Michael Balzer

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Terminator: Dark Fate | ShotOnWhat?

Digital Compositor

Terminator: Dark Fate (2019)

Directed by: Tim Miller

Cinematography by: Ken Seng

Edited by: Julian Clarke

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera

Lenses: ARRI Rental Prime DNA Lenses, Cineovision Lenses

Editing System: Adobe Premiere Editing System

Solo: A Star Wars Story | ShotOnWhat?

Digital Compositor: ILM

Solo: A Star Wars Story (2018)

Directed by: Ron Howard

Cinematography by: Bradford Young

Edited by: Pietro Scalia

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: ARRI Rental Prime DNA Lenses, CamTec Falcon Full Frame Lenses, Zeiss Super Speed Lenses

Black Panther | ShotOnWhat?

Digital Artist: ILM

Black Panther (2018)

Directed by: Ryan Coogler

Cinematography by: Rachel Morrison

Edited by: Debbie Berman, Michael P. Shawver

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera

Lenses: Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens

Star Wars: Episode VIII - The Last Jedi | ShotOnWhat?

Only the Brave | ShotOnWhat?

Digital Compositor: ILM

Only the Brave (2017)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Billy Fox

Cameras: Sony CineAlta F65 Camera

Lenses: Fujinon Premier Lenses, Zeiss Master Prime Lenses

Thor: Ragnarok | ShotOnWhat?

Digital Compositor: ILM

Thor: Ragnarok (2017)

Directed by: Taika Waititi

Cinematography by: Javier Aguirresarobe

Edited by: Zene Baker, Joel Negron

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses, Panavision Primo V Lenses

Fast 8 | ShotOnWhat?

Digital Compositor

The Fate of the Furious (2017)

Directed by: F. Gary Gray

Cinematography by: Stephen F. Windon

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

The Accountant | ShotOnWhat?

Visual Effects: Psyop

The Accountant (2016)

Directed by: Gavin O'Connor

Cinematography by: Seamus McGarvey

Edited by: Richard Pearson

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

Doctor Strange | ShotOnWhat?

Digital Compositor

Doctor Strange (2016)

Directed by: Scott Derrickson

Cinematography by: Ben Davis

Edited by: Sabrina Plisco, Wyatt Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Into the Storm | ShotOnWhat?

Digital Compositor

Into the Storm (2014)

Directed by: Steven Quale

Cinematography by: Brian Pearson

Edited by: Eric A. Sears

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera

Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Expendables 3 | ShotOnWhat?

Digital Compositor

The Expendables 3 (2014)

Directed by: Patrick Hughes

Cinematography by: Peter Menzies Jr.

Edited by: Sean Albertson, Paul Harb

Cameras: Blackmagic Cinema Camera, Red Epic Camera, Red Scarlet Camera

X-Men: Days of Future Past | ShotOnWhat?

Digital Compositor

X-Men: Days of Future Past (2014)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera

Lenses: ARRI / Fujinon Lenses, Fujinon Lenses, Leitz Summilux-C Series Lenses

Transformers: Age of Extinction | ShotOnWhat?

Digital Compositor

Transformers: Age of Extinction (2014)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Paul Rubell

Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

World War Z | ShotOnWhat?

Digital Compositor

World War Z (2013)

Directed by: Marc Forster

Cinematography by: Ben Seresin, Robert Richardson

Edited by: Roger Barton, Matt Chesse

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, ARRIFLEX 435 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Riddick | ShotOnWhat?

Digital Compositor / Visual Effects Artist: Entity FX North

Riddick (2013)

Directed by: David Twohy

Cinematography by: David Eggby

Edited by: Tracy Adams

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Machete Kills | ShotOnWhat?

Digital Compositor

Machete Kills (2013)

Directed by: Robert Rodriguez

Cinematography by: Robert Rodriguez

Edited by: Rebecca Rodriguez, Robert Rodriguez

Cameras: ARRI ALEXA Plus Camera

The Hangover Part III | ShotOnWhat?

Digital Compositor

The Hangover Part III (2013)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Jeff Groth, Debra Neil-Fisher

Cameras: ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Escape Plan | ShotOnWhat?

Digital Compositor

Escape Plan (2013)

Directed by: Mikael Håfström

Cinematography by: Brendan Galvin

Edited by: Elliot Greenberg

Cameras: ARRI ALEXA Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Secret Life of Walter Mitty | ShotOnWhat?

Digital Compositor

The Secret Life of Walter Mitty (2013)

Directed by: Ben Stiller

Cinematography by: Stuart Dryburgh

Edited by: Greg Hayden

Cameras: ARRICAM Lite (LT) Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

"Arctic Air" Out of a Clear Blue Sky | ShotOnWhat?

