Post-production Supervisor
Cats (2019)
Directed by: Tom Hooper
Cinematography by: Christopher Ross
Edited by: Melanie Oliver
Cameras: ARRI ALEXA 65 Camera
Post-production Supervisor
Mary Queen of Scots (2018)
Directed by: Josie Rourke
Cinematography by: John Mathieson
Edited by: Chris Dickens
Post-production Supervisor
Victoria & Abdul (2017)
Directed by: Stephen Frears
Cinematography by: Danny Cohen
Edited by: Melanie Oliver
Cameras: ARRI ALEXA Camera, Red Epic Dragon Camera
Post-production Supervisor
Florence Foster Jenkins (2016)
Directed by: Stephen Frears
Cinematography by: Danny Cohen
Edited by: Valerio Bonelli
Cameras: ARRI ALEXA XT Camera
Post-production Supervisor
The Program (2015)
Directed by: Stephen Frears
Cinematography by: Danny Cohen
Edited by: Valerio Bonelli
Cameras: Red Epic Camera
Post-production Supervisor
Steve Jobs (2015)
Directed by: Danny Boyle
Cinematography by: Alwin H. Küchler
Edited by: Elliot Graham
Cameras: ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, Red Epic Dragon Camera
Lenses: Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Standard Speed Prime Lenses
Editing System: Avid Editing System
Post-production Supervisor
The Danish Girl (2015)
Directed by: Tom Hooper
Cinematography by: Danny Cohen
Edited by: Melanie Oliver
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Post-production Supervisor
The Two Faces of January (2014)
Directed by: Hossein Amini
Cinematography by: Marcel Zyskind
Cameras: ARRI ALEXA Plus 4:3 Camera
Lenses: Hawk C-Series Lenses
Post-production Supervisor
Paddington (2014)
Directed by: Paul King
Cinematography by: Erik Wilson
Edited by: Mark Everson
Cameras: ARRI ALEXA Studio Camera, ARRI ALEXA XT Camera
Lenses: Cooke S4 Lenses
Post-production Supervisor
In Fear (2013)
Directed by: Jeremy Lovering
Cinematography by: David Katznelson
Edited by: Jonathan Amos
Post-production Supervisor
Trance (2013)
Directed by: Danny Boyle
Cinematography by: Anthony Dod Mantle
Edited by: Jon Harris
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C500 Camera, indiePOV Camera
Editing System: Avid Editing System
Post-production Supervisor
Tinker Tailor Soldier Spy (2011)
Directed by: Tomas Alfredson
Cinematography by: Hoyte Van Hoytema
Edited by: Dino Jonsäter
Editing System: Avid Editing System
Post-production Supervisor
The Eagle (2011)
Directed by: Kevin Macdonald
Cinematography by: Anthony Dod Mantle
Edited by: Justine Wright
Post-production Supervisor
My Week with Marilyn (2011)
Directed by: Simon Curtis
Cinematography by: Ben Smithard
Edited by: Adam Recht
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Post-production Supervisor
Everybody's Fine (2009)
Directed by: Kirk Jones
Cinematography by: Henry Braham
Edited by: Andrew Mondshein
Post-production Supervisor
Pirate Radio (2009)
Directed by: Richard Curtis
Cinematography by: Danny Cohen
Edited by: Emma E. Hickox
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Post-production Supervisor
Killshot (2008)
Directed by: John Madden
Cinematography by: Caleb Deschanel
Post-production Supervisor
The Duchess (2008)
Directed by: Saul Dibb
Cinematography by: Gyula Pados
Edited by: Masahiro Hirakubo
Post-production Supervisor
The Other Man (2008)
Directed by: Richard Eyre
Cinematography by: Haris Zambarloukos
Edited by: Tariq Anwar
Post-production Supervisor
The Boy in the Striped Pajamas (2008)
Directed by: Mark Herman
Cinematography by: Benoît Delhomme
Edited by: Michael Ellis
Post-production Supervisor
Elizabeth: The Golden Age (2007)
Directed by: Shekhar Kapur
Cinematography by: Remi Adefarasin
Edited by: Jill Bilcock
Post-production Supervisor
Hot Fuzz (2007)
Directed by: Edgar Wright
Cinematography by: Jess Hall
Edited by: Chris Dickens
Post-production Supervisor
Love in the Time of Cholera (2007)
Directed by: Mike Newell
Cinematography by: Affonso Beato
Edited by: Mick Audsley
Post-production Supervisor
The Skeleton Key (2005)
Directed by: Iain Softley
Cinematography by: Dan Mindel
Edited by: Joe Hutshing
Post-production Supervisor
Nanny McPhee (2005)
Directed by: Kirk Jones
Cinematography by: Henry Braham
Post-production Supervisor
Doom (2005)
Directed by: Andrzej Bartkowiak
Cinematography by: Tony Pierce-Roberts
Edited by: Derek Brechin
Post-production Supervisor
Hope Springs (2003)
Directed by: Mark Herman
Cinematography by: Ashley Rowe
Edited by: Michael Ellis
Post-production Supervisor
Mona Lisa Smile (2003)
Directed by: Mike Newell
Cinematography by: Anastas N. Michos
Edited by: Mick Audsley
Post-production
The Count of Monte Cristo (2002)
Directed by: Kevin Reynolds
Cinematography by: Andrew Dunn
Post-production
The Importance of Being Earnest (2002)
Directed by: Oliver Parker
Cinematography by: Tony Pierce-Roberts
Edited by: Guy Bensley
Post-production Supervisor
Dirty Pretty Things (2002)
Directed by: Stephen Frears
Cinematography by: Chris Menges
Edited by: Mick Audsley
Editing System: Lightworks Editing System
Post-production Supervisor
The Body (2001)
Directed by: Jonas McCord
Cinematography by: Vilmos Zsigmond
Post-production Supervisor
The MatchMaker (1997)
Directed by: Mark Joffe
Cinematography by: Ellery Ryan
Edited by: Paul Martin Smith
Post-production Supervisor
Roseanna's Grave (1997)
Directed by: Paul Weiland
Cinematography by: Henry Braham
Edited by: Martin Walsh
Production Coordinator
Wuthering Heights (1992)
Directed by: Peter Kosminsky
Cinematography by: Mike Southon
Edited by: Tony Lawson
Cameras: ARRI Cameras
Production Coordinator
Memphis Belle (1990)
Directed by: Michael Caton-Jones
Cinematography by: David Watkin
Edited by: Jim Clark
