Troy David

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John Wick: Chapter 2 | ShotOnWhat?

Textile Artist

John Wick: Chapter 2 (2017)

Directed by: Chad Stahelski

Cinematography by: Dan Laustsen

Edited by: Evan Schiff

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Anamorphic Lenses, ARRI / Zeiss Master Anamorphic Lenses

The Greatest Showman | ShotOnWhat?

Textile Artist

The Greatest Showman (2017)

Directed by: Michael Gracey

Cinematography by: Seamus McGarvey

Edited by: Tom Cross, Robert Duffy, Joe Hutshing, Michael McCusker, Jon Poll, Spencer Susser

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses, Panavision Super Speed Lenses

Triple 9 | ShotOnWhat?

Head Textile Artist

Triple 9 (2016)

Directed by: John Hillcoat

Cinematography by: Nicolas Karakatsanis

Edited by: Dylan Tichenor

Cameras: ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera, ARRI ALEXA XT Studio Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Run All Night | ShotOnWhat?

Costume Ager/dyer

Run All Night (2015)

Directed by: Jaume Collet-Serra

Cinematography by: Martin Ruhe

Edited by: Dirk Westervelt

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses

"The Following" The Messenger | ShotOnWhat?

Costume Dyer

'The Following' The Messenger (2014)

Television Episode

Directed by: Marcos Siega

Cinematography by: David S. Tuttman

Edited by: Viet Nguyen

"The Following" Sacrifice | ShotOnWhat?

Costume Dyer

'The Following' Sacrifice (2014)

Television Episode

Directed by: Adam Davidson

Cinematography by: David S. Tuttman

Edited by: Charissa Sanjarernsuithikul

Annie | ShotOnWhat?

Costume Ager/dyer

Annie (2014)

Directed by: Will Gluck

Cinematography by: Michael Grady

Edited by: Tia Nolan

Cameras: Sony PMW-F55 Camera

22 Jump Street | ShotOnWhat?

Puppeteer: Football / Puppeter

22 Jump Street (2014)

Directed by: Phil Lord, Christopher Miller

Cinematography by: Barry Peterson

Edited by: Keith Brachmann, David Rennie

Cameras: ARRI ALEXA XT Camera

Winter's Tale | ShotOnWhat?

Costume Ager/dyer

Winter's Tale (2014)

Directed by: Akiva Goldsman

Cinematography by: Caleb Deschanel

Edited by: Tim Squyres, Wayne Wahrman

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Amazing Spider-Man 2 | ShotOnWhat?

Costume Ager/dyer

The Amazing Spider-Man 2 (2014)

Directed by: Marc Webb

Cinematography by: Dan Mindel

Edited by: Pietro Scalia

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Oz the Great and Powerful | ShotOnWhat?

Head Dyer

Oz the Great and Powerful (2013)

Directed by: Sam Raimi

Cinematography by: Peter Deming

Edited by: Bob Murawski

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Blood Ties | ShotOnWhat?

Costume Ager/dyer

Blood Ties (2013)

Directed by: Guillaume Canet

Cinematography by: Christophe Offenstein

Edited by: Hervé de Luze

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses

The Following | ShotOnWhat?

Costume Dyer - 2 Episodes, 2014

The Following (2013)

Television Series

Directed by: Marcos Siega, Nicole Kassell, Joshua Butler, Liz Friedlander, Rob Seidenglanz, Adam Davidson, Phil Abraham, Henry Bronchtein, Nick Gomez, David Von Ancken, Steve Shill, Mary Harron, Gary Love, David McWhirter, David S. Tuttman, Sylvain White

Cinematography by: David S. Tuttman, William Klayer, Ramsey Nickell

Edited by: Charissa Sanjarernsuithikul, Dexter N. Adriano, Rob Seidenglanz, Matthew Colonna, Todd Desrosiers, Devon Greene, Rosanne Tan, Peter B. Ellis, Mark Manos, Viet Nguyen, Joshua Butler, Tim Tommasino

Cameras: ARRI ALEXA Camera, ARRI ALEXA M Camera, Cineflex Elite

Lenses: Canon CN-E 30-300 mm T2.95 Lens

After Earth | ShotOnWhat?

Costume Ager/dyer

After Earth (2013)

Directed by: M. Night Shyamalan

Cinematography by: Peter Suschitzky

Edited by: Steven Rosenblum

Cameras: Canon EOS-C500 Camera, Sony CineAlta F65 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

Men in Black 3 | ShotOnWhat?

Assistant Textile Artist

Men in Black 3 (2012)

Directed by: Barry Sonnenfeld

Cinematography by: Bill Pope

Edited by: Don Zimmerman

Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

21 Jump Street | ShotOnWhat?

Head Costume Ager/dyer

21 Jump Street (2012)

Directed by: Phil Lord, Christopher Miller

Cinematography by: Barry Peterson

Edited by: Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera

Our Idiot Brother | ShotOnWhat?

Costume Ager/dyer

Our Idiot Brother (2011)

Directed by: Jesse Peretz

Cinematography by: Yaron Orbach

Edited by: Jacob Craycroft, Andrew Mondshein

Limitless | ShotOnWhat?

Ager/dyer

Limitless (2011)

Directed by: Neil Burger

Cinematography by: Jo Willems

Edited by: Tracy Adams, Naomi Geraghty

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red One Camera

Lenses: Cooke S4 Lenses

Editing System: Avid Editing System, Final Cut Pro Editing System

Tower Heist | ShotOnWhat?

Costume Ager/dyer

Tower Heist (2011)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich

Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Hawk V-Lite Lenses, Panavision G Series Anamorphic Lenses

I Am Number Four | ShotOnWhat?

Head Ager And Dyer

I Am Number Four (2011)

Directed by: D.J. Caruso

Cinematography by: Guillermo Navarro

Edited by: Vince Filippone, Jim Page

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Salt | ShotOnWhat?

Costume Ager/dyer

Salt (2010)

Directed by: Phillip Noyce

Cinematography by: Robert Elswit

Edited by: Stuart Baird, John Gilroy

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision 70-210 mm T2.8 (Custom by Dan Sasaki) Lens, Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII 24 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses

Step Up 3D | ShotOnWhat?

Costume Ager/dyer

Step Up 3D (2010)

Directed by: Jon M. Chu

Cinematography by: Ken Seng

Edited by: Andrew Marcus

Cameras: Sony CineAlta F23 Camera

The Next Three Days | ShotOnWhat?

Head Costume Ager/dyer

The Next Three Days (2010)

Directed by: Paul Haggis

Cinematography by: Stéphane Fontaine

Edited by: Jo Francis

Cameras: Aaton Penelope Camera, ARRICAM Lite (LT) Camera

Law Abiding Citizen | ShotOnWhat?

Costume Ager/dyer

Law Abiding Citizen (2009)

Directed by: F. Gary Gray

Cinematography by: Jonathan Sela

Edited by: Tariq Anwar

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Cooke S4 Lenses

Taking Woodstock | ShotOnWhat?

Costume Ager/dyer

Taking Woodstock (2009)

Directed by: Ang Lee

Cinematography by: Eric Gautier

Edited by: Tim Squyres

Cameras: Aaton 35-III Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Camera, Bolex Cameras, Eclair Cameras

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Did You Hear About the Morgans? | ShotOnWhat?

Costume Ager/dyer

Did You Hear About the Morgans? (2009)

Directed by: Marc Lawrence

Cinematography by: Florian Ballhaus

Edited by: Susan E. Morse

Cameras: ARRICAM Studio (ST) Camera

Lenses: Hawk V-Series Lenses

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