Jack Cornelius

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Black Panther | ShotOnWhat?

Gang Boss

Black Panther (2018)

Directed by: Ryan Coogler

Cinematography by: Rachel Morrison

Edited by: Debbie Berman, Michael P. Shawver

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera

Lenses: Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens

Guardians of the Galaxy Vol. 2 | ShotOnWhat?

Set Dec Gang Boss

Guardians of the Galaxy Vol. 2 (2017)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Fred Raskin, Craig Wood

Cameras: Red Weapon Dragon Camera

Lenses: Panavision Primo 70 Lenses

Captain America: Civil War | ShotOnWhat?

Set Dec Gang Boss

Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

Terminator Genisys | ShotOnWhat?

Set Dec Gang Boss

Terminator Genisys (2015)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Roger Barton

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Anamorphic Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Captain America: The Winter Soldier | ShotOnWhat?

Set Dresser

Captain America: The Winter Soldier (2014)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

The Hunger Games: Catching Fire | ShotOnWhat?

Greensman Gang Boss

The Hunger Games: Catching Fire (2013)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell

Cameras: ARRIFLEX 435 Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Star Trek Into Darkness | ShotOnWhat?

Set Dresser

Star Trek Into Darkness (2013)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Her | ShotOnWhat?

Specialty Props

Her (2013)

Directed by: Spike Jonze

Cinematography by: Hoyte Van Hoytema

Edited by: Jeff Buchanan, Eric Zumbrunnen

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, Canon EOS-C300 Camera

Lenses: Canon Lenses, Cooke Lenses, Zeiss Lenses

This Is 40 | ShotOnWhat?

Set Dresser

This Is 40 (2012)

Directed by: Judd Apatow

Cinematography by: Phedon Papamichael

Edited by: David L. Bertman, Jay Deuby, Brent White

Cameras: ARRI ALEXA Camera

The Dark Knight Rises | ShotOnWhat?

Set Dresser

The Dark Knight Rises (2012)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera

Lenses: Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

The Amazing Spider-Man | ShotOnWhat?

Set Dresser

The Amazing Spider-Man (2012)

Directed by: Marc Webb

Cinematography by: John Schwartzman

Edited by: Alan Edward Bell, Michael McCusker, Pietro Scalia

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Just Go with It | ShotOnWhat?

Greens Foreman

Just Go with It (2011)

Directed by: Dennis Dugan

Cinematography by: Theo van de Sande

Edited by: Tom Costain

Cameras: ARRIFLEX 435 ES Camera, Sony CineAlta F35 Camera

Lenses: Panavision Primo Anamorphic Lenses

Friends with Benefits | ShotOnWhat?

Set Dresser

Friends with Benefits (2011)

Directed by: Will Gluck

Cinematography by: Michael Grady

Edited by: Tia Nolan

Cameras: Sony CineAlta F35 Camera, Sony Other Camera

Lenses: Panavision Primo Anamorphic Lenses

Prop Maker: Weta Workshop

Avatar (2009)

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

My Blueberry Nights | ShotOnWhat?

Set Dresser: Nevada

My Blueberry Nights (2007)

Directed by: Kar-Wai Wong

Cinematography by: Darius Khondji, Pung-Leung Kwan

Edited by: William Chang

Beowulf | ShotOnWhat?

Props

Beowulf (2007)

Directed by: Robert Zemeckis

Cinematography by: Robert Presley

Edited by: Jeremiah O'Driscoll

Monster House | ShotOnWhat?

Set Dresser

Monster House (2006)

Directed by: Gil Kenan

Cinematography by: Xavier Grobet

Edited by: Fabienne Rawley, Adam P. Scott

Gridiron Gang | ShotOnWhat?

Set Dresser

Gridiron Gang (2006)

Directed by: Phil Joanou

Cinematography by: Jeff Cutter

Edited by: Joel Negron

School for Scoundrels | ShotOnWhat?

Set Dresser

School for Scoundrels (2006)

Directed by: Todd Phillips

Cinematography by: Jonathan Brown

Edited by: Leslie Jones, Dan Schalk

Jarhead | ShotOnWhat?

Set Dresser

Jarhead (2005)

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Walter Murch

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 35 IIIC Camera

Lenses: Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

Be Cool | ShotOnWhat?

Set Dresser

Be Cool (2005)

Directed by: F. Gary Gray

Cinematography by: Jeffrey L. Kimball

Edited by: Sheldon Kahn

Starsky & Hutch | ShotOnWhat?

Set Dresser

Starsky & Hutch (2004)

Directed by: Todd Phillips

Cinematography by: Barry Peterson

Edited by: Leslie Jones

Hidalgo | ShotOnWhat?

Drapery

Hidalgo (2004)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

The Italian Job | ShotOnWhat?

Set Dresser

The Italian Job (2003)

Directed by: F. Gary Gray

Cinematography by: Wally Pfister

Edited by: Richard Francis-Bruce, Christopher Rouse

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo AL35 35 mm T2.0 Lens, Panavision Primo Anamorphic Lenses, Panavision Ultra Speed MKII 35 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

Holes | ShotOnWhat?

Swing Gang

Holes (2003)

Directed by: Andrew Davis

Cinematography by: Stephen St. John

Edited by: Thomas J. Nordberg, Jeffrey Wolf

Laurel Canyon | ShotOnWhat?

Swing Gang

Laurel Canyon (2002)

Directed by: Lisa Cholodenko

Cinematography by: Wally Pfister

Edited by: Amy E. Duddleston

The Scorpion King | ShotOnWhat?

Set Dresser

The Scorpion King (2002)

Directed by: Chuck Russell

Cinematography by: John R. Leonetti

Edited by: Greg Parsons, Michael Tronick

Bandits | ShotOnWhat?

Greens

Bandits (2001)

Directed by: Barry Levinson

Cinematography by: Dante Spinotti

Edited by: Stu Linder

Men of Honor | ShotOnWhat?

Set Dresser

Men of Honor (2000)

Directed by: George Tillman Jr.

Cinematography by: Anthony B. Richmond

Edited by: John Carter, Dirk Westervelt

Cameras: ARRIFLEX 35 III Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Cooke S4 Lenses

South of Heaven, West of Hell | ShotOnWhat?

Greens

South of Heaven, West of Hell (2000)

Directed by: Dwight Yoakam

Cinematography by: James Glennon

Edited by: Robert A. Ferretti, Mike Murphy

Thirteen Days | ShotOnWhat?

Swing

Thirteen Days (2000)

Directed by: Roger Donaldson

Cinematography by: Andrzej Bartkowiak

Edited by: Conrad Buff IV

Three Kings | ShotOnWhat?

Swing Gang

Three Kings (1999)

Directed by: David O. Russell

Cinematography by: Newton Thomas Sigel

Edited by: Robert K. Lambert

Cameras: Panavision Cameras

Practical Magic | ShotOnWhat?

Greens

Practical Magic (1998)

Directed by: Griffin Dunne

Cinematography by: Andrew Dunn

Edited by: Elizabeth Kling

Vanishing Point | ShotOnWhat?

Set Dresser

Vanishing Point (1997)

Television Movie

Directed by: Charles Robert Carner

Cinematography by: Daryn Okada

Edited by: Marc Leif

Buffalo Soldiers | ShotOnWhat?

Greens

Buffalo Soldiers (1997)

Television Movie

Directed by: Charles Haid

Cinematography by: William Wages

Edited by: Andrew Doerfer

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