Foley Mixer
The Power of the Dog (2021)
Directed by: Jane Campion
Cinematography by: Ari Wegner
Edited by: Peter Sciberras
Foley Editor / Sound Effects Editor
Hacksaw Ridge (2016)
Directed by: Mel Gibson
Cinematography by: Simon Duggan
Edited by: John Gilbert
Sound Effects Editor
Predestination (2014)
Cinematography by: Ben Nott
Edited by: Matt Villa
Cameras: ARRI ALEXA Camera
Re-recording Mixer / Sound Designer
Xi you ji: Da nao tian gong (2014)
Directed by: Soi Cheang
Edited by: Ka-Fai Cheung
Cameras: Red One MX Camera
Sound Editor
The Grandmaster (2013)
Directed by: Kar-Wai Wong
Cinematography by: Philippe Le Sourd
Sound Effects Editor
Sanctum (2011)
Directed by: Alister Grierson
Cinematography by: Jules O'Loughlin
Edited by: Mark Warner
Re-recording Mixer / Sound Post Production Supervisor
Xin Shao Lin si (2011)
Directed by: Benny Chan
Cinematography by: Anthony Pun
Edited by: Chi Wai Yau
Re-recording Mixer / Supervising Sound Editor
Jin ling shi san chai (2011)
Directed by: Yimou Zhang
Cinematography by: Xiaoding Zhao
Edited by: Peicong Meng
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens
Editing System: Avid Editing System
Sound Effects Editor / Sound Mixer
Su Qi-er (2010)
Directed by: Woo-Ping Yuen
Cinematography by: Xiaoding Zhao
Edited by: Wenders Li
Re-recording Mixer
Ip Man 2 (2010)
Directed by: Wilson Yip
Cinematography by: Hang-Sang Poon
Edited by: Ka-Fai Cheung
Foley Editor
Don't Be Afraid of the Dark (2010)
Directed by: Troy Nixey
Cinematography by: Oliver Stapleton
Edited by: Jill Bilcock
Re-recording Mixer / Supervising Sound Editor
Chi bi: Jue zhan tian xia (2009)
Directed by: John Woo
Sound Designer
Bran Nue Dae (2009)
Directed by: Rachel Perkins
Cinematography by: Andrew Lesnie
Edited by: Rochelle Oshlack
Re-recording Mixer
A Woman, a Gun and a Noodle Shop (2009)
Directed by: Yimou Zhang
Cinematography by: Xiaoding Zhao
Edited by: Peicong Meng
Re-recording Mixer / Sound Effects Editor
Three Kingdoms (2008)
Directed by: Daniel Lee
Cinematography by: Tony Cheung
Re-recording Mixer / Supervising Sound Editor
Cheung gong 7 hou (2008)
Directed by: Stephen Chow
Cinematography by: Hang-Sang Poon
Edited by: Angie Lam
Sound Effects Editor
The Bank Job (2008)
Directed by: Roger Donaldson
Cinematography by: Michael Coulter
Edited by: John Gilbert
Sound Effects Editor
The Black Balloon (2008)
Directed by: Elissa Down
Cinematography by: Denson Baker
Edited by: Veronika Jenet
Foley Editor / Foley Recordist
No Reservations (2007)
Directed by: Scott Hicks
Cinematography by: Stuart Dryburgh
Edited by: Pip Karmel
Sound Effects Editor
Man cheng jin dai huang jin jia (2006)
Directed by: Yimou Zhang
Cinematography by: Xiaoding Zhao
Edited by: Long Cheng
Sound Designer / Sound Mixer
Gui si (2006)
Directed by: Chao-Bin Su
Cinematography by: Arthur Wong
Edited by: Ka-Fai Cheung
Re-recording Mixer
Battle of the Warriors (2006)
Directed by: Chi Leung 'Jacob' Cheung
Cinematography by: Yoshitaka Sakamoto
Edited by: Chi-Leung Kwong
Re-recording Mixer / Supervising Sound Editor
Qi jian (2005)
Directed by: Hark Tsui
Cinematography by: Kwok-Man Keung
Edited by: Angie Lam
Re-recording Mixer / Sound Designer / Supervising Sound Editor
Kung Fu Hustle (2004)
Directed by: Stephen Chow
Cinematography by: Hang-Sang Poon
Edited by: Angie Lam
Sound Effects Editor
House of Flying Daggers (2004)
Directed by: Yimou Zhang
Cinematography by: Xiaoding Zhao
Edited by: Long Cheng
Lenses: Cooke Lenses, Zeiss Lenses
Sound Editor
'Salem's Lot' Episode #1.2 (2004)
Directed by: Mikael Salomon
Cinematography by: Ben Nott
Edited by: Robert A. Ferretti
Sound Editor
'Salem's Lot' Episode #1.1 (2004)
Directed by: Mikael Salomon
Cinematography by: Ben Nott
Edited by: Robert A. Ferretti
Sound Editor - 2 Episodes, 2004
Salem's Lot (2004)
Directed by: Mikael Salomon
Cinematography by: Ben Nott
Edited by: Robert A. Ferretti
Lenses: Cooke S4 Lenses
Re-recording Mixer / Sound Editor
Tian di ying xiong (2003)
Directed by: Ping He
Cinematography by: Fei Zhao
Edited by: Jinlei Kong
Sound Editor
Ying xiong (2002)
Directed by: Yimou Zhang
