Sound Engineer: Dolby
Pokémon: Detective Pikachu (2019)
Directed by: Rob Letterman
Cinematography by: John Mathieson
Dolby Engineer
All I See Is You (2016)
Directed by: Marc Forster
Cinematography by: Matthias Koenigswieser
Edited by: Hughes Winborne
Cameras: ARRI ALEXA XT Camera
Dolby Consultant
Southpaw (2015)
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Edited by: John Refoua
Dolby Sound Consultant
Child 44 (2015)
Directed by: Daniel Espinosa
Cinematography by: Oliver Wood
Cameras: ARRICAM Lite (LT) Camera
Lenses: Hawk Anamorphic Lenses
Sound Consultant: Dolby
August: Osage County (2013)
Directed by: John Wells
Cinematography by: Adriano Goldman
Edited by: Stephen Mirrione
Sound Consultant: Dolby
Nebraska (2013)
Directed by: Alexander Payne
Cinematography by: Phedon Papamichael
Edited by: Kevin Tent
Lenses: Panavision Anamorphic Telephoto Lenses, Panavision Anamorphic Zoom Lenses, Panavision C Anamorphic Flare Lenses, Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses
Editing System: Avid Editing System
Sound Consultant: Dolby
12 Years a Slave (2013)
Directed by: Steve McQueen
Cinematography by: Sean Bobbitt
Edited by: Joe Walker
Dolby Sound Consultant
Scary Movie 5 (2013)
Cinematography by: Steven Douglas Smith
Edited by: Sam Seig
Cameras: ARRI ALEXA Camera
Dolby Sound Consultant
The Words (2012)
Cinematography by: Antonio Calvache
Edited by: Leslie Jones
Cameras: Panavision Cameras
Editing System: Avid Editing System
Dolby Sound Consultant
Arbitrage (2012)
Directed by: Nicholas Jarecki
Cinematography by: Yorick Le Saux
Edited by: Douglas Crise
Cameras: ARRICAM Lite (LT) Camera
Consultant: Dolby Sound
The Magic of Belle Isle (2012)
Directed by: Rob Reiner
Cinematography by: Reed Morano
Edited by: Dorian Harris
Cameras: ARRI ALEXA Camera
Dolby Sound Consultant
Stand Up Guys (2012)
Directed by: Fisher Stevens
Cinematography by: Michael Grady
Edited by: Mark Livolsi
Cameras: Red Epic Camera
Dolby Technician
11-11-11 (2011)
Directed by: Darren Lynn Bousman
Cinematography by: Joseph White
Cameras: ARRI ALEXA Camera
Dolby Sound Consultant
A Little Bit of Heaven (2011)
Directed by: Nicole Kassell
Cinematography by: Russell Carpenter
Edited by: Stephen A. Rotter
Sound Consultant: Dolby
Dream House (2011)
Directed by: Jim Sheridan
Cinematography by: Caleb Deschanel
Dolby Consultant
The Lincoln Lawyer (2011)
Directed by: Brad Furman
Cinematography by: Lukas Ettlin
Edited by: Jeff McEvoy
Cameras: Red One MX Camera
Sound Consultant: Dolby
The Tree of Life (2011)
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Dalsa Evolution Camera, IMAX Cameras, Panavision System 65 Camera, Phantom HD Gold Camera, Red One Camera
Editing System: Avid Editing System
Dolby Consultant
All Good Things (2010)
Directed by: Andrew Jarecki
Cinematography by: Michael Seresin
Dolby Sound Consultant
Salt and Silicone (2010)
Directed by: Warren Pereira
Cinematography by: Jeff Streich
Edited by: Shane Sattler
Dolby Sound Consultant
Beginners (2010)
Directed by: Mike Mills
Cinematography by: Kasper Tuxen
Edited by: Olivier Bugge Coutté
Cameras: Red One Camera
Sound Consultant: Dolby
500 Days of Summer (2009)
Directed by: Marc Webb
Cinematography by: Eric Steelberg
Edited by: Alan Edward Bell
Lenses: Panavision Lenses
Digital Sound Consultant
Case 39 (2009)
Directed by: Christian Alvart
Cinematography by: Hagen Bogdanski
Edited by: Mark Goldblatt
Sound Consultant: Dolby
Sunshine Cleaning (2008)
Directed by: Christine Jeffs
Cinematography by: John Toon
Edited by: Heather Persons
Sound Consultant: Dolby
Cloverfield (2008)
Directed by: Matt Reeves
Cinematography by: Michael Bonvillain
Edited by: Kevin Stitt
Cameras: Panasonic AG-HSC1U Camera, Panasonic AG-HVX200 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera
Lenses: Canon Lenses, Zeiss DigiPrime Lenses
Consultant: Dolby Sound
Indiana Jones and the Kingdom of the Crystal Skull (2008)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Sound Consultant: Dolby
Next (2007)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Edited by: Christian Wagner
Sound Consultant: Dolby
In the Name of the Son (2007)
Directed by: Harun Mehmedinovic
Cinematography by: Jason Raswant
Edited by: Tyler Earring
Sound Consultant: Dolby
Bachelor Party Vegas (2006)
Directed by: Eric Bernt
Cinematography by: Robert Primes
Edited by: David Finfer
Sound Consultant: Dolby
Starter for 10 (2006)
Directed by: Tom Vaughan
Cinematography by: Ashley Rowe
Sound Consultant: Dolby
American Gun (2005)
Directed by: Aric Avelino
Cinematography by: Nancy Schreiber
Edited by: Richard Nord
Cameras: Aaton XTR Prod Camera
Lenses: Canon Lenses
Sound Consultant: Dolby
Santa's Slay (2005)
Directed by: David Steiman
Cinematography by: Matthew F. Leonetti
Sound Consultant: Dolby
Mysterious Skin (2004)
Directed by: Gregg Araki
Cinematography by: Steve Gainer
Edited by: Gregg Araki
Stereo Sound Consultant: Dolby
Napoleon Dynamite (2004)
Directed by: Jared Hess
Cinematography by: Munn Powell
Edited by: Jeremy Coon
Cameras: Panavision Cameras
Editing System: Final Cut Pro Editing System
Stereo Sound Consultant: Dolby
Team America: World Police (2004)
Directed by: Trey Parker
Cinematography by: Bill Pope
Edited by: Thomas M. Vogt
Cameras: ARRIFLEX 435 Camera, Pan-Arri 435 Camera
Stereo Sound Consultant: Dolby
The Motorcycle Diaries (2004)
Directed by: Walter Salles
Cinematography by: Eric Gautier
Edited by: Daniel Rezende
Cameras: Aaton 35-III Camera, Aaton XTR Prod Camera
Dolby Consultant
The Punisher (2004)
Directed by: Jonathan Hensleigh
Cinematography by: Conrad W. Hall
Consultant: Dolby Sound
Toolbox Murders (2004)
Directed by: Tobe Hooper
Cinematography by: Steve Yedlin
Edited by: Andrew Cohen
Second Re-recording Engineer
Mulholland Dr. (2001)
Directed by: David Lynch
Cinematography by: Peter Deming
Edited by: Mary Sweeney
Cameras: Panavision Panaflex Platinum Camera
Second Engineer
The Straight Story (1999)
Directed by: David Lynch
Cinematography by: Freddie Francis
Edited by: Mary Sweeney
Cameras: Panavision Panaflex Gold II Camera
Assistant Re-recording Mixer
Freeway (1996)
Directed by: Matthew Bright
Cinematography by: John Thomas
Edited by: Maysie Hoy