Art Director
The Amazing Spider-Man (2012)
Directed by: Marc Webb
Cinematography by: John Schwartzman
Cameras: Red Epic Camera
Art Director, Set Designer
Django Unchained (2012)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Set Designer
Cowboys & Aliens (2011)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Art Director
Edge of Darkness (2010)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: Panavision Panaflex Platinum Camera
Art Director
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Art Director
'24' Day 7: 11:00 a.m.-12:00 p.m. (2009)
Directed by: Brad Turner
Cinematography by: Rodney Charters
Edited by: David Latham
Art Director
The Soloist (2009)
Directed by: Joe Wright
Cinematography by: Seamus McGarvey
Edited by: Paul Tothill
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Lightworks Editing System
Art Director
'24' Day 7: 3:00 p.m.-4:00 p.m. (2009)
Directed by: Milan Cheylov
Cinematography by: Rodney Charters
Edited by: Leon Ortiz-Gil
Art Director
'24' Day 7: 1:00 p.m.-2:00 p.m. (2009)
Directed by: Jon Cassar
Cinematography by: Rodney Charters
Edited by: Scott Powell
Art Director
'24' Day 7: 2:00 p.m.-3:00 p.m. (2009)
Directed by: Milan Cheylov
Cinematography by: Rodney Charters
Edited by: David Latham
Art Director
'24' Day 7: 12:00 p.m.-1:00 p.m. (2009)
Directed by: Jon Cassar
Cinematography by: Rodney Charters
Edited by: Leon Ortiz-Gil
Art Director
'24' Day 7: 10:00 a.m.-11:00 a.m. (2009)
Directed by: Brad Turner
Cinematography by: Rodney Charters
Edited by: Scott Powell
Art Director
'24' Day 7: 9:00 a.m.-10:00 a.m. (2009)
Directed by: Jon Cassar
Cinematography by: Rodney Charters
Edited by: Leon Ortiz-Gil
Art Director
'24' Day 7: 8:00 a.m.-9:00 a.m. (2009)
Directed by: Jon Cassar
Cinematography by: Rodney Charters
Edited by: David Latham
Art Director
Iron Man (2008)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Edited by: Dan Lebental
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Set Designer
'24' Day 6: 6:00 a.m.-7:00 a.m. (2007)
Directed by: Jon Cassar
Cinematography by: Rodney Charters
Edited by: David Latham
Set Designer
'24' Day 6: 7:00 a.m.-8:00 a.m. (2007)
Directed by: Jon Cassar
Cinematography by: Rodney Charters
Edited by: Scott Powell
Art Director
Spider-Man 3 (2007)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Set Designer
Balls of Fury (2007)
Directed by: Robert Ben Garant
Cinematography by: Thomas E. Ackerman
Edited by: John Refoua
Cameras: Panavision Genesis Camera
Editing System: Final Cut Pro Editing System
Assistant Art Director
The Good German (2006)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Assistant Art Director
Constantine (2005)
Directed by: Francis Lawrence
Cinematography by: Philippe Rousselot
Edited by: Wayne Wahrman
Set Designer
Bewitched (2005)
Directed by: Nora Ephron
Cinematography by: John Lindley
Edited by: Tia Nolan
Assistant Art Director
Ocean's Twelve (2004)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Assistant Art Director
Charlie's Angels: Full Throttle (2003)
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Wayne Wahrman
Assistant Art Director
Seabiscuit (2003)
Directed by: Gary Ross
Cinematography by: John Schwartzman
Edited by: William Goldenberg
Editing System: Avid Editing System
Set Designer
The Sum of All Fears (2002)
Directed by: Phil Alden Robinson
Cinematography by: John Lindley
Set Designer
Catch Me If You Can (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Set Designer
The Master of Disguise (2002)
Directed by: Perry Andelin Blake
Cinematography by: Peter Lyons Collister
Cameras: Panavision Cameras
Set Designer
Solaris (2002)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Assistant Art Director
A.I. Artificial Intelligence (2001)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Cameras
Lenses: ARRI / Zeiss Lenses
Art Director - 8 Episodes, 2009, Set Designer - 2 Episodes, 2007
24 (2001)
Directed by: Jon Cassar, Brad Turner, Milan Cheylov, Bryan Spicer, Stephen Hopkins, Ian Toynton, Frederick King Keller, James Whitmore Jr., Tim Iacofano, Kevin Hooks, Michael Klick, Rodney Charters, Joseph A. Hodges, Winrich Kolbe, Davis Guggenheim, Paul Shapiro, Ken Girotti, Dwight H. Little, Nelson McCormick
Edited by: David Latham, Scott Powell, Chris G. Willingham, Leon Ortiz-Gil, Casey O. Rohrs, Larry Davenport, Elisa Cohen, David B. Thompson
Set Designer
How the Grinch Stole Christmas (2000)
Directed by: Ron Howard
Cinematography by: Donald Peterman
Set Designer
Mission to Mars (2000)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Draughtsperson
Sleepy Hollow (1999)
Directed by: Tim Burton
Cinematography by: Emmanuel Lubezki
Cameras: Panavision Panaflex Platinum Camera
Set Designer
American Beauty (1999)
Directed by: Sam Mendes
Cinematography by: Conrad L. Hall
Cameras: Panavision Panaflex Platinum Camera
Set Designer
Face/Off (1997)
Directed by: John Woo
Cinematography by: Oliver Wood
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Set Designer
Amistad (1997)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Panaflex Platinum Camera
Lenses: Zeiss Super Speed Lenses
Set Designer
That Thing You Do! (1996)
Directed by: Tom Hanks
Cinematography by: Tak Fujimoto
Edited by: Richard Chew
Assistant Art Director
Primal Fear (1996)
Directed by: Gregory Hoblit
Cinematography by: Michael Chapman
Edited by: David Rosenbloom
Cameras: Panavision Panaflex Gold II Camera
Set Designer: Minnesota
Jingle All the Way (1996)
Directed by: Brian Levant
Cinematography by: Victor J. Kemper
Set Designer
While You Were Sleeping (1995)
Directed by: Jon Turteltaub
Cinematography by: Phedon Papamichael
Edited by: Bruce Green
Set Designer
Ri¢hie Ri¢h (1994)
Directed by: Donald Petrie
Cinematography by: Don Burgess
Edited by: Malcolm Campbell
Assistant Art Director
Sleepless in Seattle (1993)
Directed by: Nora Ephron
Cinematography by: Sven Nykvist
Edited by: Robert M. Reitano
