Special Effects Foreman
The Amazing Spider-Man (2012)
Directed by: Marc Webb
Cinematography by: John Schwartzman
Cameras: Red Epic Camera
Mechanical Department: KNB EFX GROUP, INC., Puppeteer
Predators (2010)
Directed by: Nimród Antal
Cinematography by: Gyula Pados
Edited by: Dan Zimmerman
Cameras: Panavision Genesis Camera
Editing System: Avid Editing System
Puppeteer , Special Effects Makeup Designer, Special Effects Makeup Designer / Special Makeup Effects Department Head
Halloween II (2009)
Directed by: Rob Zombie
Cinematography by: Brandon Trost
Cameras: ARRI Cameras
Puppeteer, Special Effects Supervisor: KNB Effects Group
Transformers: Revenge of the Fallen (2009)
Directed by: Michael Bay
Cinematography by: Ben Seresin
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Mechanical Department: KNB EFX Group
Surrogates (2009)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Kevin Stitt
Animatronic Special Effects: KNB Effects Group / Mechanical Department: KNB EFX Group, Puppeteer
Drag Me to Hell (2009)
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Bob Murawski
Editing System: Avid Editing System, Final Cut Pro Editing System
Special Effects Makeup, Special Makeup Effects Artist
Halloween (2007)
Directed by: Rob Zombie
Cinematography by: Phil Parmet
Edited by: Glenn Garland
Special Effects, Special Makeup Effects Artist - Segment "Werewolf Women Of The SS"
Grindhouse (2007)
Special Makeup Effects Mechanics: K.N.B. EFX Group, Inc.
Planet Terror (2007)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Puppeteer, Special Effects Shop Supervisor: Animatronic Effects, K.N.B. Effects Group
Transformers (2007)
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Special Effects Makeup
The Devil's Rejects (2005)
Directed by: Rob Zombie
Cinematography by: Phil Parmet
Edited by: Glenn Garland
Special Makeup Effects Mechanics: Kurtzman, Nicotero & Berger EFX Group, Inc.
Spy Kids 2: Island of Lost Dreams (2002)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDW-F900 Camera
Puppeteer, Special Makeup Effects Supervisor: K.N.B. EFX Group Inc
The Haunting (1999)
Directed by: Jan de Bont
Cinematography by: Karl Walter Lindenlaub
Edited by: Michael Kahn
Cameras: Panavision Cameras, VistaVision Cameras
Lenses: Panavision Lenses
Special Makeup Effects Technician
A Simple Plan (1998)
Directed by: Sam Raimi
Cinematography by: Alar Kivilo
Cameras: Panavision Panaflex Platinum Camera
Special Effects Technician
Godzilla (1998)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Puppeteer, Special Effects Makeup
The Faculty (1998)
Directed by: Robert Rodriguez
Cinematography by: Enrique Chediak
Edited by: Robert Rodriguez
Cameras: Panavision Cameras
Special Effects Makeup
The X Files (1998)
Directed by: Rob Bowman
Cinematography by: Ward Russell
Edited by: Stephen Mark
Special Effects Makeup
Vampires (1998)
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Edited by: Edward A. Warschilka
Puppeteer, Special Effects
Men in Black (1997)
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Edited by: Jim Miller
Sculptor: KNB EFX Group, Special Effects Makeup
Wishmaster (1997)
Directed by: Robert Kurtzman
Cinematography by: Jacques Haitkin
Edited by: David Handman
Special Effects
Eraser (1996)
Directed by: Chuck Russell
Cinematography by: Adam Greenberg
Edited by: Michael Tronick
Special Effects Makeup , Special Makeup Effects Artist
Casino (1995)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Special Makeup Effects Crew
Vampire in Brooklyn (1995)
Directed by: Wes Craven
Cinematography by: Mark Irwin
Edited by: Patrick Lussier
Cameras: Moviecam Compact Camera
Special Effects Makeup
The Quick and the Dead (1995)
Directed by: Sam Raimi
Cinematography by: Dante Spinotti
Edited by: Pietro Scalia
Makeup Effects Crew: K.N.B. EFX Group
Lord of Illusions (1995)
Directed by: Clive Barker
Cinematography by: Rohn Schmidt
Edited by: Alan Baumgarten
Special Makeup Effects: Kurtzman, Nicotero & Berger EFX Group, Inc.
Bad Company (1995)
Directed by: Damian Harris
Cinematography by: Jack N. Green
Edited by: Stuart H. Pappé
Special Makeup Effects Artist
Pulp Fiction (1994)
Directed by: Quentin Tarantino
Cinematography by: Andrzej Sekula
Edited by: Sally Menke
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses
Editing System: Lightworks Editing System
Creator: Prosthetic Effects For "Zombies In The Barrels", Special Effects Makeup
Return of the Living Dead III (1993)
Directed by: Brian Yuzna
Cinematography by: Gerry Lively
Edited by: Christopher Roth
Mechanical Department: K.N.B. EFX Group
Army of Darkness (1992)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Puppeteer, Special Effects
Death Becomes Her (1992)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Edited by: Arthur Schmidt
Special Makeup Effects Artist
Reservoir Dogs (1992)
Directed by: Quentin Tarantino
Cinematography by: Andrzej Sekula
Edited by: Sally Menke
Special Makeup Effects Mechanical: Magical Media Industries, Inc.
Freddy's Dead: The Final Nightmare (1991)
Directed by: Rachel Talalay
Cinematography by: Declan Quinn
Edited by: Janice Hampton
Special Makeup Effects Artist
The People Under the Stairs (1991)
Directed by: Wes Craven
Cinematography by: Sandi Sissel
Edited by: James Coblentz
Special Makeup Effects Artist
Star Trek VI: The Undiscovered Country (1991)
Directed by: Nicholas Meyer
Cinematography by: Hiro Narita
Special Effects
Indiana Jones and the Last Crusade (1989)
Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Special Effects, Special Makeup Effects Artist
Halloween 4: The Return of Michael Myers (1988)
Directed by: Dwight H. Little
Cinematography by: Peter Lyons Collister
Edited by: Curtiss Clayton
