: Red One MX Camera
"a" Camera Operator
Madea's Big Happy Family (2011)
Directed by: Tyler Perry
Cinematography by: Toyomichi Kurita
Edited by: Maysie Hoy
"a" Camera Operator
Piranha 3D (2010)
Directed by: Alexandre Aja
Cinematography by: John R. Leonetti
Edited by: Baxter
Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Camera Operator: "b" Camera
Step Brothers (2008)
Directed by: Adam McKay
Cinematography by: Oliver Wood
Edited by: Brent White
Cameras: Panavision Cameras
"a" Camera Operator
Soul Men (2008)
Directed by: Malcolm D. Lee
Cinematography by: Matthew F. Leonetti
Head Camera Operator
I Know Who Killed Me (2007)
Directed by: Chris Sivertson
Cinematography by: John R. Leonetti
Edited by: Lawrence Jordan
Camera Operator: "a" Camera
Pride (2007)
Directed by: Sunu Gonera
Cinematography by: Matthew F. Leonetti
Edited by: Billy Fox
Cameras: Moviecam Compact Camera
Camera Operator: "a" Camera / Director Of Photography: Second Unit
Death Sentence (2007)
Directed by: James Wan
Cinematography by: John R. Leonetti
Edited by: Michael N. Knue
Camera Operator: "b" Camera / Camera Operator - 13 Episodes, 2013
Mad Men (2007)
Directed by: Phil Abraham, Michael Uppendahl, Jennifer Getzinger, Matthew Weiner, Scott Hornbacher, Lesli Linka Glatter, Tim Hunter, John Slattery, Andrew Bernstein, Alan Taylor, Chris Manley, Jon Hamm, Ed Bianchi, Paul Feig, Barbet Schroeder, Daisy von Scherler Mayer, Lynn Shelton, Matt Shakman, Jared Harris
Cinematography by: Chris Manley, Don Devine, Phil Abraham, Steve Mason, Frank G. DeMarco, Bill Roe, Jeffrey Jur, M. David Mullen
Edited by: Tom Wilson, Malcolm Jamieson, Christopher Gay, Leo Trombetta, Christopher Nelson, Chris Figler, David Siegel, Cindy Mollo, Pattye Rogers, Conrad Smart, Patricia Rafferty
Editing System: Avid Editing System
Camera Operator
Accepted (2006)
Directed by: Steve Pink
Cinematography by: Matthew F. Leonetti
Edited by: Scott Hill
Cameras: Moviecam Cameras
Additional Camera Operator
A Prairie Home Companion (2006)
Directed by: Robert Altman
Cinematography by: Edward Lachman
Edited by: Jacob Craycroft
Cameras: Sony HDW-F900 Camera
Lenses: Fujinon Lenses
Second Unit Director Of Photography
2 Fast 2 Furious (2003)
Directed by: John Singleton
Cinematography by: Matthew F. Leonetti
Lenses: Cooke S4 Lenses
Camera Operator: "b" Camera
Windtalkers (2002)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Head Camera Operator
The Scorpion King (2002)
Directed by: Chuck Russell
Cinematography by: John R. Leonetti
Camera Operator: "b" Camera
K-PAX (2001)
Directed by: Iain Softley
Cinematography by: John Mathieson
Edited by: Craig McKay
Camera Assistant: Additional Photography, Chicago/Los Angeles
Just Visiting (2001)
Directed by: Jean-Marie Poiré
Cinematography by: Ueli Steiger
Edited by: Michael A. Stevenson
Cameras: Panavision Cameras
Camera Operator: USA
Mission: Impossible II (2000)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Camera Operator: "a" Camera
Stigmata (1999)
Directed by: Rupert Wainwright
Cinematography by: Jeffrey L. Kimball
Additional Camera Operator
End of Days (1999)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Camera Operator: Second Unit
Lethal Weapon 4 (1998)
Directed by: Richard Donner
Cinematography by: Andrzej Bartkowiak
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Camera Operator: "a" Camera
Mercury Rising (1998)
Directed by: Harold Becker
Cinematography by: Michael Seresin
Edited by: Peter Honess
Camera Operator: "a" Camera
Con Air (1997)
Directed by: Simon West
Cinematography by: David Tattersall
Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Lightworks Editing System
Camera Operator: Second Unit
Broken Arrow (1996)
Directed by: John Woo
Cinematography by: Peter Levy
Cameras: Panavision Cameras
Camera Operator: "a" Camera
Eraser (1996)
Directed by: Chuck Russell
Cinematography by: Adam Greenberg
Edited by: Michael Tronick
Camera Operator
Home for the Holidays (1995)
Directed by: Jodie Foster
Cinematography by: Lajos Koltai
Edited by: Lynzee Klingman
Camera Operator
Crimson Tide (1995)
Directed by: Tony Scott
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Gold II Camera
Camera Operator
Disclosure (1994)
Directed by: Barry Levinson
Cinematography by: Tony Pierce-Roberts
Edited by: Stu Linder
Camera Operator: Second Unit
Clear and Present Danger (1994)
Directed by: Phillip Noyce
Cinematography by: Donald McAlpine
Edited by: Neil Travis
Camera Operator
Wrestling Ernest Hemingway (1993)
Directed by: Randa Haines
Cinematography by: Lajos Koltai
Edited by: Paul Hirsch
Camera Operator: Second Unit
Made in America (1993)
Directed by: Richard Benjamin
Cinematography by: Ralf D. Bode
Edited by: Jacqueline Cambas
Camera Operator: Second Unit, Santa Rosa, CA
Stop! Or My Mom Will Shoot (1992)
Directed by: Roger Spottiswoode
Cinematography by: Frank Tidy
Additional Camera Operator
Far and Away (1992)
Directed by: Ron Howard
Cinematography by: Mikael Salomon
Cameras: ARRIFLEX 765 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision 65mm Prime Lenses, Zeiss Lenses
Additional Camera Operator
Point Break (1991)
Directed by: Kathryn Bigelow
Cinematography by: Donald Peterman
Edited by: Howard E. Smith
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Camera Operator: "a" Camera
Terminator 2: Judgment Day (1991)
Directed by: James Cameron
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera
Camera Operator
Action Jackson (1988)
Directed by: Craig R. Baxley
Cinematography by: Matthew F. Leonetti
Edited by: Mark Helfrich
Cameras: Ultracam 35 Camera
Camera Operator
Extreme Prejudice (1987)
Directed by: Walter Hill
Cinematography by: Matthew F. Leonetti
Camera Operator
Cobra (1986)
Directed by: George P. Cosmatos
Cinematography by: Ric Waite
Cameras: Panavision Cameras
Camera Operator
Fast Forward (1985)
Directed by: Sidney Poitier
Cinematography by: Matthew F. Leonetti
Camera Operator
Uncommon Valor (1983)
Directed by: Ted Kotcheff
Cinematography by: Stephen H. Burum
Edited by: Mark Melnick
Camera Operator
The Frisco Kid (1979)
Directed by: Robert Aldrich
Cinematography by: Robert B. Hauser
Cameras: ARRI Cameras