Cinematography by: Christopher Doyle
Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera
Lenses: Angenieux Lenses, Cooke Lenses
Adr Engineer
The Bank (2001)
Directed by: Robert Connolly
Cinematography by: Tristan Milani
Edited by: Nick Meyers
Foley Mixer: Australia
Moulin Rouge! (2001)
Directed by: Baz Luhrmann
Cinematography by: Donald McAlpine
Edited by: Jill Bilcock
Editing System: Lightworks Editing System
Foley Editor / Foley Recordist
Hearts in Atlantis (2001)
Directed by: Scott Hicks
Cinematography by: Piotr Sobocinski
Edited by: Pip Karmel
Foley Recordist / Re-recording Mixer
Chopper (2000)
Directed by: Andrew Dominik
Edited by: Ken Sallows
Re-recording Mixer / Sound Editor
China Strike Force (2000)
Directed by: Stanley Tong
Cinematography by: Jeffrey C. Mygatt
Foley Artist
Strange Planet (1999)
Directed by: Emma-Kate Croghan
Cinematography by: Justin Brickle
Edited by: Ken Sallows
Foley Mixer / Foley Recordist
Snow Falling on Cedars (1999)
Directed by: Scott Hicks
Cinematography by: Robert Richardson
Edited by: Hank Corwin
Cameras: Panavision Panaflex Platinum Camera
Foley Engineer
Claudine's Return (1998)
Directed by: Antonio Tibaldi
Cinematography by: Luca Bigazzi
Edited by: Janice Keuhnelian
Supervising Foley Editor
Babe: Pig in the City (1998)
Directed by: George Miller
Cinematography by: Andrew Lesnie
Foley Recordist
Dark City (1998)
Directed by: Alex Proyas
Cinematography by: Dariusz Wolski
Edited by: Dov Hoenig
Cameras: Panavision Panaflex Gold II Camera
Re-recording Mixer / Sound Effects Editor
Hao qing gai tian (1997)
Directed by: Chuen-Yee Cha
Cinematography by: Peter Ngor
Foley Artist
Police Story 4: First Strike (1996)
Directed by: Stanley Tong
Cinematography by: Jingle Ma
Foley Mixer / Foley Recordist
Fei hu (1996)
Directed by: Gordon Chan
Cinematography by: Wing-Hang Wong
Edited by: Ki-Hop Chan
Re-recording Mixer / Sound Editor
Xin Shang Hai tan (1996)
Directed by: Man Kit Poon
Cinematography by: Hang-Sang Poon
Edited by: Marco Mak
Foley Artist
Shine (1996)
Directed by: Scott Hicks
Cinematography by: Geoffrey Simpson
Edited by: Pip Karmel
Cameras: ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera
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Romeo + Juliet (1996)
Directed by: Baz Luhrmann
Cinematography by: Donald McAlpine
Edited by: Jill Bilcock
Cameras: Panavision Panaflex Gold Camera
Editing System: Lightworks Editing System
Foley Artist
Babe (1995)
Directed by: Chris Noonan
Cinematography by: Andrew Lesnie
Cameras: Panavision Cameras
Foley Editor
The Adventures of Priscilla, Queen of the Desert (1994)
Directed by: Stephan Elliott
Cinematography by: Brian J. Breheny
Edited by: Sue Blainey
Foley Mixer
I.Q. (1994)
Directed by: Fred Schepisi
Cinematography by: Ian Baker
Edited by: Jill Bilcock
Foley Artist
Six Degrees of Separation (1993)
Directed by: Fred Schepisi
Cinematography by: Ian Baker
Edited by: Peter Honess
Foley Artist
The Piano (1993)
Directed by: Jane Campion
Cinematography by: Stuart Dryburgh
Edited by: Veronika Jenet
Foley Artist / Sound Mixer
Body Melt (1993)
Directed by: Philip Brophy
Cinematography by: Ray Argall
Edited by: Bill Murphy
Cameras: ARRIFLEX 16SR2 Camera
Editing System: Steenbeck Editing System
Foley Editor
Map of the Human Heart (1992)
Directed by: Vincent Ward
Cinematography by: Eduardo Serra
Foley Artist
Till There Was You (1991)
Directed by: John Seale
Cinematography by: Geoffrey Simpson
Edited by: Jill Bilcock
Foley: Australia
Green Card (1990)
Directed by: Peter Weir
Cinematography by: Geoffrey Simpson
Edited by: William M. Anderson
Foley Editor
Dead Calm (1989)
Directed by: Phillip Noyce
Cinematography by: Dean Semler
Edited by: Richard Francis-Bruce
Sound Effects Editor
Young Einstein (1988)
Directed by: Yahoo Serious
Cinematography by: Jeff Darling
Cameras: Panavision Cameras
Post Sync Effects Recordist: Australia
Crocodile Dundee (1986)
Directed by: Peter Faiman
Cinematography by: Russell Boyd
Edited by: David Stiven
Additional Mixer
The Quest (1985)
Directed by: Brian Trenchard-Smith
Cinematography by: John R. McLean
Edited by: Brian Kavanagh
