Conceptual Model Maker / Prop Maker
The Matrix Resurrections (2021)
Directed by: Lana Wachowski
Edited by: Joseph Jett Sally
Cameras: Red Komodo Camera
Modeller: Miniature Unit
The French Dispatch (2021)
Movie
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Andrew Weisblum
Lenses: Cooke S4/i Lenses
Modeller: Berlin Model Unit
Isle of Dogs (2018)
Directed by: Wes Anderson
Cinematography by: Tristan Oliver
Cameras: Canon EOS-1DX Camera
Prop Maker
Bridge of Spies (2015)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Avid Editing System
Special Effects Technician
The Hunger Games: Mockingjay - Part 2 (2015)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Special Effects Technician: Breakaways Daily
Dracula Untold (2014)
Directed by: Gary Shore
Cinematography by: John Schwartzman
Edited by: Richard Pearson
Modelmaker
The Grand Budapest Hotel (2014)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Barney Pilling
Cameras: ARRICAM Studio (ST) Camera
Lenses: Angenieux Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Technovision Techno-Cooke Anamorphic Zoom 40-200mm T4.5 Lens
Editing System: Avid Editing System
Prop Maker
The Monuments Men (2014)
Directed by: George Clooney
Cinematography by: Phedon Papamichael
Edited by: Stephen Mirrione
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens
Editing System: Avid Editing System
Set Decoration Modelmaker
Hansel & Gretel: Witch Hunters (2013)
Directed by: Tommy Wirkola
Cinematography by: Michael Bonvillain
Edited by: Jim Page
Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera
Special Effects Technician: Breakaways Daily
A Good Day to Die Hard (2013)
Directed by: John Moore
Cinematography by: Jonathan Sela
Edited by: Dan Zimmerman
Assistant Propmaker
The Apparition (2012)
Directed by: Todd Lincoln
Cinematography by: Daniel Pearl
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Prop Maker
Cloud Atlas (2012)
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera
Editing System: Avid Editing System
Propmaker
The Three Musketeers (2011)
Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
Art Department Assistant
Anonymous (2011)
Directed by: Roland Emmerich
Cinematography by: Anna Foerster
Edited by: Peter R. Adam
Cameras: ARRI ALEXA Camera
Propmaker
Ninja Assassin (2009)
Directed by: James McTeigue
Cinematography by: Karl Walter Lindenlaub
Lenses: Zeiss Master Prime Lenses
Junior Modelmaker
Speed Racer (2008)
Cinematography by: David Tattersall
Lenses: Zeiss DigiPrime Lenses
Sculptor
Perfume: The Story of a Murderer (2006)
Directed by: Tom Tykwer
Cinematography by: Frank Griebe
Edited by: Alexander Berner
Plasterer
V for Vendetta (2005)
Directed by: James McTeigue
Cinematography by: Adrian Biddle
Edited by: Martin Walsh
Plasterer
Beyond the Sea (2004)
Directed by: Kevin Spacey
Cinematography by: Eduardo Serra
Edited by: Trevor Waite
Plasterer
Around the World in 80 Days (2004)
Directed by: Frank Coraci
Cinematography by: Phil Meheux
Edited by: Tom Lewis
Cameras: Panavision Panaflex Gold II Camera
Plasterer
The Pianist (2002)
Directed by: Roman Polanski
Cinematography by: Pawel Edelman
Edited by: Hervé de Luze
Plasterer
Taking Sides (2001)
Directed by: István Szabó
Cinematography by: Lajos Koltai
Edited by: Sylvie Landra
