Nick Haines-Stiles

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John Wick: Chapter 3 - Parabellum | ShotOnWhat?

Best Boy Grip

John Wick: Chapter 3 - Parabellum (2019)

Directed by: Chad Stahelski

Cinematography by: Dan Laustsen

Edited by: Evan Schiff

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, Zeiss Master Prime Lenses

Ocean's Eight | ShotOnWhat?

Best Boy Grip

Ocean's Eight (2018)

Directed by: Gary Ross

Cinematography by: Eigil Bryld

Edited by: Juliette Welfling

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera

Lenses: Angenieux Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens

John Wick: Chapter 2 | ShotOnWhat?

Best Boy Grip

John Wick: Chapter 2 (2017)

Directed by: Chad Stahelski

Cinematography by: Dan Laustsen

Edited by: Evan Schiff

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Anamorphic Lenses, ARRI / Zeiss Master Anamorphic Lenses

Collateral Beauty | ShotOnWhat?

Best Boy: Grip

Collateral Beauty (2016)

Directed by: David Frankel

Cinematography by: Maryse Alberti

Edited by: Andrew Marcus

Cameras: ARRI ALEXA XT Plus Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses

Allegiant | ShotOnWhat?

Best Boy: Grip

Allegiant (2016)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Stuart Levy

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

Jack Ryan: Shadow Recruit | ShotOnWhat?

Best Boy Grip: New York

Jack Ryan: Shadow Recruit (2014)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Martin Walsh

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Angenieux HR Zoom Lenses, Panavision C Series Anamorphic Lenses

Editing System: Avid Editing System

Noah | ShotOnWhat?

Grip

Noah (2014)

Directed by: Darren Aronofsky

Cinematography by: Matthew Libatique

Edited by: Andrew Weisblum

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk 150-450 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

The Amazing Spider-Man 2 | ShotOnWhat?

Best Boy Grip: Second Unit

The Amazing Spider-Man 2 (2014)

Directed by: Marc Webb

Cinematography by: Dan Mindel

Edited by: Pietro Scalia

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Captain Phillips | ShotOnWhat?

Best Boy Grip: Virginia

Captain Phillips (2013)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leitz Summilux-C Series Lenses, Zeiss Super Speed Lenses

After Earth | ShotOnWhat?

Best Boy Grip

After Earth (2013)

Directed by: M. Night Shyamalan

Cinematography by: Peter Suschitzky

Edited by: Steven Rosenblum

Cameras: Canon EOS-C500 Camera, Sony CineAlta F65 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

Men in Black 3 | ShotOnWhat?

Grip

Men in Black 3 (2012)

Directed by: Barry Sonnenfeld

Cinematography by: Bill Pope

Edited by: Don Zimmerman

Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Hope Springs | ShotOnWhat?

Company Grip

Hope Springs (2012)

Directed by: David Frankel

Cinematography by: Florian Ballhaus

Edited by: Steven Weisberg

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses

Mr. Popper's Penguins | ShotOnWhat?

Grip

Mr. Popper's Penguins (2011)

Directed by: Mark Waters

Cinematography by: Florian Ballhaus

Edited by: Bruce Green

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Son of No One | ShotOnWhat?

Grip

The Son of No One (2011)

Directed by: Dito Montiel

Cinematography by: Benoît Delhomme

Edited by: Jake Pushinsky

Win Win | ShotOnWhat?

Grip

Win Win (2011)

Directed by: Tom McCarthy

Cinematography by: Oliver Bokelberg

Edited by: Tom McArdle

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Lenses, Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Date Night | ShotOnWhat?

Grip

Date Night (2010)

Directed by: Shawn Levy

Cinematography by: Dean Semler

Edited by: Dean Zimmerman

Cameras: Panavision Genesis Camera

Sex and the City 2 | ShotOnWhat?

Grip

Sex and the City 2 (2010)

Directed by: Michael Patrick King

Cinematography by: John Thomas

Edited by: Michael Berenbaum

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Duplicity | ShotOnWhat?

Grip

Duplicity (2009)

Directed by: Tony Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Messenger | ShotOnWhat?

Grip

The Messenger (2009)

Directed by: Oren Moverman

Cinematography by: Bobby Bukowski

Edited by: Alex Hall

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Style Lenses, Cooke S4 Lenses

Did You Hear About the Morgans? | ShotOnWhat?

Grip

Did You Hear About the Morgans? (2009)

Directed by: Marc Lawrence

Cinematography by: Florian Ballhaus

Edited by: Susan E. Morse

Cameras: ARRICAM Studio (ST) Camera

Lenses: Hawk V-Series Lenses

Sex and the City | ShotOnWhat?

Grip

Sex and the City (2008)

Directed by: Michael Patrick King

Cinematography by: John Thomas

Edited by: Michael Berenbaum

Revolutionary Road | ShotOnWhat?

Grip

Revolutionary Road (2008)

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Tariq Anwar

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Lightworks Editing System

Baby Mama | ShotOnWhat?

Grip

Baby Mama (2008)

Directed by: Michael McCullers

Cinematography by: Daryn Okada

Edited by: Bruce Green, Debra Neil-Fisher

Cameras: Panavision Cameras

We Own the Night | ShotOnWhat?

Grip

We Own the Night (2007)

Directed by: James Gray

Cinematography by: Joaquín Baca-Asay

Edited by: John Axelrad

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Lenses

Adrift in Manhattan | ShotOnWhat?

Grip

Adrift in Manhattan (2007)

Directed by: Alfredo Rodriguez de Villa

Cinematography by: John Foster

Edited by: John Coniglio

A Guide to Recognizing Your Saints | ShotOnWhat?

Additional Grip

A Guide to Recognizing Your Saints (2006)

Directed by: Dito Montiel

Cinematography by: Eric Gautier

Edited by: Jake Pushinsky, Christopher Tellefsen

Cameras: Aaton 35-III Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

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