Chris Gallaher

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Black Panther: Wakanda Forever | ShotOnWhat?

Makeup Supervisor: Boston

Black Panther: Wakanda Forever (2022)

Directed by: Ryan Coogler

Cinematography by: Autumn Durald Arkapaw

Edited by: Kelley Dixon, Jennifer Lame, Michael P. Shawver

Cameras: Sony CineAlta VENICE Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Panatar Anamorphic Lenses

Vice | ShotOnWhat?

Prosthetic Makeup Department Head

Vice (2018)

Directed by: Adam McKay

Cinematography by: Greig Fraser

Edited by: Hank Corwin

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Bolex Cameras

Lenses: Angenieux HR Zoom Lenses, Cooke Anamorphic/i Prime Lenses

Into the Woods | ShotOnWhat?

Dental Appliance Design And Fabrication For Johnny Depp Big Bad Wolf

Into the Woods (2014)

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Wyatt Smith

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Lone Survivor | ShotOnWhat?

Dental Appliance Design And Fabrication

Lone Survivor (2013)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr.

Cameras: Phantom Flex Camera, Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens

Thor | ShotOnWhat?

Special Makeup Effects Artist

Thor (2011)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Pirates of the Caribbean: On Stranger Tides | ShotOnWhat?

Special Makeup Effects Artist

Pirates of the Caribbean: On Stranger Tides (2011)

Directed by: Rob Marshall

Cinematography by: Dariusz Wolski

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

The Crazies | ShotOnWhat?

Key Makeup Effects: Almost Human Inc

The Crazies (2010)

Directed by: Breck Eisner

Cinematography by: Maxime Alexandre

Edited by: Billy Fox

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Zeiss Master Prime Lenses

Devil | ShotOnWhat?

Replicas: Eye

Devil (2010)

Directed by: John Erick Dowdle

Cinematography by: Tak Fujimoto

Edited by: Elliot Greenberg

Cameras: Panavision Cameras

The Fighter | ShotOnWhat?

Special Makeup Effects Artist: Dental Prosthetics

The Fighter (2010)

Directed by: David O. Russell

Cinematography by: Hoyte Van Hoytema

Edited by: Pamela Martin

Cameras: Aaton Penelope Camera, Sony BVP-900 Camera, Sony BVP-950 Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Watchmen | ShotOnWhat?

Makeup Effects Supervisor: Drac Studios

Watchmen (2009)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: William Hoy

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Friday the 13th | ShotOnWhat?

Key Special Effects Makeup Artist: Additional Photography

Friday the 13th (2009)

Directed by: Marcus Nispel

Cinematography by: Daniel Pearl

Edited by: Ken Blackwell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Close Focus Spherical Lenses

Yonkers Joe | ShotOnWhat?

Special Makeup Effects Supervisor: Drac Studios

Yonkers Joe (2008)

Directed by: Robert Celestino

Cinematography by: Michael Fimognari

Edited by: Gary Friedman, Jim Makiej

The Curious Case of Benjamin Button | ShotOnWhat?

Special Makeup Effects Artist: Drac Studios

The Curious Case of Benjamin Button (2008)

Directed by: David Fincher

Cinematography by: Claudio Miranda

Edited by: Kirk Baxter, Angus Wall

Cameras: ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera

Lenses: Zeiss DigiPrime Lenses

Editing System: Final Cut Pro Editing System

The Burrowers | ShotOnWhat?

Prosthetic Eyes

The Burrowers (2008)

Directed by: J.T. Petty

Cinematography by: Phil Parmet

Edited by: Andy Grieve, Robb Sullivan

Cameras: Panavision Cameras

Scary Movie 4 | ShotOnWhat?

Laboratory Technician: Captive Audience Productions

Scary Movie 4 (2006)

Directed by: David Zucker

Cinematography by: Thomas E. Ackerman

Edited by: Craig Herring, Tom Lewis

Cameras: Panavision Genesis Camera

World Trade Center | ShotOnWhat?

Makeup Artist

World Trade Center (2006)

Directed by: Oliver Stone

Cinematography by: Seamus McGarvey

Edited by: David Brenner, Julie Monroe

Apocalypto | ShotOnWhat?

Makeup Effects Artist: Captive Audience

Apocalypto (2006)

Directed by: Mel Gibson

Cinematography by: Dean Semler

Edited by: John Wright

Cameras: Aaton A-Minima Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Ikonoskop Cameras, Panavision Genesis Camera

The Exorcism of Emily Rose | ShotOnWhat?

Special Makeup Effects Artist: Captive Audience Productions

The Exorcism of Emily Rose (2005)

Directed by: Scott Derrickson

Cinematography by: Tom Stern

Edited by: Jeff Betancourt

War of the Worlds | ShotOnWhat?

Special Makeup Effects Artist

War of the Worlds (2005)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Son of the Mask | ShotOnWhat?

Special Makeup Effects Artist

Son of the Mask (2005)

Directed by: Lawrence Guterman

Cinematography by: Greg Gardiner

Edited by: Malcolm Campbell, John Coniglio, Debra Neil-Fisher

Doom | ShotOnWhat?

Dental Technician

Doom (2005)

Directed by: Andrzej Bartkowiak

Cinematography by: Tony Pierce-Roberts

Edited by: Derek Brechin

Seed of Chucky | ShotOnWhat?

Special Makeup Effects Artist

Seed of Chucky (2004)

Directed by: Don Mancini

Cinematography by: Vernon Layton

Edited by: Chris Dickens

The Passion of the Christ | ShotOnWhat?

Makeup Effects Artist

The Passion of the Christ (2004)

Directed by: Mel Gibson

Cinematography by: Caleb Deschanel

Edited by: Steve Mirkovich, John Wright

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Pirates of the Caribbean: The Curse of the Black Pearl | ShotOnWhat?

Special Makeup Effects Artist

Pirates of the Caribbean: The Curse of the Black Pearl (2003)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Arthur Schmidt, Craig Wood

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Hannibal | ShotOnWhat?

Special Makeup Effects Technician

Hannibal (2001)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Big Momma's House | ShotOnWhat?

Special Makeup Effects Artist

Big Momma's House (2000)

Directed by: Raja Gosnell

Cinematography by: Michael D. O'Shea

Edited by: Kent Beyda, Bruce Green

Bicentennial Man | ShotOnWhat?

Special Effects Technician: Captive Audience Productions Inc.

Bicentennial Man (1999)

Directed by: Chris Columbus

Cinematography by: Phil Meheux

Edited by: Nicolas De Toth, Neil Travis

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Primo Classic Spherical Lenses

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