Visual Effects Artist

'Arctic Air' Out of a Clear Blue Sky (2012)

Television Episode

Directed by: Robert Lieberman, Paul Shapiro

Cinematography by: Bruce Worrall

Edited by: Lara Mazur

"Once Upon a Time" The Stable Boy | ShotOnWhat?

Digital Compositor

'Once Upon a Time' The Stable Boy (2012)

Television Episode

Directed by: Dean White

Cinematography by: Stephen Jackson

Edited by: Geofrey Hildrew

"Once Upon a Time" The Return | ShotOnWhat?

Digital Compositor

'Once Upon a Time' The Return (2012)

Television Episode

Directed by: Paul A. Edwards

Cinematography by: Stephen Jackson

Edited by: Scot J. Kelly

"Once Upon a Time" The Stranger | ShotOnWhat?

Digital Compositor

'Once Upon a Time' The Stranger (2012)

Television Episode

Directed by: Gwyneth Horder-Payton

Cinematography by: Stephen Jackson

Edited by: Mark Goldman, Joe Talbot Hall

"Arctic Air" All In | ShotOnWhat?

Visual Effects Artist

'Arctic Air' All In (2012)

Television Episode

Directed by: James Dunnison

Edited by: Rick Martin

"Arctic Air" Hijacked | ShotOnWhat?

Digital Compositor

'Arctic Air' Hijacked (2012)

Television Episode

Directed by: Mike Rohl

Cinematography by: Bruce Worrall

Edited by: Lara Mazur

"Arctic Air" All the Vital Things | ShotOnWhat?

Compositor / Digital Compositor

'Arctic Air' All the Vital Things (2012)

Television Episode

Directed by: Robert Lieberman

Cinematography by: Bruce Worrall

Edited by: Franco Pante

"Arctic Air" Northern Lights | ShotOnWhat?

Digital Compositor

'Arctic Air' Northern Lights (2012)

Television Episode

Directed by: Anthony Atkins

Cinematography by: Bruce Worrall

Edited by: Rick Martin

"Arctic Air" C-TVAK | ShotOnWhat?

Digital Compositor

'Arctic Air' C-TVAK (2012)

Television Episode

Directed by: Mike Rohl

Cinematography by: Bruce Worrall

Edited by: Franco Pante

"Arctic Air" Vancouver Is Such a Screwed Up City | ShotOnWhat?

Digital Compositor

'Arctic Air' Vancouver Is Such a Screwed Up City (2012)

Television Episode

Directed by: Stacey Stewart Curtis

Cinematography by: Bruce Worrall

Edited by: Lara Mazur

"Arctic Air" Drop in for Lunch | ShotOnWhat?

Digital Compositor / Lead 3D Artist / Visual Effects Artist

'Arctic Air' Drop in for Lunch (2012)

Television Episode

Directed by: Gary Harvey

Edited by: Lara Mazur

"Arctic Air" New North | ShotOnWhat?

Visual Effects Artist

'Arctic Air' New North (2012)

Television Episode

Directed by: James Dunnison

Cinematography by: Bruce Worrall

Edited by: Franco Pante

"Arctic Air" The Professional | ShotOnWhat?

Digital Compositor

'Arctic Air' The Professional (2012)

Television Episode

Directed by: Kevin Fair

Cinematography by: Bruce Worrall

Edited by: Rick Martin

Arctic Air | ShotOnWhat?

Digital Compositor / Visual Effects Artist / Compositor / Lead 3D Artist - 10 Episodes, 2012

Arctic Air (2012)

Television Series

Directed by: Gary Harvey, Anthony Atkins, Kevin Fair, Mike Rohl, Amanda Tapping, James Dunnison, Robert Lieberman, Neill Fearnley, Anne Wheeler, Martin Wood, Stacey Stewart Curtis, Paul Shapiro

Cinematography by: Bruce Worrall, Pieter Stathis, Michael C. Blundell

Edited by: Lara Mazur, Franco Pante, Rick Martin, Dan Krieger

Once Upon a Time | ShotOnWhat?

Digital Compositor - 3 Episodes, 2012

Once Upon a Time (2011)

Television Series

Cinematography by: Stephen Jackson, Tony Mirza, Steven Fierberg

Edited by: Geofrey Hildrew, Mark Goldman, Joe Talbot Hall, Scot J. Kelly, Richard Glazerman, Paul Mendoza, Jon Koslowsky, Kathryn Panian, Robert Lanford, Adam Lemnah, Chris Conlee, Adam K. Tiller, Jim Towne, Julie Monroe, Henk Van Eeghen, Luke Brown, Lindsay Armstrong

Cameras: ARRI ALEXA Camera, ARRI ALEXA SXT EV Cameras, Blackmagic Cinema Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

©2012 - 2024 ShotOnWhat?

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